Main Cast: Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, Patrick Stewart
Release Year: 1985
Country: US/UK
Run Time: 100 minutes
MPAA Rating: R
Plot
Director Tobe Hooper adapts Colin Wilson's edgy novel The Space Vampires in this in this horror/sci-fi epic with a cult following. The story concerns a joint British-American space probe of Hailey's Comet. Inside the comet, the astronauts, headed by Carlsen (Steve Railsback), find a spaceship that contains the dead bodies of several aliens, along with the naked bodies of three human-like creatures in suspended animation. They bring the aliens aboard the ship for examination, but the specimens are sloppily guarded and soon the trio spread contagion among the population of the ship. Returning to earth, the beautiful space vampire (Mathilda May) escapes into London and begins to feed of the bodies of the unwary Britons, turning the city into a zombie-populated wasteland. It is now left for Carlsen to stop the vampire invaders. ~ Paul Brenner, All Movie Guide
Review
A weird homage to British science fiction from Quatermass and Dr. Who through Alien, the Tobe Hooper-directed Lifeforce may be one of the strangest films ever to receive a wide theatrical release. Equating its strangeness with artistic merit, however, is more of a stretch. Playing like a lot of silly movies folded into one, it features a nude vampire (Mathilda May), space exploration, and a plague of zombies. Played with a straight face, it never appears to recognize its own absurdity, which should be no difficulty for viewers. Never all that successful, as horror or as satire, it's also never dull, making ideal, undemanding late-night viewing fodder. ~ Keith Phipps, All Movie Guide
Michael Gothard - Bukovsky; Nicholas Ball - Derebridge; Aubrey Morris - Sir Percy; Nancy Paul - Ellen; John Hallam - Lawson; Christopher Barr - Trajectory Officer; Patrick Connor - Fatherly Guard; Paul Cooper - Guard; David English - Crew; Edward Evans - Doctor; Julian Firth - Boy in Park; Michael Fitzpatrick - 2nd N.A.S.A. Officer; John Forbes-Robertson - Minister; John Golightly - Colonel; Emma Jacobs - Crew; Chris Jagger - Vampire; Sydney Kean - Brash Guard; John Keegan - Guard; Bill Malin - Vampire; Ken Parry - Sykes; Peter Porteous - Prime Minister; Carl Rigg - Radar Technician; Katherine Schofield - Prime Minister's Secretary; Burnell Tucker - N.A.S.A. Man; John Woodnut - Metallurgist; Jerome Willis - Pathologist; Thom Booker - 1st N.A.S.A. Officer; Rupert Baker - Soldier; David Beckett - Soldier; Derek Benfield - Physician; Milton Cadman - Soldier; Brian Carroll - Crew; Nicholas Donnelly - Police Inspector; John Edmunds - BBC Commentator; Geoffrey Frederick - Communications Officer; Gary Hildreth - Police Surgeon; Owen Holder - 1st Scientist; William Lindsay - Colonel's Aide; Peter Lovstrom - Boy in Park; Elizabeth Morton - Radar Technician; Richard Oldfield - Mission Leader; Michael John Paliotti - Crew; Jamie Roberts - Rawlings; Richard Sharpe - Rescue Ship Crewman; Russell Sommers - Navigation Officer; Chris Sullivan - Kelly; Haydn Wood - Helicopter Pilot; Sydney Livingstone - Ned Price
Credit
Robert Cartwright - Art Director, Terry Knight - Art Director, Tony Reading - Art Director, Alan Tomkins - Art Director, Michael J. Kagan - Associate Producer, Carin Hooper - Costume Designer, Tobe Hooper - Director, John Grover - Editor, Michael Kamen - Composer (Music Score), Henry Mancini - Composer (Music Score), James Guthrie - Composer (Music Score), Sandra Exelby - Makeup, Dickie Mills - Makeup, Michael Morris - Makeup, John Graysmark - Production Designer, Alan Hume - Cinematographer, Yoram Globus - Producer, Menahem Golan - Producer, Denise Exshaw - Set Designer, Simon Wakefield - Set Designer, John Dykstra - Special Effects, Nick Maley - Special Effects, John Grant - Special Effects, Peter Diamond - Stunts, Tip Tipping - Stunts, Don Jakoby - Screenwriter, Dan O'Bannon - Screenwriter, Don Trumbull - Visual Effects, Colin Wilson - Book Author
While investigating Halley's Comet, the crew of the Anglo-Americanspace shuttleChurchill finds a two-mile long spaceship hidden in the cone of the comet. Upon entering the alien spacecraft, the crew finds hundreds of dead and shrivelled bat-like creatures and three humanoid bodies, two male and one female in suspended animation within glass coffin-like containers. The crew recover the three aliens and begin the return trip to Earth.
During the return journey, Mission Control loses contact with the shuttle as it nears Earth and a rescue mission is sent to find out what happened on board. The rescuers find the Churchill completely gutted by fire, except for the three suspended animation cases bearing the aliens. All three are taken to European Space Research Center in London where they are watched over by Dr Leonard Bukovski (Michael Gothard) and Dr Hans Fallada (Frank Finlay). Prior to an autopsy taking place the female 'vampire' (Mathilda May) awakens and sucks the lifeforce out of a guard. She then escapes the research facility and begins sucking various humans of their life force and moving through various host bodies. It transpires the aliens are a race of space vampires that consume the life force from living beings that is subsequently uploaded to their ship.
Meanwhile, in Texas, an escape pod from the shuttle Churchill is found with Col. Tom Carlson (Steve Railsback) still alive. He is flown to London and tells how the crew were drained of their life force. To save Earth from this fate Carlson set fire to the shuttle and escaped in the pod. During hypnosis it is clear Carlson has a psychic link to the female alien. Carlson and Col. Colin Caine (Peter Firth), a member of the SAS, trace the alien to the body of a nurse at a hospital for the mentally disturbed in Yorkshire. They believe they have managed to trap the alien girl within the heavily sedated body of the hospital's manager, Dr Armstrong (Patrick Stewart). However, the entire episode was a trick to take them away from London.
As Carlson and Cane are transporting Dr Armstrong in a helicopter heading for London, the alien girl breaks free from Dr Armstrong and disappears. When they arrive back in London it is clear that a plague has taken full control - even the prime minister has been infected and martial law has been enacted to prevent the spread of the plague out of London. The two male vampires have also escaped from confinement and begun to transform most of London's population into zombies. Once transformed, the victims cycle into living-dead every two hours and seek out the living, absorbing the life force from their victims. These people themselves become vampires and the transformation process repeats. This energy is then collected by the male vampires who direct it to the female vampire who transfers it to the waiting spaceship in Earth's orbit.
Fallada manages to impale one of the male vampires with a sword made of lead. He surmises that the legends of vampires may well be drawn from a previous visit by this space vampire race. Carlson then admits to Kane that whilst on the shuttle he felt compelled to open the female vampire's container and to have shared his life force with hers. Carlson realises his psychic connection is being used lure him back to the alien so she can regain the life force she shared with him. She is located lying upon a church's altar transferring the energy to her spaceship.
Cane follows Carlson and dispatches the second male vampire (with the lead sword) before locating Carlson who sacrifices himself by impaling himself and the female alien in the process. The church explodes, propelling them both up to their spaceship, where it departs from Earth orbit.
Box office
Lifeforce was released on June 21, 1985 to disappointing box office returns. The film opened in fourth place, losing the head-to-head release battle against the Ron Howard sci-fi film, Cocoon. In total, Lifeforce earned $11,603,545[1] at the US box office, a poor return on its estimated $25 million dollar budget.
The film was edited for U.S. release by Tri-Star Pictures to a 101-minute version that was partially re-scored by Michael Kamen (a majority of Henry Mancini's original music did remain). The original 116-minute international version (with all the footage and the entirety of Mancini's music) is available on DVD.