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Live-Evil

 
Album Review: Live-Evil

  • Artist: Miles Davis
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1970 02 06-1970 12 19
  • Total Time: 101:39
  • Type: Live, Instrumental, Enhanced CD-ROM
  • Genre: Jazz

Review

Live-Evil is one of Miles Davis' most confusing and illuminating documents. As a double album, it features very different settings of his band -- and indeed two very different bands. The double-LP CD package is an amalgam of a December 19, 1970, gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Bartz, Keith Jarrett on organ, and percussionist Airto. These tunes show a septet that grooved hard and fast, touching on the great funkiness that would come on later. But they are also misleading in that McLaughlin only joined the band for this night of a four-night stand; he wasn't really a member of the band at this time. Therefore, as fine and deeply lyrically grooved-out as these tracks are, they feel just a bit stiff -- check any edition of this band without him and hear the difference. The other band on these discs was recorded in Columbia's Studio B and subbed Ron Carter or Dave Holland on bass, added Chick Corea and Herbie Hancock on electric pianos, dropped the guitar on "Selim" and "Nem Um Talvez," and subbed Steve Grossman over Gary Bartz while adding Hermeto Pascoal on percussion and drums in one place ("Selim"). In fact, these sessions were recorded earlier than the live dates, the previous June in fact, when the three-keyboard band was beginning to fall apart. Why the discs were not issued separately or as a live disc and a studio disc has more to do with Miles' mind than anything else. As for the performances, the live material is wonderfully immediate and fiery: "Sivad," "Funky Tonk," and "What I Say" all cream with enthusiasm, even if they are a tad unsure of how to accommodate McLaughlin. Of the studio tracks, only "Little Red Church" comes up to that level of excitement, but the other tracks, particularly "Gemini/Double Image," have a winding, whirring kind of dynamic to them that seems to turn them back in on themselves, as if the band was really pushing in a free direction that Miles was trying to rein in. It's an awesome record, but it's because of its flaws rather than in spite of them. This is the sound of transition and complexity, and somehow it still grooves wonderfully. ~ Thom Jurek, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
Sivad Miles Davis Miles Davis (15:13)
Little Church Hermeto Pascoal Miles Davis (3:14)
Medley: Gemini/Double Image Miles Davis, Joe Zawinul Miles Davis (5:53)
What I Say Miles Davis Miles Davis (21:09)
Nem Um Talvez Miles Davis Miles Davis (4:03)


CD 2

Track TitleComposersPerformersTime
Selim Miles Davis Miles Davis (2:21)
Funky Tonk Miles Davis Miles Davis (23:26)
Inamorata and Narration by Conrad Roberts Miles Davis Miles Davis (26:29)

Credits

Gary Bartz (Sax (Alto)), Gary Bartz (Sax (Soprano)), Gary Bartz (Liner Notes), Bob Belden (Producer), Bob Belden (Reissue Producer), Ron Carter (Bass), Ron Carter (Bass (Acoustic)), Miles Davis (Trumpet), Miles Davis (Main Performer), Jack DeJohnette (Drums), Herbie Hancock (Keyboards), Herbie Hancock (Piano (Electric)), Dave Holland (Bass), Dave Holland (Bass (Electric)), Dave Holland (Bass (Acoustic)), Keith Jarrett (Organ), Keith Jarrett (Keyboards), Keith Jarrett (Piano (Electric)), John McLaughlin (Guitar), Wayne Shorter (Sax (Soprano)), Steve Grossman (Sax (Soprano)), Steven Berkowitz (Reissue Series), Airto Moreira (Percussion), Joe Zawinul (Piano (Electric)), Khalil Balakrishna (Sitar (Electric)), Billy Cobham (Drums), Chick Corea (Piano (Electric)), Kevin Gore (Reissue Series), Michael Henderson (Bass (Electric)), Michael Henderson (Guitar (Bass)), Mati Klarwein (Illustrations), Teo Macero (Producer), Hermeto Pascoal (Drums), Hermeto Pascoal (Piano (Electric)), Hermeto Pascoal (Vocals), Hermeto Pascoal (Voices), Hermeto Pascoal (Whistle (Human)), Russ Payne (Mixing), Conrad Roberts (Narrator), Stan Tonkel (Engineer), John Berg (Design), John Berg (Cover Design), Tom "Curly" Ruff (Digital Mastering), Tom "Curly" Ruff (Mastering), Don Hunstein (Photography), Hope Chasin (Packaging Manager), Seth Rothstein (Project Director), Cozbi Sanchez-Cabrera (Art Direction), Randall Martin (Design), Randall Martin (Reissue Design), Abdul Mati (Artwork), Abdul Mati (Cover Art), Rene Arsenault (Production Assistant), Rene Arsenault (Assistant Producer)
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Wikipedia: Live-Evil
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Live-Evil
Studio album by Miles Davis
Released November 17, 1971
Recorded February 6, 1970; June 3 - 4, 1970 at Columbia Studio B, New York and
December 19, 1970 at The Cellar Door Club, Washington
Genre Fusion, Jazz-Funk
Length 1:41:39
Label Columbia/Legacy
Producer Teo Macero
Professional reviews
Miles Davis chronology
A Tribute to Jack Johnson
(1971)
Live Evil
(1971)
On the Corner
(1972)
Live-Evil
Back cover.
There is also a Black Sabbath album called Live Evil.

Live-Evil is an album by Miles Davis, part of which was recorded live at The Cellar Door on December 19, 1970, and part of which was recorded in Columbia's Studio B, with different personnel on February 6, June 3, 4, 1970. Though all compositions were originally credited to Miles Davis, the studio recordings "Little Church" ("Igrejinha") and "Nem Um Talvez" ("Not Even a Maybe") are by Brazilian composer and multi-instrumentalist Hermeto Pascoal, who also played with the Davis band for his tunes. Davis had originally intended the album to be a spiritual successor to Bitches Brew, but this idea was abandoned when it became obvious that Live-Evil was "something completely different".[1]

Contents

Musician lineup on Cellar Door segments

  • Cellar Door Segments, December 19, 1970: "Sivad" (a blend of "Directions," a studio fragment of "Honky Tonk," and a live recording of "Honky Tonk"), "What I Say," "Funky Tonk" and "Inamorata and Narration by Conrad Roberts."

Cover artwork

The album cover was illustrated by artist Mati Klarwein. Klarwein had painted the front cover independently of Davis, but the back cover was painted with a suggestion from Davis:

"I was doing the picture of the pregnant woman for the cover and the day I finished, Miles called me up and said, 'I want a picture of life on one side and evil on the other.' And all he mentioned was a toad. Then next to me was a copy of Time Magazine which had J. Edgar Hoover on the cover, and he just looked like a toad. I told Miles I found the toad."[2]


Track listing

Side One (25:20)

1. "Sivad" (15:13)

2. "Little Church" (3:14)

3. "Medley: Gemini/Double Image" (5:53)


Side Two (25:12)

1. "What I Say" (21:09)

2. "Nem Um Talvez" (4:03)


Side Three (25:38)

1. "Selim" (2:12)

2. "Funky Tonk" (23:26)


Side Four (26:29)

1. "Inamorata and Narration by Conrad Roberts" (26:29)

Recording details

Side One (25:20) 1. "Sivad" (15:13) Recorded December 19, 1970 at The Cellar Door, Washington, DC & May 19, 1970 at Columbia Studio C, New York, NY

Timing Source
00:00-00:01 "Directions" (2nd set) 0:00-0:01 (drum roll)
00:02-03:24 "Directions" (2nd set) 11:30-14:44 + "Honky Tonk" 00:00-00:08
03:25-04:14 "Honky Tonk" (studio, May 19, 1970) 00:00-00:49
04:15-09:11 "Honky Tonk" (2nd set) 05:23-10:20
09:12-15:12 "Honky Tonk" (2nd set) 15:13-21:14

2. "Little Church" (3:14) Recorded June 4, 1970 at Columbia Studio B, New York, NY

3. "Medley: Gemini/Double Image" (5:53) Recorded February 6, 1970 at Columbia Studio B, New York, NY

Side Two (25:12) 1. "What I Say" (21:09) Recorded December 19, 1970 at The Cellar Door, Washington, DC

Timing Source
00:00-20:50 "What I Say" (2nd set) 00:00-20:50
20:51-21:09 "Sanctuary" (2nd set) 00:00-00:18

2. "Nem Um Talvez" (4:03) Recorded June 3, 1970 at Columbia Studio B, New York, NY

Side Three (25:38) 1. "Selim" (2:12) Recorded June 3, 1970 at Columbia Studio B, New York, NY

2. "Funky Tonk" (23:26) Recorded December 19, 1970 at The Cellar Door, Washington, DC

Timing Source
00:00-02:54 "Directions" (3rd set) 00:47-03:41 (theme excised)
02:55-04:53 "Directions" (3rd set) 03:54-05:51 (theme excised)
04:54-16:14 "Directions" (3rd set) 06:20-17:39 (theme excised)
16:15-16:50 "Directions" (3rd set) 18:03-18:39
16:51-20:12 "Funky Tonk" (3rd set) 00:00-03:21
20:13-20:18 "Funky Tonk" (3rd set) 03:59-04:04
20:19-23:23 "Funky Tonk" (3rd set) 04:15-07:20

Side Four (26:29)

1. "Inamorata and Narration by Conrad Roberts" (26:29) Recorded December 19, 1970 at The Cellar Door, Washington, DC

Timing Source
00:00-16:34 "Funky Tonk" (3rd set) 07:21-23:55
16:35-16:47 "Sanctuary" (3rd set) 01:50-02:02
16:47-23:08 "It's About That Time" (3rd set) 00:00-06:21
23:09-26:08 "It's About That Time" 0:00-2:59*

Narration by Conrad Roberts first 0:43

26:08-26:28 "Sanctuary" 0:00-0:20*
(*) The final two sections are not from the The Cellar Door.

Note: The Cellar Door Sessions 1970 box set uses the titles "Improvisation #4" (for Keith Jarrett's keyboard intro) and "Inamorata" instead of "Funky Tonk". In the Source column of the tables above, the title "Funky Tonk" is used.

References

  1. ^ Davis, Miles. Miles: The Autobiography. ISBN 0634006827
  2. ^ Szwed, John. So What: the Life of Miles Davis, p. 319

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Live-Evil" Read more

 

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