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Lynn Fontanne

 
American Theater Guide: Lynn Fontanne

Fontanne, Lynn [née Lillie Louise Fontanne] (1887–1983), actress. One of the great ladies of the American stage, the willowy, dark‐haired, sharp‐eyed actress with the throaty contralto voice and regal bearing was born in England, where she studied with Ellen Terry before making her debut in 1905 in Cinderella. She came to America in 1910, appearing in Mr. Preedy and the Countess but shortly returned home and did not settle here permanently until 1916. Thereupon she appeared in a rapid succession of plays, including A Young Man's Fancy (1916), in which she met her future husband, Alfred Lunt. Fontanne enjoyed an early major hit as the pushy, cliché‐ridden wife in Dulcy (1921). Her first important joint appearance with her husband was as the Actress in The Guardsman (1924), after which she appeared, often with him, in such Theatre Guild productions as Arms and the Man (1925), The Goat Song (1926), Pygmalion (1926), and The Brothers Karamazov (1927). Two outstanding productions with Lunt in 1927 were The Second Man and The Doctor's Dilemma. After creating the role of Nina Leeds in Strange Interlude (1928), the couple permanently reunited and gave many superior performances, including Caprice (1928), Meteor (1929), Elizabeth the Queen (1930), Reunion in Vienna (1931), Design for Living (1933), The Taming of the Shrew (1936), Idiot's Delight (1936), Amphitryon 38 (1937), There Shall Be No Night (1940), and The Pirate (1942). By the 1940s there was an obvious decline in the quality of the pieces the couple had to work with, so it was largely their acting that kept their plays running: O Mistress Mine (1946), I Know My Love (1949), Quadrille (1954), and The Great Sebastians (1956). The Lunts found a powerful vehicle for their farewell performances, The Visit (1958), with Fontanne playing the millionairess Claire Zachanassian and Lunt as her faithless lover. The play was mounted at the old Globe Theatre, renamed in their honor the Lunt‐Fontanne. Always the more restrained, controlled performer of the team, Fontanne was early on characterized by Brooks Atkinson as an actress with “glamour, poise and subtlety.” Theresa Helburn, who worked with her for years, called her “a brilliant and beautiful tiger” and suggested that both she and Lunt always retained something of the characters they first made famous. In her case that meant she ever afterwards displayed a touch of Dulcy's inherent cruelty in all her roles. Biography: The Fabulous Lunts, Jared Brown, 1986.

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Dictionary: Fon·tanne   (fŏn-tăn') pronunciation, Lynn
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1887?-1983.

British-born American actress who in 1922 married Alfred Lunt, with whom she performed in many stage productions, including Pygmalion (1926).


WordNet: Lynn Fontanne
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Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: United States actress (born in England) who married Alfred Lunt and performed with him in many plays (1887-1983)
  Synonym: Fontanne


Actor: Lynn Fontanne
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  • Born: 1892 12 6
  • Died: Jul 30, 1983
  • Occupation: Actor
  • Active: '20s-'40s, '60s
  • Major Genres: Crime, Romance
  • Career Highlights: Peter Pan, The Guardsman
  • First Major Screen Credit: The Guardsman (1931)

Biography

Lynn Fontane and her husband Alfred Lunt still rank as one of the most respected acting teams in U.S. theater. They attempted to cross over to films in the '30s and '40s, but were unsuccessful. Fontane was born in Woodford, England. ~ Sandra Brennan, All Movie Guide
Wikipedia: Lynn Fontanne
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Lynn Fontanne

Photograph by Carl Van Vechten, 1932
Born Lillie Louise Fontanne
6 December 1887(1887-12-06)
Woodford, United Kingdom
Died 30 July 1983 (aged 95)
Genesee Depot, Wisconsin, United States
Fontanne in Quadrille in 1952

Lynn Fontanne (6 December 1887 – 30 July 1983) was a British actress and major stage star in the United States for over 40 years, who with her husband Alfred Lunt was part of the most acclaimed acting team in the history of the American theater.

Despite living in the U.S. for over 60 years, she never relinquished her British citizenship. She and her husband shared a special Tony Award in 1970. She also won an Emmy award in 1965, and was a Kennedy Center honoree very late in life.

Contents

Career

Born Lillie Louise Fontanne in Woodford, United Kingdom, Fontanne first drew popular acclaim in 1921 playing the cliché-spouting title role in the George S. Kaufman-Marc Connelly's farce Dulcy. Dorothy Parker memorialized her performance in verse:

Dulcy, take our gratitude, / All your words are golden ones. / Mistress of the platitude, / Queen of all the old ones. / You, at last, are something new / ’Neath the theatre’s dome. I’d / Mention to the cosmos, you / Swing a wicked bromide. ...[1]

She soon became celebrated for her skill as an actress in high comedy, excelling in witty roles written for her by Noël Coward, S. N. Behrman and Robert Sherwood. Fontanne's flair for elegant romantic comedy is often credited with creating a new style of dramatic heroine and an inspiration and influence on later screen actresses like Claudette Colbert, Myrna Loy, and Carole Lombard who brought the rhythm to their screen performances.

By contrast, Fontanne enjoyed one of the greatest critical successes of her career as Nina Leeds, the desperate heroine of Eugene O'Neill's nine-act drama, Strange Interlude.

From the late 1920s on, Fontanne acted exclusively in vehicles also starring her husband. Among their greatest theater triumphs were Design for Living (1933), The Taming of the Shrew (1935-1936), Idiot's Delight (1936), There Shall Be No Night (1940), and Quadrille (1952). Design for Living, which Noel Coward wrote expressly for himself and the Lunts, was so risqué, with its theme of bisexuality and a ménage à trois, that Coward premiered it in New York, knowing that it would not survive the censor in London. The Lunts remained highly active on the stage until retiring in 1960. Fontanne was nominated for a Best Actress Tony for one of her last stage roles, in The Visit (1959).

Fontanne made only three movies, but nevertheless, was nominated for the Academy Award for Best Actress in 1931 for The Guardsman, losing to the much younger Helen Hayes. She also appeared in the silent movies Second Youth (1924) and The Man Who Found Himself (1925).

The Lunts starred in four television productions in the 1950s and 1960s with both Lunt and Fontanne winning an Emmy award in 1965 for The Magnificent Yankee, becoming the first married couple to win the award for playing a married couple. She also narrated the classic 1960 television production of Peter Pan starring Mary Martin and received a second Emmy nomination for playing Grand Duchess Marie in the Hallmark Hall of Fame telecast of Anastasia in 1967, both rare performances that she did without her husband.

The Lunts also starred in several radio dramas in the 1940s, notably on the Theatre Guild program. Many of these broadcasts still survive.

In 1964, Lynn Fontanne and her husband, Alfred Lunt, were presented with the Presidential Medal of Freedom by President Lyndon Johnson.

Personal life

Fontanne's romance with Lunt began in 1920 while he was starring in the play Clarence with Helen Hayes, who had discreetly fallen in love with him. The Lunts were married in 1922. Hayes remained a lifelong friend of the pair, although many believe she never quite forgave Fontanne for "stealing" Lunt from her. Hayes' 1988 autobiography, published after the Lunts' deaths, contains several barbs directed at Fontanne, who supposedly was her friend for decades.

The Lunts lived for many years at Ten Chimneys, in Genesee Depot, Wisconsin, in Waukesha County, Wisconsin, but never had children. By all accounts, Lynn Fontanne was among the most duplicitous of actresses regarding her true age. Her husband died believing she was five years younger than him (as she had told him), and refused to believe anything to the contrary, although several magazine profiles on the stars reported her true age. She was, in fact, five years older, but continued to deny long after Lunt's death that she was born in 1887 (the year now attributed to her birth); she even misreported her year of birth accordingly to the U.S. Social Security Administration.

Asked how to say her name, she told The Literary Digest she preferred the French way, but "If the French is too difficult for American consumption, both syllables should be equally accented, and the a should be more or less broad": fon-tahn.[2]

Lynn Fontanne is interred next to her equally famous husband, Alfred Lunt, at Forest Home Cemetery in Milwaukee, Wisconsin.

Sources

References

  1. ^ Parker, Dorothy. "Lynn Fontanne." Life. November 24, 1921. p. 3; Silverstein, Stuart Y., ed. (1996, paperback 2001). Not Much Fun: The Lost Poems of Dorothy Parker. New York: Scribner. p. 100. ISBN 0743211480 (paperback). 
  2. ^ Charles Earle Funk. What's the Name, Please?, Funk & Wagnalls, 1936.

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
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