Looker is a 1981 science fiction film written and directed by Michael Crichton. It starred Albert Finney, Susan Dey, James Coburn and featured former NFL linebacker Tim Rossovich[1] as the villain's main henchman.
The film is a suspense/science fiction piece which comments upon and satirizes media, advertising, TV's effects on the populace, and ridiculous standard of beauty. It is probably best known from numerous airings on cable television during the 1980s.[citation needed]
Though spare in visual effects, the film is notable for being the first commercial film to attempt to make a realistic computer generated character, for the model named "Cindy." It was also the first movie to create 3-D shading with a computer,[2] months before the release of the better-known Tron.
Plot
Dr. Larry Roberts (Albert Finney), a Beverly Hills plastic surgeon, is puzzled when four beautiful models working in television commercials request cosmetic surgery to make changes so minor that they would be imperceptible to the naked eye. When these models start dying under mysterious circumstances, he discovers they are all linked to the same advertisement research firm.
The Digital Matrix research firm rates advertising models by using a scoring system that measures the combined visual impact of various physical attributes in television commercials. In an experiment to increase their scores, some models are sent to Dr Roberts to get cosmetic surgery in order to maximize their visual impact. After the surgeries are performed, though the models are now physically perfect, they still aren't as effective as desired. So the research firm decides to use a different approach. Each model is offered a contract to have their body scanned digitally to create 3D computer generated models and then animating them for use in commercials. The contract deals seem to be incredibly lucrative for the models: once their bodies are represented digitally, they get a paycheck for life, never having to work again since their digital model is used for all their future work in commercials.
However, when these same models start dying under mysterious circumstances, Roberts becomes suspicious and decides to investigate Digital Matrix. He has a strong interest in investigating the deaths: he is considered a prime suspect by the police (from evidence planted at the scene of one of the murders) and his most recent patient, Cindy (Susan Dey), is the last of the models to be digitally scanned.
During his investigation, Roberts discovers some advanced-technology devices the Digital Matrix corporation is using to hypnotize consumers into buying the products they advertise. He also discovers the L.O.O.K.E.R. (Light Ocular-Oriented Kinetic Emotive Responses) gun, a light pulse device that gives the illusion of invisibility by instantly mesmerizing its victims into losing all sense of time.
Versions
There appear to be two versions of the film.
The original theatrical cut is what appeared in theaters in 1981 and is what has appeared on most video releases, including the 2007 region 1 DVD release.
TV airing have been of a slightly different edit, containing a sequence in which Reston, after detaining Roberts and Cindy in his mansion, explains why he had the other models murdered was omitted from the film but can be seen in television versions. He explains that the models were the measurements and that it was corporate policy to 'shred' old 'documents' that competitors might use.
MPAA Rating
The film contains female nudity, though none of it is explicitly sexual in nature. Despite these graphic depictions, the film earned a PG rating.
See also
References
External links
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