Type: Lyrics are included with the album, Compilation (best of), Live
Genre: Rock
Review
Long before he sold substantial numbers of records, Bruce Springsteen began to earn a reputation as the best live act in rock & roll. Fans had been clamoring for a live album for a long time, and with Live/1975-85 they got what they wanted, at least in terms of bulk. His concerts were marathons, and this box set, including 40 tracks and running over three and a half hours, was about the average length of a show. In his brief liner notes, Springsteen spoke of the emergence of the album's "story" as he reviewed live tapes, and that story seems nothing less than a history of his life, his concerns, and his career. The first cuts present the Springsteen of the early to mid-'70s; these performances, most of them drawn from a July 1978 show at the Roxy in Los Angeles, present the romantic, hopeful, earnest Springsteen. The second section begins with his first Top Ten hit, "Hungry Heart" -- this is the Springsteen of the late '70s and early '80s, an arena rock star with working-class concerns. After an acoustic mini set given largely to material from Nebraska -- songs of economic desperation and crime -- comes a reshuffling of Born in the U.S.A., songs in which the artist and his characters start to fight back and rock out. Finally, he brings it all back home to New Jersey, starting with the unofficial state anthem, "Born to Run." Fans could rejoice in the seven previously unreleased songs, but Live/1975-85 wasn't as funny, moving, or exhilarating as a Springsteen show could be. Maybe no single album could have been, but where Springsteen impressed in concert because he tried so hard, here he seemed to have tried a little too hard to make a live album carry the freight of everything he had to say. ~ William Ruhlmann, All Music Guide
Nils Lofgren (Guitar (Acoustic)), Nils Lofgren (Guitar), Nils Lofgren (Guitar (Electric)), Nils Lofgren (Guitar (Rhythm)), Nils Lofgren (Vocals (Background)), Nils Lofgren (Performer), Bruce Springsteen (Guitar (Acoustic)), Bruce Springsteen (Bass), Bruce Springsteen (Guitar), Bruce Springsteen (Harmonica), Bruce Springsteen (Songwriter), Bruce Springsteen (Guitar (Electric)), Bruce Springsteen (Vocals), Bruce Springsteen (Producer), Bruce Springsteen (Main Performer), Bruce Springsteen (Performer), Bruce Springsteen (Liner Notes), Bruce Springsteen (Author), Clarence Clemons (Percussion), Clarence Clemons (Saxophone), Clarence Clemons (Vocals (Background)), Clarence Clemons (Performer), Patti Scialfa (Synthesizer), Patti Scialfa (Vocals (Background)), Patti Scialfa (Performer), Joel Bernstein (Photography), Roy Bittan (Synthesizer), Roy Bittan (Piano), Roy Bittan (Vocals (Background)), Roy Bittan (Performer), Barbara Carr (Assistant), Bob Clearmountain (Mixing), Jeff Evans (Technical Support), Danny Federici (Organ), Danny Federici (Synthesizer), Danny Federici (Piano), Danny Federici (Accordion), Danny Federici (Glockenspiel), Danny Federici (Vocals (Background)), Danny Federici (Performer), Flo (Vocals (Background)), Paul Hamingson (Mixing Assistant), Stan Harrison (Sax (Tenor)), Peter Hefter (Assistant Engineer), Jimmy Iovine (Engineer), Bruce Jackson (Engineer), Jon Landau (Producer), Bob Ludwig (Mastering), Scott Mabuchi (Assistant Engineer), Scott Mabuchi (Assistant), Jim Pace (Technical Support), Mark Pender (Trumpet), Chuck Plotkin (Producer), Toby Scott (Engineer), Garry Tallent (Bass), Garry Tallent (Vocals (Background)), Garry Tallent (Performer), Steven Van Zandt (Guitar (Acoustic)), Steven Van Zandt (Guitar), Steven Van Zandt (Guitar (Electric)), Steven Van Zandt (Vocals (Background)), Steven Van Zandt (Performer), Max Weinberg (Drums), Max Weinberg (Performer), John Landau (Producer), Tim Kramer (Assistant Engineer), Tim Kramer (Assistant), Allen Weinberg (Package Redesign), Mark Corbin (Assistant), Aaron Rapoport (Photography), David Gahr (Photography), Neal Preston (Photography), Neal Preston (Cover Photo), Dave Powell (Audio Supervisor), Billy Miranda (Assistant Engineer), Billy Miranda (Assistant), Peter Cunningham (Photography), Annie Leibovitz (Photography), Jimmy Wachtel (Photography), Sandra Choron (Art Direction), Bob Schwall (Technical Support), Paul Wortheimer (Assistant Engineer), Paul Wortheimer (Assistant), Eric Meola (Photography), Craig Vogel (Assistant Engineer), Craig Vogel (Assistant), Michael Keating (Audio Supervisor), Marc Cobrin (Assistant Engineer), Frank Stefanko (Photography), Jim Marchese (Photography), Tony Rossi (Audio Supervisor), Jim DeVenney (Audio Supervisor), Richie La Bamba (Trombone), The E Street Band (Group), Steve VanZandt (Guitar (Acoustic)), Steve VanZandt (Guitar (Electric)), Steve VanZandt (Vocals (Background)), Steve VanZandt (Performer)
Springsteen's long-awaited and highly-anticipated live album generated advance orders of more than 1.5 million copies, making it the largest dollar-volume pre-order in the history of the record business at the time.[1] Record stores around the country found fans waiting in line on Monday morning before opening and one New York store reportedly sold the album right off the back of the delivery truck. The album debuted at #1 on the Billboard album chart, a rare occurrence that hadn't happened in ten years since Stevie Wonder's Songs in the Key of Life in 1976. It also became the first five-record set to reach the top 10 and the first to sell over a million copies.
Two singles were released from the box set: "War" (a cover of the 1970 Edwin Starr hit), which was a #8 success on the U.S. pop singles chart, and "Fire" (a Springsteen song that was a top 10 hit for the Pointer Sisters in 1979), which only reached #46 on the Billboard charts, breaking Springsteen's string of eight consecutive Top 10 singles. The music video for "War" was taken from the concert where it was recorded, while the video for "Fire" was from a completely unrelated 1986 acoustic performance at a Bridge School Benefit concert. A third video, for "Born to Run", was also released, which showed a melange of clips from the band's 1984–85 Born in the U.S.A. Tour.
Not surprising, given Springsteen's reputation as a live performer and the sheer scope of the 40-song set, most reviews were overwhelmingly positive. There were, however, a few critics that felt the album could have been better, citing the omission of several concert highlights such as Springsteen's live rendition of "Prove It All Night" and his rousing cover of John Fogerty's "Who'll Stop the Rain", among others. Another complaint was that some of his many unreleased songs such as "The Fever" were ignored in favor of recent album tracks like "Darlington County".[2][3]
Live/1975–85 is the second-best-selling live album in U.S. history based on RIAA certification. It has been certified by the RIAA for 13 times platinum, trailing only Garth Brooks' Double Live. This figure reflects the RIAA practice of counting each disc in a multi-disc set as a separate unit sold; the actual number of copies sold is instead slightly over 4 million. Based on albums sold, Live/1975–85 also trails Peter Frampton's Frampton Comes Alive! (6 million) and Bob Seger & the Silver Bullet Band's Live Bullet (5 million) among best-selling live albums. The box set's sales performance attracted considerable media attention at the time, first for setting records during the 1986 holiday shopping period, then later for fizzling out in sales in early 1987, leaving many retailers overstocked.[4]
Song never released by Springsteen before. The version on this release omits Bruce saying "All you bootleggers out there in radioland, roll your tapes" right before the song.
This performance was released in 1984 as the B-side of the "Cover Me" single. The song was written by Tom Waits and originally released on his Heartattack and Vine album.