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Leonid Andreyev

 
Photography Encyclopedia: Leonid Andreyev

Andreyev, Leonid (1871-1919), Russian writer, painter, and amateur photographer. After working as a journalist he became a successful author of stories and plays and, for a while, a friend of Maxim Gorky; he also entered radical politics. Having earlier taken black-and-white stereoscopic photographs, he became a devotee and master of the Lumière autochrome process from c.1908.

His c.400 surviving plates include handsome self-portraits and pictures of his second wife Anna, nude and clothed, his children, literary friends, and landscapes around his house at Vammelsuu near St Petersburg, and abroad. In the most successful ones, flowers, foliage, skin tones, and the play of light and shadow are rendered with extraordinary delicacy. Andreyev opposed the Bolshevik seizure of power in 1917-18 and died in Finland; c.300 of his autochromes are held by Leeds University.

— Richard Davies/Robin Lenman

Bibliography

  • Davies, R., Leonid Andreyev: Photographs by a Russian Writer (1989)
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Russian History Encyclopedia: Leonid Nikolayevich Andreyev
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(1871 - 1919), Russian prose writer, playwright, and publicist whose works, internationally acclaimed in his lifetime, are infused with humanistic protest against social oppression and humiliation.

Born on August 21, 1871, in the town of Oryol (Orel), Leonid Nikolayevich Andreyev studied law at St. Petersburg University and briefly practiced as a lawyer. A volume of stories, published in 1901 by Maxim Gorky's "Znanie" enterprise, made him famous. After the death of his first wife in 1906 and the violent oppression of the anti-autocratic mutinies that occurred between 1905 and 1907, Andreyev entered a period of deep resignation, abandoning radical leftist ideas but failing to develop viable alternatives. His political confusion resonated with the liberal intelligentsia, for whose he became the most fashionable of authors in the 1910s.

In Andreyev's narratives, crass images of irrationality and hysteria are often blended with crude melodrama, yet they also reveal persistent social sensitivities. Thus, the short story "Krasnyi smekh" ("Red Laughter," 1904) depicts the horror of war, whereas "Rasskaz o semi poveshennykh" ("The Seven Who Were Hanged," 1908) attacks capital punishment while idealizing political terrorism. Andreyev's plays, closely associated with Symbolism, caused scandals and enjoyed huge popularity. His unfinished novel Dnevnik Satany (Satan's Diary, 1918) was inspired by the death of U.S. millionaire Alfred Vanderbilt on the Lusitania in 1915, and seeks to convey the doom of bourgeois society.

In addition to his writing, Andreyev was also an accomplished color photographer and painter. He displayed pro-Russian patriotism in World War I, but welcomed the February Revolution of 1917. Later that year, he radically opposed the Bolshevik coup and emigrated to Finland. In his last essay, "S.O.S." (1919), he called upon the president of the United States to intervene in Russia militarily. Andreyev died on September 12th of that same year.

Bibliography

Newcombe, Josephine. (1972). Leonid Andreyev. Letch-worth, UK: Bradda Books.

Woodward, James. (1969). Leonid Andreyev: A Study. Oxford, UK: Clarendon Press.

—PETER ROLLBERG

 
Columbia Encyclopedia: Leonid Nikolayevich Andreyev
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Andreyev, Leonid Nikolayevich (lyāənyēt' nyĭkəlī'əvĭch əndrā'yəf), 1871-1919, Russian writer. Andreyev's early stories were realistic studies of everyday life. Gorky was attracted by the note of social protest in his work and used his influence to obtain publication of Andreyev's first volume of short stories. After an enormous initial success Andreyev turned to more metaphysical themes, frequently employing allegory and symbol. He declared his anti-Bolshevism, and his friendship with Gorky was terminated. Andreyev went to Finland at the Bolshevik accession to power and died there. His strongest dramatic work is King Hunger (1907), an acerbic portrait of Russian society. Besides the popular drama of a circus clown, He Who Gets Slapped (1915, tr. 1921), his best-known plays are Anathema (1909, tr. 1910), an allegory on the futility of goodness, and The Pretty Sabine Women (1911, tr. 1914), a political satire. The pessimism of his later writings cost Andreyev his popularity. His name also appears as Andreev.

Bibliography

See Letters of Gorky and Andreev, ed. by P. Yershov (1958); biographical studies by A. S. Kaun (1924, repr. 1969), J. B. Woodward (1969), and J. M. Newcombe (1973).

Dictionary: An·dre·ev or An·dre·yev (än-drā'əf, -yəf) pronunciation, Leonid Nikolaevich
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1871-1919.

Russian writer noted for his realistic and pessimistic stories, novels, and plays.


Wikipedia: Leonid Andreyev
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Portrait of Leonid Andreev

Leonid Nikolaievich Andreyev (Russian: Леонид Николаевич Андреев, 21 August [O.S. 9 August] 1871 – September 12, 1919) was a Russian playwright and short-story writer who led the Expressionist movement in the national literature. He was active between the revolution of 1905 and the Communist revolution which finally overthrew the Tsarist government.

Contents

Biography

Born in the Oryol province of Russia, Andreyev originally studied law in Moscow and Saint Petersburg, but abandoned his unremunerative law practice to pursue a literary career. He became police-court reporter for a Moscow daily, performing the routine of his humble calling without attracting any particular attention. His first story published was About a Poor Student, a narrative based upon his own experiences. It was not, however, until Gorky discovered him by stories appearing in the Moscow Courier and elsewhere that Andreyev's literary career really began.

Andreyev, by Ilya Repin, 1904

From that day to his death he was one of the most prolific writers in Russia, producing short stories, sketches, dramas, etc., in frequent succession. His first collection of stories appeared in 1901, and sold a quarter-million copies in short time. He was hailed as a new star in Russia, where his name soon became a by-word. He published his short story, "In the Fog" in 1902. Although he started out in the Russian vein he soon startled his readers by his eccentricities, which grew even faster than his fame. His two best known stories may be "The Red Laugh" (1904) and "The Seven Who Were Hanged" (1908). His dramas include the Symbolist plays The Life of Man (1906), Tsar Hunger (1907), Black Masks (1908), Anathema (1909), and He Who Gets Slapped (1915).[1]. The Life of Man was staged by both Stanislavski (with his Moscow Art Theatre) and Meyerhold (in Saint Petersburg), the two giants of Russian theatre of the twentieth century, in 1907.[2]

Idealist and rebel, Andreyev spent his last years in bitter poverty, and his premature death from heart failure may have been hastened by his anguish over the results of the Bolshevik Revolution. Unlike his friend Maxim Gorky, Andreyev could not make peace with the new order. From his house in Finland he addressed manifestos to the world at large against the excesses of the Bolsheviks.

Aside from his political writings, Andreyev published little after 1914. A play, The Sorrows of Belgium, was written at the beginning of the War to celebrate the heroism of the Belgians against the invading German army. It was produced in the United States, as were the plays, The Life of Man (1917), The Rape of the Sabine Women (1922), He Who Gets Slapped (1922), and Anathema (1923). A popular and acclaimed film version of He Who Gets Slapped was produced by MGM Studios in 1924.

Leonid Andreyev and his wife, Anna

Poor Murderer, an adaptation of his short story Thought made by Pavel Kohout, opened on Broadway in 1976.

He was married to Countess Wielhorska, a niece of Taras Shevchenko. Their son was Daniil Andreyev, a poet and mystic, author of Roza Mira.

Leonid Andreyev's granddaughter, the American writer Olga Andrejew Carlisle, published a collection of his short stories, Visions, in 1987.

Notes

  1. ^ Banham (1998, 24)
  2. ^ Benedetti (1999, 176-177), Banham (1998, 24), and Carnicke (2000, 34).

Sources

  • This article incorporates text from an edition of the New International Encyclopedia that is in the public domain.
  • Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge University Press. ISBN 0521434378.
  • Benedetti, Jean. 1999. Stanislavski: His Life and Art. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0413525201.
  • Carnicke, Sharon M. 2000. "Stanislavsky's System: Pathways for the Actor". In Twentieth Century Actor Training. Ed. Alison Hodge. London and New York: Routledge. ISBN 0415194520. p.11-36.

Trivia

  • Copies of his "The Seven Who Were Hanged" and "The Red Laugh" was found in the library of horror writer H.P.Lovecraft, as listed in "Lovecraft's Library¨" catalogue by S.T.Joshi .

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