Career Highlights: Mr. Blandings Builds His Dream House, The Jackie Robinson Story, Imitation of Life
First Major Screen Credit: It Happened in New Orleans (1930)
Biography
African American actress Louise Beavers was born in Cincinnati and raised in California, where she attended Pasadena High School. Louise's entree into Hollywood was as maid to silent film star Leatrice Joy. With Ms. Joy's encouragement, Louise began accepting small film parts in 1923, and three years later became a full-time performer when she joined the Ladies Minstrel Troupe. After co-starring in the 1927 Universal remake of Uncle Tom's Cabin, Ms. Beavers worked steadily in films, usually playing maids, housekeepers and "mammies." Her most famous role was as troubled pancake entrepreneur Aunt Delilah in the 1934 filmization of Fannie Hurst's Imitation of Life. Another breakaway from stereotype was as the title character's strong-willed mother in The Jackie Robinson Story (1950), On television, Louise Beavers starred on the weekly sitcom Beulah from 1952 through 1953, and played Louise the maid on the 1953 pilot episode of Make Room for Daddy. ~ Hal Erickson, All Movie Guide
Louise Beavers (March 8, 1902 – October 26, 1962) was an African Americanfilmactress. Beavers appeared in dozens of films from the 1920s to the 1930s, most often in the role of a maid, servant, or slave. A native of Cincinnati, Ohio,[1] Beavers was a member of Sigma Gamma Rho sorority, one of the four African-American sororities.
Beavers' most famous and noted role was her portrayal of Delilah Johnson, the housekeeper/cook whose employer transforms her into an Aunt Jemima-like celebrity in the 1934 film Imitation of Life. One of the film's main conflicts was that between Delilah and her light-skinned daughter Peola (played by Fredi Washington), who wanted to pass for white. Imitation of Life was the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture.
The vast majority of Beavers' other film roles, however, were not as prestigious. Along with Hattie McDaniel, she became the on-screen personification of the "mammy" stereotype: a large, matronly black woman with a quick temper, a large laugh, and a subservient manner. Beavers' employers had her overeat so that she could maintain her "mammy"-like figure.[2] Although Beavers did not approve of how her characters were scripted, she nonetheless continued appearing in films, because, as her contemporary McDaniel once stated, "it's better to play a maid than be a maid."[3]
According to author Donald Bogle's book, Bright Boulevards, Bold Dreams, Beavers worked as a housekeeper for silent screen star Leatrice Joy before entering films.
Beavers was one of four actresses (including Hattie McDaniel, Ethel Waters, and Amanda Randolph) to portray housekeeper Beulah on the Beulahtelevision show. That show was the first television sitcom to star an African American, even though the role was a somewhat subservient one. She also played Louise the maid on the first two seasons of The Danny Thomas Show (1953-1955).