For more information on Lanford Eugene Wilson, visit Britannica.com.
| Britannica Concise Encyclopedia: Lanford Eugene Wilson |
For more information on Lanford Eugene Wilson, visit Britannica.com.
| American Theater Guide: Lanford Wilson |
Wilson, Lanford (b. 1937), playwright. Born in Lebanon, Missouri, he began writing plays while attending the University of Chicago. Coming to New York he soon earned attention for his work presented Off Broadway and Off Off Broadway. His first plays to reach a regular playhouse were The Gingham Dog (1969) and Lemon Sky (1970), but in 1973 his picture of life in a dingy hotel, The Hot l Baltimore, began a run of 1,166 performances, an Off‐Broadway record for a nonmusical by an American. He later wrote three plays about the same Missouri family, The
| Works: Works by Lanford Wilson |
| 1963 | So Long at the Fair. The Missouri-born playwright's first production, described by Wilson as a "silly comedy" he wrote in one day, concerns a country boy's big-city experiences. It opens at Caffe Cino, a small coffeehouse in New York's Greenwich Village. |
| 1964 | Home Free and Madness of Lady Bright. The playwright gains his first major success and acclaim for these one-act plays, produced off-off-Broadway. The first dramatizes an incestuous union; the second concerns a fading transvestite homosexual performer. Balm in Gilead, Wilson's first full-length play, also appears. It involves thirty-two characters, including junkies, prostitutes, homosexuals, lesbians, and various hustlers interacting in an all-night New York coffee shop. |
| 1965 | This Is the Rill Speaking. Wilson produces his first work set in his native Ozarks. Wilson's first Broadway production, The Gingham Dog, about the failure of an interracial marriage, would draw critical praise but close after only five performances in 1969. |
| 1966 | The Rimers of Eldritch. Wilson's second full-length play employs another large cast to portray inhabitants of a decaying Midwestern town who reveal their true natures, prompted by the murder of the town's hermit. |
| 1970 | Lemon Sky. Written and initially performed in 1968, Wilson's highly autobiographical play opens in Buffalo and New York City. It traces a college student's futile attempts to be reconciled with his estranged father. Wilson also produces Serenading Louie, a drama concerning suburban couples disappointed by their lives and marriages. |
| 1973 | The Hot l Baltimore. Wilson's drama is set in a seedy hotel inhabited by prostitutes, hustlers, and indigents. It wins the New York Drama Critics Circle Award. |
| 1975 | The Mound Builders. Wilson juxtaposes different attitudes about the land and life in the values of archaeologists excavating an Indian burial site and a realtor who wants to develop the area. |
| 1978 | The Fifth of July. The first of Wilson's plays treating the Talley family depicts the return home of a paraplegic Vietnam War veteran. |
| 1979 | Talley's Folly. The second of the playwright's dramas about the Talley family treats the courtship of Sally Talley by a Jewish accountant. Like other plays in the series, it brilliantly conflates the conflicts in individuals' lives with family histories and the social manners and mores of the times. The play wins the Pulitzer Prize and would also claim the New York Drama Critics Circle Award after transferring from off-Broadway to Broadway in 1980. |
| 1981 | A Tale Told. This is the third installment in the Talley family saga, to be retitled Talley and Son in 1985. It is set on the same night in 1944 as Talley's Folly and depicts the family's quarrel over their garment business. |
| 1982 | Angels Fall. A group of travelers seek refuge in a New Mexico mission during a nuclear accident, developing a degree of cooperation that is unusual in Wilson's plays. |
| 1988 | Burn This. Wilson's play concerns the accidental death of a dancer, which brings together his young brother and his male and female roommates. The drama's emotional intensity is praised by reviewer J. M. Ditsky, who states that "Nothing quite like it has been encountered since Tennessee Williams departed the American theatrical scene." |
| Wikipedia: Lanford Wilson |
| Lanford Wilson | |||||||
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Wilson presenting at the 2006 New York Innovative Theatre Awards |
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| Information | |||||||
| Debut works | Home Free! (1964) Balm in Gilead (1965) |
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| Notable work(s) | The Hot l Baltimore (1973) | ||||||
| Magnum opus | Talley's Folly (1979) Fifth of July (1978) |
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| Awards | Pulitzer Prize for Drama (1980) | ||||||
Lanford Wilson (born 13 April 1937) is an American playwright, considered one of the founders of the Off-off Broadway theater movement. He received the Pulitzer Prize for Drama in 1980, elected in 2001 to the Theater Hall of Fame, and in 2004 elected to the American Academy of Arts and Letters.
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Wilson was born to Ralph Eugene and Violetta Tate Wilson in Lebanon, Missouri. After the divorce of his parents, he moved with his mother to Springfield, until she remarried and when he was eleven and they moved again to Ozark. There he attended high school, and upon graduation, he moved San Diego, California to live with his father, where he briefly attended San Diego State University. He then lived for six years in Chicago, where he began to explore play writing at the University of Chicago.
Wilson began his active career as a playwright in the early 1960s at the Caffe Cino in Greenwich Village, writing one-act plays such as Ludlow Fair, Home Free!, and The Madness of Lady Bright. The Madness of Lady Bright premiered at the Caffe Cino in May 1964 and was the venue's first significant hit. The play featured actor Neil Flanagan in the title role as Leslie Bright, a neurotic aging queen (gay slang). The Madness of Lady Bright is considered a landmark play in the representation of male homosexuality. It was the longest running play ever to appear at the Caffe Cino, where it was performed over two hundred times. Wilson was subsequently invited to present his work off-Broadway, including his plays Balm in Gilead and The Rimers of Eldritch produced at Cafe LaMama.
Founded member of New York State Summer School for the Arts.
Wilson was a founding member of the Circle Repertory Company in 1969. Many of his plays were first presented there, directed by his long-standing collaborative partner, Marshall W. Mason. The Circle Rep's production of Wilson's The Hot l Baltimore won the New York Drama Critics' Circle Award, the Outer Critics Circle Award, and the Obie Award, and in 1979 he received the Pulitzer Prize for Drama for Talley's Folly.
Wilson's style and approach has evolved over the years, sometimes resulting in drastically different effects. Some of his plays are extremely radical and experimental in nature while others clearly have a more mainstream, if still creative, sensibility. His first full length play, Balm in Gilead, is perhaps his most radical, yet it also remains one of his most popular. The play had a memorable off-Broadway revival in the 1980s, directed by John Malkovich, a co-production of Circle Rep and the Steppenwolf Theatre Company.
In addition to writing plays, Wilson has written the texts for several twentieth century operas, including at least two collaborations with composer Lee Hoiby: Summer and Smoke (1971) and This is the Rill Speaking (1992) (based on his own play).
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| Angels Fall (Sources) (play) | |
| The Mound Builders (Sources) (play) | |
| Burn This (Sources) (play) |
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