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Lennie Niehaus

 
  • Genres: Jazz

Biography

An excellent altoist and jazz arranger in the 1950s (most notably for Stan Kenton), Lennie Niehaus in more recent times won fame for his work scoring the music for Clint Eastwood films. After graduating from college, Niehaus played alto and occasionally wrote for Kenton (1951-1952) before being drafted for the Army (1952-1954). Upon his discharge, Kenton welcomed Niehaus back and he worked for the bandleader on and off for the rest of the decade. Niehaus, who led and played alto on six albums between 1954-1957 (five for Contemporary), had a cool tone a bit reminiscent of Lee Konitz. By the 1960s, his playing had gone by the wayside as Niehaus concentrated on writing for films. Although he largely left jazz at that time, his work on Play Misty for Me, and particularly Bird for Clint Eastwood, allowed one to once again admire his jazz writing. ~ Scott Yanow, Rovi
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Lennie Niehaus

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Lennie Niehaus (born 11 June 1929) is an American alto saxophonist, arranger, and composer on the West Coast jazz scene. He has played with the Stan Kenton big band, and various other jazz bands on the West Coast of the U.S. Niehaus has arranged and composed for motion pictures, including several produced by Clint Eastwood.[1]

Niehaus was born in St. Louis, Missouri, USA. Lennie’s sister was a concert pianist, his father an expert violinist. Père Niehaus, his father, started his son on violin at age seven. Lennie then changed instruments to bassoon. At thirteen, he began alto saxophone and clarinet. About this time he began composing. In 1946, while still studying music at college (what is now CSULA), Lennie started his professional career, along with reedmen Herb Geller, Herbie Steward and Teddy Edwards. He went with the Stan Kenton orchestra for six months. However, he was drafted into the army in 1952. Discharged in 1954, he rejoined Kenton for five years.[1]

He left in 1959 because he wanted to be a composer. He went back to Los Angeles to arrange for the King Sisters, Mel Tormé, Dean Martin, and Carol Burnett. In 1962 he began orchestrating for film composer Jerry Fielding. Niehaus worked with Fielding on approximately sixty or seventy TV shows and films. Since Fielding’s death, Lennie has been a leading film composer in his own right. He always does his own orchestrating for his pieces.

In films Lennie never forgets his jazz roots. The story of the film City Heat was cast in the 1930s, so he wrote jazz of that period using people like altoist Marshal Royal. Bill Perkins came in and played like Lester. He had a jazz violinist who sounded like Stephane Grappelli. Then there was a boogie woogie sequence with three pianists Pete Jolly, Mike Land and producer Clint Eastwood. After many years of not playing his alto saxophone at all, Niehaus returned to performing, reportedly in top form.[citation needed] He still composes for films as well. He was the musical director for the Charlie Parker feature film, Bird.

His work includes Spiritual Jazz Suite, four pieces arranged for brass quartet, Three sets of Christmas Jazz suites (4 pieces in each) and a Christmas Jazz Medley arranged for saxophone quartet, a book of classical saxophone duets, A beginning, intermediate, and advanced methods for the understanding of jazz technique, and a book of jazz saxophone duets exemplifying jazz styles.

Contents

Discography

  • Volume 1: The Quintets (Contemporary 3518)
  • Volume 2: Zounds! (Contemporary 3540)
  • Volume 3: The Octet, Number 2 (Contemporary 3505)
  • Volume 4: The Quintets And Strings (Contemporary 3510)
  • Volume 5: The Sextet (Contemporary 3524)
  • I Swing For You (EmArcy 36118)

Musical scores

References

  1. ^ a b Yanow, Scott. "Lennie Niehaus: Biography". Allmusic. http://www.allmusic.com/artist/lennie-niehaus-p9363. Retrieved 2010-12-17. 

External links


 
 

 

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