Representative Albums: "Lennie Niehaus, Vol. 4: The Quintets and Strings," "Lennie Niehaus, Vol. 1: The Quintets," "Lennie Niehaus, Vol. 3: The Octet, Pt. 2"
Biography
An excellent altoist and jazz arranger in the 1950s (most notably for Stan Kenton), Lennie Niehaus in more recent times won fame for his work scoring the music for Clint Eastwood films. After graduating from college, Niehaus played alto and occasionally wrote for Kenton (1951-1952) before being drafted for the Army (1952-1954). Upon his discharge, Kenton welcomed Niehaus back and he worked for the bandleader on and off for the rest of the decade. Niehaus, who led and played alto on six albums between 1954-1957 (five for Contemporary), had a cool tone a bit reminiscent of Lee Konitz. By the 1960s, his playing had gone by the wayside as Niehaus concentrated on writing for films. Although he largely left jazz at that time, his work on Play Misty for Me, and particularly Bird for Clint Eastwood, allowed one to once again admire his jazz writing. ~ Scott Yanow, All Music Guide
Niehaus was born in St. Louis, Missouri, USA. Lennie’s sister was a concert pianist and his father was an expert violinist. Père Niehaus, his father, started his son on violin at age seven. Lennie then changed instruments to bassoon. When he turned thirteen, he began learning alto saxophone and clarinet. Niehaus was always interested in composing and wrote music as a young teenager. In 1946, while still studying music at college, Lennie started his professional career, along with reedmen Herb Geller, Herbie Steward and Teddy Edwards. He went with the Stan Kenton orchestra for six months. However, he was drafted into the army in 1952. Discharged in 1954, he rejoined Kenton for five years.
He left in 1959 because he wanted to be a composer. He went back to Los Angeles to arrange for the King Sisters, Mel Tormé, Dean Martin, and Carol Burnett. In 1962 he began orchestrating for film composerJerry Fielding. Niehaus worked with Fielding on approximately sixty or seventy TV shows and films. Since Fielding’s death, Lennie has been a leading film composer in his own right. He always does his own orchestrating for his pieces.
In films Lennie never forgets his jazz roots. The story of the film City Heat was cast in the 1930s, so he wrote jazz of that period using people like altoist Marshal Royal. Bill Perkins came in and played like Lester. He had a jazz violinist who sounded like Stephane Grappelli. Then there was a boogie woogie sequence with three pianists Pete Jolly, Mike Land and producer Clint Eastwood. After many years of not playing his alto saxophone at all, Niehaus returned to performing, reportedly in top form.[citation needed] He still composes for films as well. He was the musical director for the Charlie Parker feature film, Bird.
His work includes Spiritual Jazz Suite, four pieces arranged for brass quartet.