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| Baroque music |
| Common practice period |
| Contemporary music |
| Expressionism (music) |
| Neoclassicism (music) |
| Neoconservative postmodernism |
| Neoromanticism (music) |
| New Objectivity |
| Postmodern music |
| Romantic music |
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| Atonal (see Atonality) |
| List of pieces that use serialism and twelve-tone
(see Serialism and Twelve-tone technique) |
| Extended techniques (see Extended technique) |
| Pandiatonic (see Pandiatonic) |
| Polytonal (see Polytonality) |
| Process music (see Process music) |
| Quartal (see Quartal harmony) |
| Quarter tone (see Quarter tone) |
| Whole tone (see Whole tone scale) |
| Phase (see Phasing) |
| Quotation (see Musical quotation) |
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- Sequenzas I-XIV
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- prepared piano pieces (1938)
- One8 (1991), for curved bow
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- Tides of Manaunaun (1915), large tone-clusters
- The Banshee, Aeolian Harp, and Sinister Resonance, played inside the piano
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- Black Angels, extended string techniques, including bowing with glass rods
- Makrokosmos (1972), prepared and amplified piano
- Vox Balaenae (1971), harmonic glissando (gull effect)
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- Miqi'nahual (1993) from his modular composition Doloritas (1992), stringed instrument with two right hand bows
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- Più Mesto (2003), for 2-bow cello
- Rosenleben (2006), for clarinet, cello and piano
- Lauda (2009), cello concerto (for Anssi Karttunen)
- En la soledat i el silenci (2008), for hyper-tempered koto and guitar
- Boethius (2008), for biwa
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- String quartets
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- Imaginings (1994), stringed instrument with two right hand bows
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- El Cimarrón, which requires the baritone soloist to laugh, whistle, shout, scream and use falsetto
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- Concord Sonata, use of a 14 3/4 inch long piece of wood to create a cluster chord
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- Holophony, for amplified string quartet. Scream sounds, duck sounds, saw sounds, reversed attack, energy control, oscillations.
- Paranormal, for three amplified snaredrums. Wire brushes (Jazz rake, Dreadlock), metallic sweeping, granular sound, strumming, friction, slap.
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- Piece with Clocks, for prepared guitar using cork, matches and a foam mute
- The Prince's Toys - Suite for Guitar, cross string "snare" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddle
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- Aventures
- Nouvelles Aventures
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- Anaklasis (1959), extended string techniques
- Polymorphia (1961), extended string techniques
- Threnody for the Victims of Hiroshima (1960), extended string techniques
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- Metal Machine Music, album made completely with audio feedback of guitars
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- Ogoun Badagris (1976), for 5 percussionists, innovative percussion techniques
- Ku-Ka-Ilimoku (1978), for 4 percussionists, innovative percussion techniques
- Rotae Passionis (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniques
- Bonham (1988), for 8 percussionists
- Rouse makes constant use of extended techniques for percussion and other instruments
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- For Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified
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- Gurrelieder (1911), and
- Pierrot Lunaire Op. 21 (1912) which make the use of sprechstimme
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- The World Looks Red (on Confusion is Sex) on which Lee Ranaldo plays 3rd Bridge guitar
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- Flute Concerto No.1, Op.17 for Flute and Orchestra (2004-2006), and
- Violin Concerto No.1, Op.17b for Violin and Orchestra (2004-2006): both works make use of glissando in both the flute and violin as well as string harmonics
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- Nomos Alpha (1966), for solo cello, uses harmonic glissando
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- Chronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics
External links
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