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The Liberty Bell

 
Artist: The Liberty Bell

Group Members:

Al Hunt, Chris Gerniottis

Similar Artists:

  • Formed: 1966, Corpus Christi, TX
  • Disbanded: 1969
  • Genres: Rock
  • Representative Albums: "The J-Beck Story, Vol. 3
  • Representative Songs: "Reality Is the Only Answer", "That's How It Will Be", "The Nazz Are Blue

Biography

With a few breaks, the Liberty Bell might have been America's Yardbirds -- as it worked out, however, the group suffered the undeserved fate of being a footnote in the history of Corpus Christi rock bands. Formed in Corpus Christi, TX in the mid-'60s, they were originally named the Zulus and played a mix of blues-rock drifting toward psychedelia, driven by some fairly ambitious guitar work by lead axeman Al Hunt. In 1967, they hooked up with Carl Becker, the co-owner of J-Beck Records, which, at the time, was recording the hottest local band, the Zakary Thaks. Becker signed them to his new Cee-Bee Records, and suggested a name change to the Liberty Bell.

The group's lineup at the time of their first single, a cover of the Yardbirds' "Nazz Are Blue" backed with a cover of Willie Dixon's "Big Boss Man," included Ronnie Tanner on lead vocals, Al Hunt on lead guitar, Richard Painter on rhythm guitar, and Wayne Harrison on bass. This record did well enough locally to justify further recording, and these sessions yielded the best songs of the group's entire history, "Something for Me," "For What You Lack," "I Can See," and "That's How It Will Be." Fast-tempo, fuzz-drenched pieces with catchy hooks, these numbers made the group sound like an American version of the Yardbirds with more of an angry punk edge, courtesy of lead singer Ronnie Tanner. But the real star of the group was lead guitarist Al Hunt, who wrote most of the material in those days and played like Jeff Beck on a good day.

Tanner exited the group in early 1968 and was replaced by Chris Gemiottis, formerly of the Zakary Thaks, who also brought a quartet of original songs with him, which were somewhat less punk-oriented and attempted to be more profound. The group switched to the Back Beat label, which specialized in R&B-flavored material. The Liberty Bell continued in its psychedelic/garage direction before releasing a soul-style number, "Naw Naw Naw" (on which only Gemiottis participated, with a studio band backing him) for their final single, late in 1968. The Liberty Bell came to an end in 1969 when Gemiottis returned to his former band. In 1995, however, Collectables Records released a 14-song collection of their music. ~ Bruce Eder, All Music Guide
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Wikipedia: The Liberty Bell (march)
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"The Liberty Bell" (1893) is an American military march composed by John Philip Sousa.[1] It is now most often associated with the British TV comedy program Monty Python's Flying Circus (1969-74), which began and ended with the first few bars[2]. It was used as the main theme of the video game Hogs of War.

Contents

History

"The Liberty Bell" was written for Sousa's unfinished operetta "The Devil's Deputy," but financing for the show fell through. Shortly afterwards, Sousa and his band manager George Hinton attended the Columbian Exposition in Chicago. As they watched the spectacle "America", in which a backdrop depicting the Liberty Bell was lowered, Hinton suggested "The Liberty Bell" as the title of Sousa's recently completed march. Coincidentally, Sousa received a letter from his wife, saying their son had marched in a parade in honor of the Liberty Bell. Sousa agreed. He sold "The Liberty Bell March" to the John Church Company for publication, and it was an immediate success.[3]

The United States Marine Corps Band has played "The Liberty Bell March" at three presidential inaugurations: the 1993 inauguration of President Bill Clinton,[4] the 2005 inauguration of President George W. Bush,[5] and the 2009 inauguration of President Barack Obama.

Composition

The march follows the standard form of AABBCDCDC. The trio (section C) uses tubular bells to symbolize the Liberty Bell ringing in the distance. The bells usually begin during the first breakstrain, but some bands use them at the first trio.

Monty Python

Monty Python's use of the melody is ironical; the bouncy melody of the march may be what the troupe found appealing. Terry Gilliam said the theme was chosen because they thought it could not be associated with the program's content, and that the first bell strike and the subsequent melody gave the impression of getting "straight down to business." It was also chosen because it was in the public domain and free from royalties, as there was no budget for theme music copyrights.

The Monty Python mode of presenting the tune was with a single strike of the bell, lifted from the third section and increased in volume, followed by a strain of each of the first two sections, followed by the famous stomping foot and a "splat" sound (though the first episodes used a "boom"). At the end of Monty Python Live at the Hollywood Bowl, the entire march was played over the closing credits.

"The Liberty Bell March" was used by the Buckingham Palace Guard before it became associated with the television series, after which they chose another march.[6] Nevertheless, the march remains popular with British military bands.

References

  1. ^ "The Works of John Philip Sousa". John Philip Sousa - American Conductor, Composer & Patriot. Dallas Wind Symphony. http://www.dws.org/sousa/articles/works.htm. Retrieved September 10 2007. 
  2. ^ YouTube - Monty Python's Flying Circus - Main Theme
  3. ^ Liberty Bell March History
  4. ^ Michigan State University Libraries - Vincent Voice Library
  5. ^ http://setiathome.berkeley.edu/forum_thread.php?id=10950&nowrap=true 2005
  6. ^ Television's Greatest Hits Volume II trivia booklet. Published by TeeVee Toons (1986).

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