Similar Albums:
- Artist: Louis Jordan
- Rating:
- Release Date: February 23, 1999
- Total Time: 136:29
- Type: Compilation (best of)
- Genre: Jazz
Review
Overlooking Bear Family's comprehensive nine-disc box, this double-CD set is the best reissue ever on Louis Jordan, and the first truly comprehensive domestic release on Jordan's work to feature state-of-the-art sound. There are holes -- only a relative handful of the tracks that Jordan & His Tympany Five recorded in 1939 and 1940 are included, although those that are here represent most of the best of them -- but not huge ones, and every major Jordan track from 15 years of work is present. The quality of the digital transfers is as alluring as the selections, the mastering so clean that it sounds 20 years newer than one could ever expect based on the songs' actual ages. The 1941 vintage "Pan Pan" and "Saxa-Woogie" place the band practically in the listener's lap, with solos on clarinet, tenor sax, etc., that have smooth, rippling textures and barely a trace of the noise one should expect from early-'40s tracks bumped to digital -- and the fidelity of these, and "Boogie Woogie Came to Town," "Rusty Dusty Blues," etc., all run circles around any earlier reissues. Similarly, the drums, hi-hat, trumpet, sax, and ensemble singing on "Five Guys Named Moe" are crisp enough to pass for modern re-recordings, except they're not. Indeed, until you get to "Ration Blues," from 1943, there aren't many overt hints of the compression inherent in masters of this vintage, and that's the exception -- "G.I. Jive" and "Caldonia," cut one and two years later, have the kind of sound textures one more expects out of audiophile releases. Disc two opens with "Ain't That Just Like a Woman," a perfect blueprint in style and execution (check out Carl Hogan's guitar intro) for the sound that Chuck Berry popularized ten years later. Of the later material, only "Run Joe" sounds a little less distinct than the rest. "Life Is So Peculiar" features Louis Armstrong, as vocalist with Jordan, in a beguilingly funny duet from 1951. By that time, Jordan's formula for success was past its prime, and he and Decca Records were looking for new approaches -- "Teardrops from My Eyes" wasn't it, adding an obtrusive organ played by Wild Bill Davis to the mix. The later incarnation of Jordan's band on these tracks is a more restrained and sophisticated big-band unit, without much of the wild jump blues feel of the '40s Tympany 5 -- a 19-year-old Oliver Nelson can be heard on alto sax, incidentally -- but occasionally they capture the feel of the old band, as on "Fat Sam from Birmingham." This version of Jordan and his band and the way they're recorded are still superior to the incarnations of Jordan's group that turn up on his later recordings for Aladdin and Mercury. ~ Bruce Eder, All Music GuideTracks
CD 1
| Track Title | Composers | Performers | Time |
| Barnacle Bill the Sailor | Carson Robison, Frank Luther | (2:46) | |
| Doug the Jitterbug | Louis Jordan | (2:32) | |
| At the Swing Cat's Ball | (2:29) | ||
| Honeysuckle Rose | Fats Waller, Andy Razaf | (3:07) | |
| The Two Little Squirrels (Nuts to You) | (2:26) | ||
| Pan-Pan | (2:53) | ||
| Saxa-Woogie | Louis Jordan | (2:36) | |
| Boogie Woogie Came to Town | Louis Jordan, Walter Bishop, |
(3:03) | |
| Rusty Dusty Blues (Mama Mama Blues) | (3:07) | ||
| I'm Gonna Move to the Outskirts of Town | Casey Bill Weldon, Andy Razaf | (2:53) | |
| What's the Use of Getting Sober (When You're Gonna Get Drunk Again)? | Bill Meyers | (2:49) | |
| I'm Gonna Leave You on the Outskirts of Town | Louis Jordan, Clarence Williams | (2:56) | |
| Five Guys Named Moe | (2:58) | ||
| Ration Blues | Louis Jordan, |
(3:10) | |
| Is You Is or Is You Ain't My Baby? | Louis Jordan, |
(2:43) | |
| Mop! Mop! | (2:57) | ||
| G.I. Jive | Johnny Mercer | (3:00) | |
| Buzz Me Blues | (2:51) | ||
| Caldonia | (2:41) | ||
| Salt Pork, West Virginia | (3:00) | ||
| Don't Worry 'Bout That Mule | (2:09) | ||
| Stone Cold Dead in the Market (He Had It Coming) | Wilmoth Houdini | Ella Fitzgerald, Louis Jordan | (2:43) |
| Beware, Brother, Beware | (2:52) | ||
| Choo Choo Ch'Boogie | Denver Darling, Milt Gabler, |
(2:42) |
CD 2
| Track Title | Composers | Performers | Time |
| Ain't That Just Like a Woman | (2:52) | ||
| Ain't Nobody Here But Us Chickens | (3:07) | ||
| Let the Good Times Roll | (2:51) | ||
| Texas and Pacific | (3:06) | ||
| Jack, You're Dead! | Walter Bishop, |
(2:35) | |
| Open the Door, Richard | (2:32) | ||
| Boogie Woogie Blue Plate | Joe Bushkin, |
(2:47) | |
| Run Joe | Louis Jordan, |
(3:22) | |
| Beans and Cornbread | (2:49) | ||
| Saturday Night Fish Fry, Pts. 1- 2 | Louis Jordan, |
(5:34) | |
| Blue Light Boogie, Pts. 1-2 | (5:33) | ||
| (You Dyed Your Hair) Chartreuse | (2:36) | ||
| Life Is So Peculiar | Johnny Burke, James Van Heusen | Louis Armstrong, |
(3:21) |
| Teardrops from My Eyes | (3:01) | ||
| Louisville Lodge Meeting | Ervin Drake, |
(3:31) | |
| Bone Dry | (3:01) | ||
| Fat Sam from Birmingham | (3:00) | ||
| Cock-A-Doodle-Doo | (2:12) | ||
| Slow Down | Louis Jordan, |
(2:39) | |
| Never Trust a Woman | Bill Doggett, Louis Jordan | (2:55) | |
| Junco Partner | Bob Shad, |
(2:45) | |
| I Want You to Be My Baby | Jon Hendricks | (2:57) |
