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Lured

 
Movies:

Lured

  • Director: Douglas Sirk
  • AMG Rating: starstarstar
  • Genre: Thriller
  • Movie Type: Film Noir, Psychological Thriller
  • Themes: Woman In Jeopardy, Serial Killers
  • Main Cast: George Sanders, Lucille Ball, Charles Coburn, Alan Mowbray, Cedric Hardwicke
  • Release Year: 1947
  • Country: US
  • Run Time: 102 minutes

Plot

Lucille Ball is an American taxi-dancer living in London whose roommate has disappeared. The missing girl had left to answer a job offer in the "personal" column of the Times...just like several other women who've vanished without a trace. Scotland Yard detective George Zucco suggests that Ball answer the personals herself in hopes trapping the killer. She crosses the paths of several eccentrics, including deranged artist Boris Karloff, who for a brief time is the prime suspect. The actual culprit, a sex murderer, is the least likely and most helpful of Ball's contacts -- a fact that she learns almost too late. ~ Hal Erickson, All Movie Guide

Review

Based upon the French film Pièges, Lured is a lightweight but very entertaining mystery-thriller. True, the plot is somewhat contrived and over convoluted, but the contrivances rarely make the viewer wince, and the plot turns and abundance of red herrings will appeal to fans of the genre. Director Douglas Sirk brings his customary attention to visual detail here, giving Lured a unique look that takes film noir basics and applies a glossy sheen to them. He has also assembled a uniformly strong cast. Lucille Ball is perfectly on target throughout, giving a very fine performance that anchors the film. Ball is allowed to demonstrate her dramatic skills to good effect, and the result is about as good as can be achieved within the confines of the genre. George Sanders brings his smooth ease to the role and convincingly gets to portray the love interest, with only a hint of the misanthropy with which he is usually associated. Horror mainstay Boris Karloff is especially notable, delineating quite believably a man going over the edge. Lured may not be great art, but it's a delightful way to spend a stormy night. ~ Craig Butler, All Movie Guide

Cast

George Zucco - Officer Barrett; Joseph Calleia - Dr. Moryani; Tanis Chandler - Lucy Barnard; Boris Karloff - Artist; Jimmy Aubrey - Nelson; Robert Coote - Officer Barret; Sam Harris - Old Man at Concert Asking for Whiskey; Alan Napier - Inspector Gordon; Dorothy Vaughan - Mrs. Miller

Credit

Nicolai Remisoff - Art Director, Douglas Sirk - Director, James Newcom - Editor, John M. Foley - Editor, Michel Michelet - Composer (Music Score), David Chudnow - Musical Direction/Supervision, Don L. Cash - Makeup, William H. Daniels - Cinematographer, James Nasser - Producer, Jacques Companeez - Screen Story, Simon Gantillon - Screen Story, Ernest Neuville - Screen Story, Leo Rosten - Screenwriter

Similar Movies

The Spiral Staircase; Jack the Ripper; Wait Until Dark; See No Evil; Kiss The Girls; Copycat; The Silence of the Lambs
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Lured

Theatrical poster
Directed by Douglas Sirk
Produced by James Nasser
Written by Story:
Jacques Companéez
Simon Gantillon
Ernest Neuville
Screenplay:
Leo Rosten
Starring George Sanders
Lucille Ball
Charles Coburn
Boris Karloff
Music by Michel Michelet
Cinematography William H. Daniels
Editing by John M. Foley
James E. Newcom
Distributed by United Artists
Release date(s) September 5, 1947
Running time 102 minutes
Country United States
Language English

Lured (also known as Personal Column in the UK) is the title of a 1947 film noir released by United Artists, directed by Douglas Sirk, and starring Lucille Ball, George Sanders, Boris Karloff, Charles Coburn, and Cedric Hardwicke.[1]

Contents

Plot

Sandra Carpenter is an American who came to London to perform in a show but now is working as a taxi dancer. She is upset to find out that a friend, a dancer named Lucy Barnard, is missing and believed to be the latest victim of the notorious "Poet Killer," who lures victims with ads in the newspaper's personal columns and sends poems to taunt the police.

Scotland Yard inspector Harley Temple asks if Sandra would be willing to work undercover to help find her missing friend and the killer. He sees first-hand how observant she is and gives her a temporary police identification card and a gun. Sandra is asked to answer personal ads, with a Yard officer named H.R. Barrett always nearby, just in case.

By coincidence she meets the flamboyant club owner Robert Fleming, who at first wished to hire her for his stage revue but now wants to pursue a romance. In the meantime, Sandra answers an ad placed by Charles van Druten, a former composer who is now mentally imbalanced. Her bodyguard Barrett has to come to her rescue.

She also needs to be saved, this time by Fleming, from a mysterious figure named Dr. Moryani who apparently recruits young women and whisks them off to South America, offering them a promising opportunity in a new land while in reality having something more sinister in mind.

Fleming shares a stately home with Julian Wilde, his business partner and best friend. Fleming ultimately does win Sandra's heart, even becoming engaged to her. Inspector Temple thanks her for her efforts and even agrees to come to their engagement party.

During the party at the beautiful home where she will soon live, however, Sandra accidentally discovers evidence that links Fleming to the Poet Killer's crimes, including a distinctive bracelet worn by her friend Lucy.

Fleming is placed under arrest. Circumstantial evidence mounts up, although he adamantly denies any involvement in the crime. Sandra believes him, but the Yard does not.

Lucy's body is found in the river. Wilde assures his incarcerated friend that he will hire the best possible attorney and do everything possible to clear him. It occurs to Inspector Temple that it is actually Wilde who fancies poetry and is in a position to have been the killer.

Just before he can flee, Wilde is visited by Sandra at home. He is secretly in love with her, just as he possibly was with the other women he abducted. Wilde at first expresses his desire for Sandra, then removes his scarf and prepares to strangle her. Scotland Yard's men burst in just in time.

Fleming is set free, and he and Sandra toast with Champagne to better days ahead.

Cast

See also

References

External links



 
 
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