Contents: IntroductionPlot Summary Characters Themes Style Critical Overview Criticism Sources Further Reading |
Historical Context
The Post-War Decade
Dahl began his writing career in 1942 with a story about being shot down while fighting in North Africa. Violence, whether associated with warfare or with crime, continued to fascinate Dahl and figures prominently even in his childrens’ stories. “Lamb to the Slaughter” belongs to the first full decade of Dahl’s writing career and to the first decade of what historians call the Post-War period. This period witnessed the sociological and cultural transformation of the Western world and took hold as strongly in the United States, where Dahl had come to live, as in Europe. Among the features of the Post-War period may be tallied the growth of cities and the attendant rise in urban tension, the incipient liberation of women, young people, and minorities, the sense that the normative, agriculturally based America that had existed up until the nation’s involvement in World War II was in radical dissolution. It is significant with respect to Dahl’s story that divorce, formerly rare in the statistics of
American life, began to rise in the aftermath of the war.
Popular Fiction
The same decade was also the heyday of popular fiction in the United States, with dozens of weekly and monthly journals featuring short fiction and serialized novels, and with paperback publishing getting under way. Dahl began his career in the “weeklies” before breaking into print in commercial book form. The wave of popular fiction, emphasizing the short story, saw the differentiation of genres. Police and detective fiction, war fiction, science fiction, romance, even the business story, all represent distinct genres which appealed to well-defined groups of readers.
Television Culture
The year of “Lamb to the Slaughter,” 1953, puts the story in the glory days of American television, on which at the time gimmicky dramas of a slightly grotesque character frequently appeared. (Rod Serling’s Twilight Zone, which would come along in 1957, represented the zenith of the trend.) With its two-setting structure (the Maloney household and the counter of a grocery store) and its limited dramatis personae, “Lamb to the Slaughter” has the feel of a teleplay scenario. The black comedy and the opportunity for potential viewers to be in the know while certain characters (the detectives) remain ignorant of the facts, also conform to the nature of the one-act, half-hour TV drama interrupted by commercial messages.
Compare & Contrast
- 1950s: Precisely because the traditional social norms had begun to come under the pressures that would lead to change, American society in the 1950s tended to reaffirm the norms of religion, family, self-reliance, law and order, and strongly defined gender roles.
1990s: Certain social trends only barely visible in 1950 now present themselves glaringly: the statistical likelihood that many marriages will fail, for example, and the ubiquitousness of violent crime. Restrictive gender roles are one of the most frequently attacked social mores in the late twentieth century. Murder is commonplace and horrific domestic violence abounds. For example, in the mid-1980s, a suburban Detroit, Michigan man killed his wife and kept her body in a locked freezer for several years, until one of the couple’s daughters discovered it. - 1953: Simone de Beauvoir’s nonfiction study of 1949 denouncing the unequal position of women in most public and private arenas is published in translation in the United States as The Second Sex.
1990s: Women still earn, on average, only 75% of what similarly educated men earn in comparable positions. - 1950s: The English and American populations, recovering from two wars (World War II and the Korean War), responded enthusiastically to economic trends, embracing the new standard of cheap housing and abundant material goods within the price-range of middle-class “consumers.”
1990s: The “baby boom” generation (those born in the post-World War II years) is the first in English and American history to be measurably worse off financially than their parents generation.




