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Lisbon

 

Plot

Filmed on location, Lisbon was the second directorial endeavor of actor Ray Milland. The story revolves around a Portugal-based American smuggler, Capt. Robert John Evans (Milland). Hired by attractive Sylvia Merrill (Maureen O'Hara), Evans agrees to sneak behind the Iron Curtain to locate Sylvia's husband Lloyd Merrill (Percy Marmont). It is understood that Evans is to bring Merrill back dead so that Sylvia can collect her husband's vast fortune, but the tables are turned on Sylvia and her wily co-conspirator, Aristide Mavros (Claude Rains). Put simply, the film is Casablanca and To Have and Have Not in reverse. Other participants in the film's various and sundry intrigues are Francis Lederer as the last-reel dispenser of justice, and Yvonne Furneaux as Rains' buxom mistress. ~ Hal Erickson, Rovi

Cast

Percy Marmont - Lloyd Merrill; Jay Novello - Joao Casimiro Fonseca; Edward Chapman - Edgar Selwyn; Harold Jamieson - Philip Norworth; Humberto Madeira - Tio Rabio

Credit

Frank Arrigo - Art Director, Ray Milland - Director, Richard Van Enger - Editor, Nelson Riddle - Composer (Music Score), Jack A. Marta - Cinematographer, Ray Milland - Producer, John Tucker Battle - Screenwriter, Martin Rackin - Short Story Author

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Lisbon (film)

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Lisbon

Theatrical poster
Directed by Ray Milland
Produced by
Screenplay by John Tucker Battle
Story by Martin Rackin
Starring
Music by Nelson Riddle
Cinematography Jack A. Marta
Editing by Richard L. Van Enger
Studio Republic Pictures
Release date(s) August 17, 1956 (1956-08-17) (United States)
January 1, 1957 (1957-01-01) (Portugal)
Running time 90 minutes
Country United States
Portugal
Language English

Lisbon is a 1956 American crime film produced and directed by Ray Milland and starring Milland, Maureen O'Hara, Claude Rains, Edward Chapman, and Jay Novello. An American smuggler based in Lisbon is hired to rescue a wealthy industrialist from behind the Iron Curtain.[1][2]

The film was shot on location in Lisbon, Portugal, in Trucolor and Naturama for Republic Pictures. Nelson Riddle's score included a version of "Lisbon Antigua" that had been a top charting song prior to the film's release.

Contents

Cast

Production

Development

Lisbon was adapted from a short story by Martin Rackin.[3] Reportedly, Paramount Pictures bought the rights to the story in 1951 and Irving Asher was in charge of the production.[4] The topic of the film was sensitive under the Cold War perspective of the 1950s and there were initial concerns about how Paramount would deal with a story involving the Iron Curtain. Luigi Luraschi, Paramount's Head of Foreign & Domestic Censorship at the time, wrote a report to the CIA in January 1953 stating that "[Lisbon] could be messy if mishandled, but so far we have them thinking along the right track and this could be very useful to us. Shall watch very carefully."[5]

Irving Asher hired director Nicholas Ray and, in early 1953, Joan Crawford was in talks to star as main character Sylvia Merril. Eventually, after several rewrites, the project was shelved as Asher and Crawford weren't sure about the strength of the script.[6][7] Nicholas Ray and Joan Crawford went on to film the 1954 western Johnny Guitar.

Paramount then sold the rights to Republic Pictures and Herbert J. Yates hired Ray Milland for his second directorial effort and starring role in the film. Milland reportedly wanted A Man Alone co-star Mary Murphy for the female lead,[4] a part which ultimately went to Irish actress Maureen O'Hara. In her 2004 autobiography, 'Tis Herself: A Memoir, O'Hara wrote about her role in Lisbon: "For the first time in my career I got to play the villain, and Bette Davis was right – bitches are fun to play."[8]

Filming

Lisbon was entirely produced in the Portuguese capital city of Lisbon and its surrounding municipalities. It was considered the first Hollywood feature made in Portugal.[4] For interior shots, the production used the facilities at Tobis Studios. Exterior shots included many locations in Lisbon, among them the Belém Tower, Praça do Comércio, the Castle of São Jorge and the Jerónimos Monastery. Outside the capital, there were seaside scenes filmed in Cascais and a scene at the belvedere of the Seteais Palace, in Sintra.

Cinematographer Jack A. Marta filmed using the Naturama anamorphic widescreen lens system, a format developed by Republic Pictures in the 1950s. Color filming was achieved using the Trucolor process, developed in the 1940s by Consolidated Film Industries (a division of Republic Pictures). Variety stated that "Lisbon makes a colorful setting" and "Republic's anamorphic Naturama process and Trucolor go a long way towards visual impressiveness."[9]

Music

The song "Lisbon Antigua" was performed in the film by fado singer Anita Guerreiro, in a restaurant scene.

Release

Lisbon had its premiere in Los Angeles on August 15, 1956[10] followed by wide theatrical release on August 17, 1956.

For the home market, the film was released on VHS Cassette in the 1990s, bearing the tagline "After Casablanca they all came to... Lisbon."[11] As of 2011, no digital edition has yet been set for release.

Reception

Variety commented, "As a smooth, romantically-inclined American amusing himself with smuggling operations, [Ray Milland's] trouping comes off very well. As a production, the picture could have used a little sharper overseeing of story material" and concluded, "The starring foursome are quite glib and pleasing in the principal roles."[9]

See also

References

  1. ^ http://www.imdb.com/title/tt0049446/
  2. ^ http://ftvdb.bfi.org.uk/sift/title/40371
  3. ^ "Lisbon > Productions Credits". AllMovie. http://www.allmovie.com/work/lisbon-29467/credits. Retrieved February 12, 2011. 
  4. ^ a b c "Lisbon (1956) - Notes". Turner Classic Movies. http://www.tcm.com/tcmdb/title.jsp?stid=81485&category=Notes. Retrieved February 12, 2011. 
  5. ^ Eldridge, David N.. ""Dear Owen": The CIA, Luigi Luraschi and Hollywood, 1953" (PDF). Historical Journal of Film, Radio and Television, Vol. 20, No. 2, 2000. p. 165. http://www.iamhist.org/journal/eldridge.pdf. Retrieved February 12, 2011. 
  6. ^ Joan Crawford: Hollywood Martyr. Google Books. http://books.google.com/books?id=-cf2gT2bRG8C&lpg=PA191&ots=1GiFWYKr25&dq=%22joan%20crawford%22%20lisbon&pg=PA191#v=onepage&q=%22joan%20crawford%22%20lisbon&f=false. Retrieved February 12, 2011. 
  7. ^ "Joan Crawford Original Signed Contract Cancellation". WorthPoint Corporation. http://www.worthpoint.com/worthopedia/joan-crawford-original-signed-contract-cancellation. Retrieved February 12, 2011. 
  8. ^ O'Hara, Maureen; Nicoletti, John (2004). 'Tis Herself: A Memoir. Simon & Schuster. p. 241. ISBN 0-7432-4693-4. 
  9. ^ a b "Variety Reviews: Lisbon". Daily Variety. 1956. http://www.variety.com/review/VE1117792621?refCatId=31. Retrieved February 12, 2011. 
  10. ^ "Lisbon (1956) - Overview". Turner Classic Movies. http://www.tcm.com/tcmdb/title.jsp?stid=81485. Retrieved February 14, 2011. 
  11. ^ "Amazon.com: Lisbon (1956) VHS". Amazon. http://www.amazon.com/dp/6300208648. Retrieved February 14, 2011. 

External links


 
 
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