After leaving the seminal New York no wave outfit Teenage Jesus and the Jerks, poet/actress/vocalist Lydia Lunch (b. Lydia Koch) embarked on a solo career marked by frequent collaborations and band changes, plus an attitude of confrontational nihilism expressed in both her sound and her often violent and/or sexually oriented subject matter. Upon leaving Teenage Jesus, Lunch first formed Beirut Slump, but departed after one single. Her solo debut, 1980's Queen of Siam, proved to be one of her most acclaimed efforts, as was her next band, the funk-inflected 8 Eyed Spy. However, that band broke up due to the death of bassist George Scott, and Lunch went back out on her own. After 1982's 13.13, which featured former members of the Weirdos, Lunch began a rash of collaborations, working with the Birthday Party on the EP The Agony Is the Ecstasy, as well as Einstürzende Neubauten, Die Haut, Sort Sol, Swans' Michael Gira, and members of Sonic Youth. Lunch founded her own Widowspeak label in 1985, immediately delving into spoken word with the EP The Uncensored Lydia Lunch and reissuing much of her back catalog, including a two-CD retrospective, Hysterie, in 1986. Her next collaboration was the first of several with Jim "Foetus" Thirlwell, who remixed a shelved project with Birthday Party members from 1982-1983; it was issued as Honeymoon in Red in 1987. The two also released the Stinkfist EP under Thirlwell's Clint Ruin alias in 1989. That same year, Lunch teamed with Sonic Youth bassist Kim Gordon in Harry Crews, a one-off, all-female noise rock band, for the LP Naked in Garden Hills. Aside from an EP with ex-Birthday Party guitarist Rowland S. Howard in 1991, Shotgun Wedding, plus her acting career in underground films, Lunch has concentrated on the spoken word arena into the '90s; a three-CD retrospective of this aspect of her career, Crimes Against Nature, was issued in 1993, and Lunch has continued her activities throughout the decade. Much of her Widowspeak output was reissued by other independent labels in the mid-'90s. ~ Steve Huey, All Music Guide
Career Highlights: Vortex, The Offenders, The Gun Is Loaded
First Major Screen Credit: Beauty Becomes the Beast (1980)
Biography
Often compared with history's most infamous sexual deviants from Henry Miller to the Marquis de Sade, Lydia Lunch has expressed her unique ideas through several artistic mediums. Predominately a musician, writer, and spoken word performer, she brings a challenging and confrontational presence to her work in visual arts as well. Her film credits include writing, composing, directing, and acting, though she mostly appears as "Herself." In short experimental films and videos, she has worked with innovative filmmakers such as Beth B. and Nick Zedd since the late '70s. Several of Lunch's spoken word performances have been made available on video, most notably in 1988's The Gun Is Loaded and the documentary The Wild World of Lydia Lunch. In the mid '90s, she was a presenter at the Whitney Museum of Art's Underground Film Festival, personally appearing in several of the screenings. She collaborated with director Richard Kern for The Right Side of My Brain and Fingered, two short films investigating ideas of sex and violence. In the late '90s, Lunch was the creative consultant for the film Shadow Hours. ~ Andrea LeVasseur, All Movie Guide
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After arriving in New York City at the age of 16, Lunch moved into a large communal household of artists and musicians in NYC, including Kitty Bruce, daughter of Lenny Bruce. Soon after she earned the surname "Lunch" by regularly stealing lunches for her often starving artist friends. After befriending the 'godfathers of punk' Suicide at Max's Kansas City, she founded the short-lived but influential No Wave band Teenage Jesus & the Jerks in 1976 with her artistic partner, No Wave punk-funk-jazz musician James Chance. Both appeared on the seminal No Wave compilation No New York. Lunch later appeared on two songs on Chance's album Off White (credited to James White and the Blacks; Lunch used the pseudonym "Stella Rico") in 1978.
She appeared in two films directed by the husband and wife film-making team of Scott B and Beth B; In the short filmBlack Box (1978) she played an unnamed torturer, and in the feature length, neo-noirthrillerVortex (1983) she played a private detective named "Angel Powers". During this time, she also appeared in a number of films by Vivienne Dick, including She Had her Gun All Ready (1978) and Beauty Becomes The Beast (1979), co starring with Pat Place.
In the mid-'80s she formed her own recording and publishing company called "Widowspeak" on which she continues to release a slew of her own material from songs to spoken word[1].
In 1997 she released Paradoxia, a loosely-based autobiography, in which she candidly documented her bisexual dalliances, substance abuse and flirtation with insanity.[2]