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Lucky Dog Recordings 03-04

 
Album Review: Lucky Dog Recordings 03-04

Review

It's sometimes tricky for the front person of an established band to make a solo album: reproduce the group's sound and a side project can seem pointless, or venture into uncharted stylistic territory and court disaster. Stuart Staples sticks closer to the first option, but Lucky Dog Recordings 03-04 breaks with Tindersticks' sound as much as it evokes it. Although Staples' mumbled baritone croon remains unmistakable and he still oozes small-hours melancholia and romantic malaise, Lucky Dog also marks a departure. Aided by, among others, Terry Edwards (sax), Yann Tiersen (piano), Tindersticks cohorts Neil Fraser (guitar) and David Boulter (keyboards), and Tiger Lillies Adrian Huge (drums) and Adrian Stout (bass), Staples eschews the finely wrought, string-enveloped arrangements that are Tindersticks' signature. He trades dissolute, lush grandeur for a minimalist approach, paring the music down, sometimes almost to the point of silence and stasis. The hushed, acoustic "Dark Days" slips by nearly unnoticed and the slow-burning "Marseilles Sunshine" is aural gossamer, its fragile piano notes, wafting organ, and ragged guitar hanging like smoke in the air. While other tracks feel more energized, they're similarly sparse: for instance, the lilting, jagged "Shame on You" and "Friday Night," whose clockwork cocktail beats and droning, spectral organ exude noir unease. Staples continues to languish in miserablism, often ironically; on "People Fall Down," however, he opens the curtains and heads outside, accompanied by a breezy, bluesy groove featuring muted horns. "So get out and breathe the air, taste the water...go climb that hill," he sings, but it still sounds like the weight of the world is on his shoulders. Elsewhere, "She Don't Have to Be Good to Me" approximates Tindersticks' more expansive feel, but, overall, Lucky Dog shows Staples has learned some new tricks: the main one being that less is more. ~ Wilson Neate, All Music Guide

Tracks

Track TitleComposersPerformersTime
Somerset House Stuart Staples Stuart Staples (4:09)
Marseilles Sunshine Stuart Staples Stuart Staples (4:20)
Say Something Now Stuart Staples Stuart Staples (3:52)
Friday Night Stuart Staples Stuart Staples (5:18)
Shame on You Stuart Staples Stuart Staples (2:22)
[Untitled] Stuart Staples Stuart Staples (2:23)
Dark Days Stuart Staples Stuart Staples (2:04)
People Fall Down Stuart Staples Stuart Staples (4:43)
She Don't Have to Be Good to Me Stuart Staples Stuart Staples (5:07)
I've Come a Long Way Stuart Staples Stuart Staples (3:29)

Credits

Gina Foster (Vocals), J. Neil Sidwell (Trombone), Dave Boulter (Harmonium), Ian Caple (Mixing), Thomas Belhom (Percussion), Dave Boulter (Tambourine), Neil Fraser (Bass), Dave Boulter (Keyboards), Thomas Belhom (Shaker), Alasdair Macaulay (Drum Fills), Dave Boulter (Piano), Dave Boulter (Organ), Ian Caple (Engineer), Tim Young (Mastering), Dave Boulter (Glockenspiel), Philip Bagenal (Engineer), Adrian Stout (Bass), Thomas Belhom (Drums), Neil Fraser (Guitar (Electric)), Adrian Huge (Drums)
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Wikipedia: Lucky Dog Recordings 03-04
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Lucky Dog Recordings 03-04
Studio album by Stuart A. Staples
Released 2005
Recorded 2003-2004
Genre chamber pop
Label Lucky Dog Recordings
Professional reviews
Stuart A. Staples chronology
Lucky Dog Recordings 03-04
(2005)
Leaving Songs
(2006)

Lucky Dog Recordings 03-04 is the debut solo album by Tindersticks frontman Stuart A. Staples, released in 2005 on the Lucky Dog label. The album features contributions from Terry Edwards and Yann Tiersen, alongside some of Staples' Tindersticks colleagues.[1]

Track listing

  1. "Somerset House"
  2. "Marseilles Sunshine"
  3. "Say Something Now"
  4. "Friday Night"
  5. "Shame on You"
  6. "Untitled"
  7. "Dark Days"
  8. "People Fall Down"
  9. "She Don't Have to be Good to Me"
  10. "I've Come a Long Way"

References


 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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