For more information on Luce Irigaray, visit Britannica.com.
| Britannica Concise Encyclopedia: Luce Irigaray |
For more information on Luce Irigaray, visit Britannica.com.
| French Literature Companion: Luce Irigaray |
Irigaray, Luce. (b. c.1932). Radical Belgian-born feminist thinker and practising psychoanalyst whose work has given rise to very diverse interpretations. Speculum de l'autre femme (1974), her first major contribution to feminist theory, argues that Western thought is grounded in a destructive male imaginaire [see Lacan], estranged from the maternal and the feminine. In order to find a way forward, Irigaray undertakes a psychoanalysis of western philosophers and thinkers, especially Freud and Plato, seeking the ‘repressed’ of western culture. Ce sexe qui n'en est pas un (1977) attacks the Freudian model of feminine sexuality and sets up one based on women's irreducible multiplicity and fluidity [see Feminism; ÉCriture Féminine]. The issue of language and gender, already addressed in Parler n'est jamais neutre (1985), is taken up in Langages (1987) and Sexes et genres à travers les langues (1991), which analyse empirical work on language and sexual difference. Éthique de la différence sexuelle (1984) addresses the symbolic division which imprisons the feminine in the corporeal and the material while closing the masculine off in the spiritual and the intelligible. Irigaray is working towards an as-yet unrealized symbolization of the feminine which would allow an ‘amorous exchange’ between the masculine and the feminine and point the way towards her (perhaps necessarily) Utopian vision of the future.
[Elizabeth Fallaize]
| Philosophy Dictionary: Luce Irigaray |
Irigaray, Luce (1939- ) Belgian feminist theorist, whose work explored the construction of sexual difference in western philosophy and psychoanalysis. Irigaray was educated at Louvain, and has taught in Brussels and Paris. Her early work in linguistics concerned the disruptive effects of mental illness on speech. But since being attached to the École Freudienne of Lacan she was been especially concerned with the repression of female joy and sexuality, the jouissance féminine, and the distortion of its organic nature by male categories. She is notable for associating a different female voice and mode of experience with the different bodily natures of men and women. The female body is seen as the threshold of the female mind with its joyous wisdom and faith: ‘beyond the classic opposites of love and hate, liquid and ice lies this perpetually half-open threshold, consisting of lips that are strangers to dichotomy’ (‘The Politics of Difference’). Some feminist thinkers regard such pronouncements as savouring of essentialism. Her writings included Speculum de l'autre femme (1974, trs. as Speculum of the Other Woman, 1985), Ce sexe qui n'en est pas un (1977, trs. as This Sex which is Not One, 1985), and Éthiques de la différence sexuelle (1984).
| Wikipedia: Luce Irigaray |
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Luce Irigaray (born 1932 Belgium) is a Belgian feminist, philosopher, linguist, psychoanalytic, sociologist and cultural theorist. She is best known for her works Speculum of the Other Woman (1974) and This Sex Which Is Not One (1977).
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Irigaray received a Master's Degree in Philosophy & Arts from the University of Louvain (Leuven) in 1955. She taught in a Brussels school from 1956-1959. She moved to France in the early 1960s. In 1961 she received a Master's Degree in psychology from the University of Paris. In 1962 she received a Diploma in Psychopathology. From 1962-1964 she worked for the Fonds National de la Recherche Scientifique (FNRS) in Belgium. She then began work as a research assistant at the Centre National de la Recherche Scientifique (CNRS) in Paris.
In the 1960s Irigaray participated in Jacques Lacan's psychoanalytic seminars. She trained as and became an analyst. In 1968 she received a Doctorate in Linguistics. In 1969 she analysed Antoinette Fouque, a leader of the French women's movement. From 1970-1974 she taught at the University of Vincennes. At this time Irigaray was a member of the École Freudienne de Paris (EFP), a school directed by Lacan.
Irigaray's second Doctorate thesis, "Speculum of the Other Woman," was closely followed by the termination of her employment at Vincennes University.
In the second semester of 1982, Irigaray held the chair in Philosophy at the Erasmus University in Rotterdam. Her research here resulted in the publication of An Ethics of Sexual Difference, establishing Irigaray as a major Continental philosopher.
Irigaray has conducted research since the 1980s at the Centre National de Recherche Scientifique in Paris on the difference between the language of women and the language of men. In 1986 she transferred from the Psychology Commission to the Philosophy Commission as the latter is her preferred discipline.
In December 2003, Luce Irigaray was awarded the degree of Doctor of Literature honoris causa by the University of London. From 2004-2006, Irigaray was a visiting professor in the department of Modern Languages at the University of Nottingham. As of 2007, she will be affiliated with the University of Liverpool.
In 2008, Luce Irigaray was awarded the honorary degree of Doctor of Literature by University College, London.
Irigaray is inspired by the psychoanalytic theories of Sigmund Freud and Jacques Lacan, the philosophy of Emmanuel Levinas and the deconstruction of Jacques Derrida. Her work aims to reveal a perceived masculinist philosophy underlying language and gestures toward a "new" feminine language that would allow women to express themselves if it could be spoken. Irigaray's work also challenges what she calls phallogocentrism, noting that society’s two gender categories, man and woman, are in fact just one, man, as he is made the universal referent, and therefore working towards a theory of difference.
Irigaray's aim is to create two equally positive and autonomous terms, and to acknowledge two (at least, she sometimes adds) sexes, not one. Following this line of thought, with Lacan’s mirror stage, Lacan's theory concerning forms of "sexuation", and Derrida’s theory of logocentrism in the background, Irigaray also criticises the favouring of unitary truth within patriarchal society. In her theory for creating a new disruptive form of feminine writing (Écriture féminine), she focuses on the child’s pre-Oedipal phase when experience and knowledge is based on bodily contact, primarily with the mother. Here lies one major interest of Irigaray's: the mother-daughter relationship, which she considers devalued in patriarchal society. In the realm of Feminist theory, Irigaray is one of the most prominent figures of what is sometimes called French feminism, (called so, misleadingly in the opinion of Simone de Beauvoir)[1], alongside Julia Kristeva and Hélène Cixous.
Alan Sokal and Jean Bricmont devote a chapter to Irigaray in their Fashionable Nonsense. (1999) In her works, they note numerous examples of what they describe as dubious reasoning, misuse of terminology); and her seeming suggestion that the menstrual cycle makes it difficult for women to understand geometry. "With friends like these," write Sokal and Bricmont, "feminism hardly needs enemies."[2]
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