La Serpenta Canta

• Artist: Diamanda Galás
• Rating:
• Release Date: 2003 11
• Type: Live, Enhanced CD-ROM
• Genre: Avant-Garde

Review

Blues is a scary form of music. The authentic blues relies on the turmoil of strong, often shameful emotions. Bluesmen like John Lee Hooker and Screamin' Jay Hawkins could sing in a very scary voice that sent shivers down your spine. So can Diamanda Galás. In fact, she's the scariest of them all. Then again, she's not a blues singer. Or isn't she? Her fantastic vocal range and powerful lungs are certainly more opera than roots, but her gothic looks and her topics of choice (despair and redemption) put her much closer to the Blues (with a capital B) than one could suspect at first. And when she dives into "Ain't No Grave Can Hold My Body Down" or Hooker's "Burning Hell," she is one of the greatest blueswomen who ever lived. But what she does to the blues is unique, and makes La Serpenta Canta a unique album. Recorded live, mostly in 2001-2002, it features the dark dame alone at the piano (her soundman Blaise Dupuy occasionally adds effects in her piano or microphone). She reinvents from top to bottom a cross section of songs about people hurting. It's not all blues; there's some country in there, some jazz, even a bit of Motown (the Supremes' "My World Is Empty Without You," the strength of which is unbelievable). She slipped in one original, "Baby's Insane," which first appeared on her collaboration with John Paul Jones, The Sporting Life. But it's all about hurt. Her voice shreds your soul into pieces and each piano chord throws a dagger through your heart. The quality of her interpretations is staggering; each song -- from Hank Williams' "I'm So Lonesome I Could Cry" to Hawkins' "I Put a Spell on You" and the standard "See That My Grave Is Kept Clean" -- sounds like it was tailored to her voice. The only downside is the duration: 80 minutes is short for a double album. By cutting a few seconds of applause here and there, it could have been scaled down to a single disc. Then again, the pause between the two 40-minute sets is beneficial. Along with The Sporting Life, this is one of her most accessible releases. And so fine it hurts. ~ François Couture, All Music Guide

Tracks

CD 1

Track Title	Composers	Performers	Time
Intro		Diamanda Galás	(:27)
Ain't No Grave Can Hold My Body Down	Traditional	Diamanda Galás	(5:38)
Burning Hell	John Lee Hooker, Bernard Besman	Diamanda Galás	(10:22)
Baby's Insane		Diamanda Galás	(4:40)
I'm So Lonesome I Could Cry	Hank Williams	Diamanda Galás	(6:58)
Lonely Woman	Ornette Coleman	Diamanda Galás	(6:41)
Frenzy		Diamanda Galás	(6:37)

CD 2

Track Title	Composers	Performers	Time
Blue Spirit Blues	Spencer Williams	Diamanda Galás	(5:10)
My World Is Empty Without You	Lamont Dozier, Brian Holland	Diamanda Galás	(4:21)
I Put a Spell on You	Screamin' Jay Hawkins	Diamanda Galás	(6:23)
At the Dark End of the Street	Dan Penn, Chips Moman	Diamanda Galás	(4:40)
Dancing in the Dark	Howard Dietz, Arthur Schwartz	Diamanda Galás	(4:34)
Dead Cat on the Line	Lucky Peterson, Jimmy Payne	Diamanda Galás	(3:38)
See That My Grave Is Kept Clean	Traditional	Diamanda Galás	(6:31)
Burning Hell (Reprise)	John Lee Hooker, Bernard Besman	Diamanda Galás	(8:23)

Credits

Diamanda Galás (Director), Mathu Anderson (Make-Up), Blaise Dupuy (Mixing), Diamanda Galás (Voices), Alison Brummer (Production Assistant), Diamanda Galás (Arranger), Stas Azaov (Etching), Robert Schilling (Project Manager), Blaise Dupuy (Producer), Diamanda Galás (Piano), Zillo (Photography), Austin Young (Photography), Blaise Dupuy (Sound Design), Rex Ray (Design)