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Less Than Zero (Historical Context)

 
Notes on Novels: Less Than Zero (Historical Context)
 

Contents:

Introduction
Author Biography
Plot Summary
Characters
Themes
Style
Critical Overview
Criticism
Sources
For Further Study


Historical Context

Popular Music of the 1980s

Ellis's fiction has been noted for its many references to elements of popular American culture. This novel makes references to a number of pop musicians and bands of the early 1980s, including: Elvis Costello, the Go-Gos, Peter Gabriel, Duran Duran, INXS, Adam Ant, Sting, XTC, U2, the Fleshtones, Aerosmith, Squeeze, the Clash, the Eagles, and Fleetwood Mac. These references appear on posters and T-shirts as well as in discussion of new albums and songs, and background noise in various scenes of the novel. These references are partly what lead critics to call the novel "the voice of a new generation," as they locate the characters in a very specific historical and generational milieu of popular entertainment.

Popular Film, Television, and Magazines

Reference is also made to various movies, such as Friday the 13th, Invasion of the Body Snatchers and Temple of Doom. Several references to television programs also appear in the novel, such as The Twilight Zone, a science fiction series, and Another World, a long-running soap opera. The titles also pick up on central themes of the novel. Friday the 13th and Invasion of the Body Snatchers are both classic horror films; their association with graphic violence, and the voyeuristic pleasures of watching graphic violence, are recurring interests of Clay and his friends. Popular magazines also figure prominently in Clay's social world of consumerism and glamour, including: International Male, GQ, and Glamour. These pop culture references together echo the book's theme of a shallow, superficial world built on the pleasures of voyeurism and consumerism.

Mtv/Hbo, and Betamax

Part of what makes this novel "the voice of a new generation" is the many references to newly marketed home video technology that became widely used in the early 1980s. Central to the atmosphere of the story is that televisions are often turned on to the MTV (Music TeleVision) station, featuring pop music videos. While music had been set to video or film images for promotional purposes before 1980, music videos did not become readily accessible to the public until the launching of MTV in 1981.

The Encyclopaedia Britannica entry on "Music Video" has captured the stylistic flavor of music videos in the early MTV era, when

performance clips had been all but superseded by a conceptual approach whose characteristic surrealism was often more stipulated than invented and whose glib stylistic hallmarks quickly became cliches: associative editing, multiple dramatized situations chosen more for their visual impact than their appropriateness, an air of significance undeterred by lack of actual meaning, and a breathtaking readiness to refer to, pilfer, and rework the 20th century's vast trove of talismanic imagery — drawn from movies, TV, painting, news photography, and so on.

MTV programming was made possible by the newly developed availability of cable television in the mid-1970s, which offered subscribers countless additional TV channels from which to choose. Characters in the novel also watch HBO (Home Box Office), a major cable station founded in 1972 by Time, Inc. In addition, characters in the novel watch videos, most often pornography, on the "betamax." The Betamax was an early version of videocassette recorder (VCR), launched by Sony in the 1970s. VHS soon dominated the market, and Betamax faded out of popularity.


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