(b Paris, 19 Dec 1676; d there, 26 Oct 1749). French composer. Like his father Dominique (c 1644-1704) and earlier members of the family, he served the French court. From 1714 he was organist of the Maison Royale de St Cyr (a school near Versailles) and at St Sulpice, Paris, and, from 1719, the Jacobins. He was considered one of France's finest players. His first harpsichord collection (1704) is wholly in the French style, but many of his other works combine French and Italian elements. Most notable are his 25 French cantatas (1710-43), some simple, others dramatic and intense. His other works include violin solo and trio sonatas, organ music and many motets. Clérambault's sons César-François-Nicolas (d 1760) and Evrard Dominique (1710-90) were both organists; the former succeeded to his father's posts and probably composed cantatas.
| Born | December 19, 1676 Paris |
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| Origin | France |
| Died | October 26, 1749 (aged 72) Paris |
| Occupations | Music Composer |
| Instruments | organ |
| Years active | 1704-1749 |
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Movement V of Suite du Premier Ton (Suite in C major) from his 1710 publication, Livre d'Orgue.
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Louis-Nicolas Clérambault (19 December 1676 – 26 October 1749) was a French musician, best known as an organist and composer. He was born and died in Paris.
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Clérambault came from a musical family (his father and two of his sons were also musicians). While very young, he learned to play the violin and harpsichord and he studied the organ with André Raison. Clérambault also studied composition and voice with Jean-Baptiste Moreau.
Clérambault became the organist at the church of the Grands-Augustins and entered the service of Madame de Maintenon. After the death of Louis XIV and Guillaume-Gabriel Nivers, he succeeded the latter at the organ of the church of Saint-Sulpice and the royal house of Saint-Cyr, an institution for young girls from the poor nobility. He was responsible there for music, the organ, directing chants and choir, etc. It was in this post—it remained his after the death of Madame de Maintenon—that he developed the genre of the "French cantata" of which he was the uncontested master. In 1719 he succeeded his teacher André Raison at the organs of the church of the Grands-Jacobins.
His Motet du Saint Sacrement in G major is one of the first French works known to have been performed in Philadelphia.[1]
His important published work includes:
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