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Lina Wertmüller

 
Writer: Lina Wertmüller
  • Born: Aug 14, 1928 in Rome, Italy
  • Occupation: Writer, Director, Actor
  • Active: '70s-2000s
  • Major Genres: Comedy, Comedy Drama
  • Career Highlights: 8 1/2, Seven Beauties, Love and Anarchy
  • First Major Screen Credit: 8 1/2 (1963)

Biography

The daughter of an aristocratic Swiss family, Lina Wertmuller harbored dreams of becoming a lawyer, but this notion fell by the wayside when she entered the Academy of Theatre in Rome in 1947. Thanks to a few valuable connections--one of her school chums was the wife of actor Marcello Mastroianni--Wertmuller found work as a performer/writer with Maria Signorelli's Puppet Troupe. She went on to function as actress, writer, set designer and publicist in a variety of theatrical and broadcast endeavors, entering films in 1962 as Federico Fellini's assistant on the set of 8 1/2. She made her directorial debut the following year with The Lizards. With actor Giancarlo Giannini, a friend and co-worker from her theater days, Wertmuller formed Liberty Films, turning out a series of fascinating, iconoclastic feature films, with Giannini-invariably cast as a Chaplinesque loser--starring in all but one film (All Screwed Up). The first Wertmuller effort to receive an American release was Love and Anarchy (1973). Three years later, she scored her biggest international hit with Seven Beauties (1976), a trenchant, surreal, darkly comic tale of survival and compromise that earned her a Academy Award nomination for "Best Director" (the first such honor bestowed upon a woman). On the strength of Seven Beauties, Warners signed Wertmuller to a four-picture contract--an agreement that was abruptly cancelled after the poor box-office showing of her first Warners project, The End of the World in Our Usual Bed in a Nightful of Rain (1976). During her heyday, Wertmuller was effusively praised for her championing of the underdog, her staunch feminism and her anarchistic approach to her material. Once her vogue had passed in the U.S., however, she was taken to task for the "hollowness" of her vision and her lack of compassion for her characters. Undaunted, she continued making films for the European market, enjoying a brief resurgence of critical approval with one of her most atypical films, Ciao Professore (1994). Lina Wertmuller's most recent film, completed in 1996, bears the typically lengthy cognomen Metalmeccanico e parrucchiera in un turbine di sesso di politica. ~ Hal Erickson, All Movie Guide
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Wikipedia: Lina Wertmüller
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Lina Wertmüller
Born Arcangela Felice Assunta Wertmüller von Elgg Español von Braueich
August 14, 1928 (1928-08-14) (age 81)
Rome, Italy
Spouse(s) Enrico Job

Lina Wertmüller (born Arcangela Felice Assunta Wertmüller von Elgg Spanol von Braueich on 14 August 1928) is an Italian film writer and director of aristocratic Swiss descent. In 1976, she became the first woman ever to be nominated for an Academy Award for Directing with Seven Beauties. She is recognizable by her trademark short hair and white-framed sunglasses, a look she has retained since the mid 1960s.

Contents

Biography

Lina Wertmüller was born in Rome to a devoutly Roman Catholic family of Swiss descent. She was rebellious as a child and was expelled from more than a dozen Catholic schools. Although her father wanted her to become a lawyer she instead enrolled in theatre school.

After she graduated from school her first job was touring Europe in a puppet show. For the next ten years she worked as an actress, director and playwright in legitimate theater. During this period she met Giancarlo Giannini who would later star in all her major films.

Through her acquaintance with the Mastroianni she met Federico Fellini and in 1962 Fellini offered her a position as an assistant director on . The following year Wertmüller made her directorial debut with The Lizards (I Basilischi), a film whose subject matter (the lives of impoverished southern Italians) would become a recurring motif in her later work.

Several other moderately successful films followed, but it was not until 1972 that Wertmüller achieved lasting international acclaim with a series of four movies starring Giancarlo Giannini. The last, and best-received of these, was 1975's Seven Beauties (Pasqualino Sette Bellezze), which earned 4 Academy Award nominations and was an international hit. Wertmüller was the first woman to receive an Academy Award nomination for Best Director. Jane Campion and Sofia Coppola are the only other female directors to have been nominated.

She was known for her whimsically prolix movie titles (which may be due to her long full name), for instance, the literal translation of the Italian title of Swept Away is "Swept away by an unusual destiny in the blue sea of August". These titles were invariably shortened for international release. She has an entry in the Guinness Book of Records for the longest filmtitle: Un fatto di sangue nel comune di Siculiana fra due uomini per causa di una vedova. Si sospettano moventi politici. Amore-Morte-Shimmy. Lugano belle. Tarantelle. Tarallucci e vino (a movie from 1979 with 179 characters better known under the international titles Blood Feud or Revenge)

Although Wertmüller has had a prolific career since, and is still actively directing, none of her later films have had the same impact as her mid-1970s collaborations with Giannini. Wertmüller was married to Enrico Job (died on March 4th, 2008), an art designer who worked on several of her pictures.

Laraine Newman impersonated Wertmüller twice on Saturday Night Live (see [1]).

Politics

In general, Wertmüller's films are highly reflective of her own political commitments, with the main characters either dedicated anarchists, communists, feminists (or all), and the main action centered on conflicts which are political or socio-economic in nature. Despite this, Wertmüller's films are rarely didactic, and often reflect her own iconoclastic sensibilities. Swept Away, for example, tells the story of a rich, liberated industrialist's wife finding erotic fulfillment only after being sadomasochistically "tamed" by a macho, communist deck-hand. The film earned the ire of orthodox feminists, one of whom asked in a review whether Wertmüller had now become "one of the boys".[citation needed] Wertmüller has also been criticized for the gender dichotomy within her films which reflects a comical men-as-dogs/women-as-whores perspective.

Filmography

As writer and director
Year Title
1963 The Lizards
1965 Let's Talk About Men
1967 Don't Sting the Mosquito
1968 The Belle Starr Story
1972 The Seduction of Mimi
1973 Love and Anarchy
1974 Everything Ready, Nothing Works
1974 Swept Away by an Unusual Destiny in the Blue Sea of August
1975 Seven Beauties
1978 A Night Full of Rain
1978 Blood Feud
1983 A Joke of Destiny
1984 Softly, Softly
1986 Camorra (A Story of Streets, Women and Crime)
1986 Summer Night, with Greek Profile, Almond Eyes and Scent of Basil
1989 As Long as It's Love
1989 The Tenth One in Hiding
1992 Ciao, Professore!
1996 The Nymph
1996 The Blue Collar Worker and the Hairdresser in a Whirl of Sex and Politics
1999 Ferdinando e Carolina
2004 Too Much Romance... It's Time for Stuffed Peppers

Bibliography

  • Peter Biskind. "Lina Wertmuller: The Politics of Private Life" in Film Quarterly 28. (1974-5). 10-16.
  • William R. Magretta and Joan Magretta. "Lina Wertmuller and the Tradition of Italian Carnivalesque Comedy" in Genre 12. (1979). 25-43

External links


 
 
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