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Ma vie en rose

 
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Ma Vie en Rose

  • Director: Alain Berliner
  • AMG Rating: starstarstarstar
  • Genre: Comedy Drama
  • Movie Type: Family Drama, Domestic Comedy
  • Themes: Gender-Bending, Questioning Sexuality, Questioning Gender Roles
  • Main Cast: Julien Riviere, Michèle Laroque, Jean-Philippe Ecoffey, Hélène Vincent, Georges Du Fresne
  • Release Year: 1997
  • Country: BE/FR/UK
  • Run Time: 90 minutes
  • MPAA Rating: R

Plot

Boys will be boys and girls will be girls, but one child isn't so sure in this Belgian comedy drama. 7-year-old Ludovic (Georges DuFresne) is happy, healthy, and good-natured, but there's a bit of a problem -- he has decided that he's a girl. While his parents Hanna (Michele Laroque) and Pierre (Jean-Philippe Ecoffey) try to understand, Ludovic stubbornly refuses to listen to reason from his parents, teachers, or schoolmates. His fondness for wearing girl's clothes and frequent pronouncements to strangers that he's going to be a woman when he grows up become increasingly worrying, and things come to a head when Ludovic declares that when he's older, he plans to marry Jerome (Julien Riviere), the boy next door. It hardly helps that Pierre's boss, Albert (Daniel Hanssens), is also Jerome's father, and that he's notoriously closed-minded about gender issues. Will Pierre keep his job? Will the stress spoil Pierre and Hanna's marriage? And will Ludovic find the right shade of lipstick? Ma Vie En Rose was the first feature for director and screenwriter Alain Berliner. ~ Mark Deming, All Movie Guide

Review

A charming film that packages social commentary as comic fable, Alain Berliner's Ma Vie en Rose is one of the most convincing films about the clash between childhood fantasy and adult reality. The film takes seriously both the genuine conviction of its protagonist, seven-year-old Ludovic, that he is meant to be a girl, and the accompanying dilemmas faced by his loving but concerned parents. Berliner achieves the rare feat of treating just about all of the film's characters, from Ludo himself to his fearful neighbors, with fairness. When Ludo stages a mock wedding ceremony with the boy next door, who also happens to be the son of his father's boss, the resulting hysteria of the boy's parents is neither endorsed nor condemned. Rather than pointing a finger, Berliner shows us how people react to difference, whether with understanding or hostility. Ma vie en rose works best as a social satire, in which suburban conformity is discouraged as much as individuality is lauded. Both buoyant and perceptive, it is one of the most intelligently crafted celebrations of self-expression ever committed to the screen. ~ Rebecca Flint Marx, All Movie Guide

Cast

  • Michèle Laroque - Hanna
  • Jean-Philippe Ecoffey - Pierre
  • Hélène Vincent - Elisabeth
  • Georges Du Fresne - Ludovic
Jean-François Gallotte; Marie Buñuel; Baehr; Laurence Bibot; Daniel Hanssens; Julien Riviere

Credit

Brigitte Moidon - Casting, Karen Muller-Serreau - Costume Designer, Alain Berliner - Director, Sandrine Deegen - Editor, Dominique Dalcan - Composer (Music Score), Veronique Melery - Production Designer, Yves Cape - Cinematographer, Carole Scott - Producer, Brice Lajeunesse - Special Effects, SPARX - Special Effects, Ludovic Henault - Sound/Sound Designer, Thomas Gauder - Sound/Sound Designer, Philippe Baudhuin - Sound/Sound Designer, Alain Berliner - Screenwriter, Chris Van der Stappen - Screenwriter

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Wikipedia: Ma vie en rose
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Ma Vie en Rose

Film poster for Ma vie en rose.
Directed by Alain Berliner
Produced by Carole Scotta
Written by Alain Berliner
Chris Vander Stappen
Starring Georges du Fresne
Music by Dominique Dalcan
Zazie
Cinematography Yves Cape
Editing by Sandrine Deegen
Release date(s) France France - 28 May 1997
United Kingdom United Kingdom - 24 October 1997
United States United States - 26 December 1997
Australia Australia - 19 February 1998
Running time 88 minutes
Country France
Belgium
United Kingdom
Language French

Ma vie en rose (English translation: My Life in Pink) is a 1997 Belgian film directed by Alain Berliner.

Contents

Film synopsis

It tells the story of Ludovic (Georges du Fresne), a child who was born male but consistently insists that he is supposed to be a girl. The film shows the struggle over gender identity he and his family experience.

Plot

When the Fabre family move into their dream house with wonderful neighbors, everything seems perfect except for one thing - the youngest child Ludovic is transgendered; while he was born male, he believes he ought to have been born a girl and wants to wear skirts, earrings, and become female when he is older. The rest of the family humor him as best they can, rationalizing that he is only trying to find his identity and will be over it soon.

Trouble begins when Ludovic befriends Jérôme, one of the neighborhood children, and expresses a desire to marry him when Ludovic is "not a boy". When visiting Jérôme's house, Ludovic enters his sister's room and puts on one of her dresses, not realizing that the sister is actually dead and the room being kept in her honor. Jérôme's mother sees this and she and the rest of the neighbors are horrified. The community turns against Ludovic and, by extension, the rest of the Fabre family. After Ludovic stands in as Snow White in a school play, the parents of the other students send in a petition to have him expelled. Ludovic's father, under strain as an employee of Jérôme's father, is unable to cope leading to fighting within the family. After a particularly bad argument, Ludovic attempts to mend the situation by hiding in a freezer to committ suicide. He is found in time and allowed to wear a skirt to a neighborhood party. While the other neighbors greet him warmly however, the next day the father is fired. The father finds the house is sprayed painted with graffetti. Ludo runs out the house saying he has his period. Hannah, Ludovic's mother, is furious at Ludo for saying that. She mad because it's his fault that everything is going wrong. Hannah wants to set Ludo straight so she cuts his hair to make him look like his brothers. Ludo hates his mother for doing this and want to live with his grandmother.

When Ludo and his grandmother go visit his parent one weekend, the father announced that he has a new job but it's out of town and they have to move.

At their new house, Ludovic is befriended by Christine "Chris" Delvigne, a girl who is also transgendered (she dresses in boyish clothing and wears her hair short). Chris's mother invites Ludovic to her dress-up birthday party, which he attends in a musketeer outfit. Chris, unhappy in her princess outfit, asks them to swap and has her friends force him to do so when he refuses. When Ludovic's mother sees him in the dress, she fears that their troubles are beginning again and lashes out, hitting him until the other party guests restrain her. She follows Ludovic to a billboard where she is shocked to see him in the picture, running away with a living Barbie-like doll named Pam. When she tries to follow, she falls through the ground and awakens at home. She and Ludovic's father assure him that he may wear skirts if he wishes and he in turn assures his mother that he never really intended to run away with Pam.

Title and names

The film's title may be intended as a reference to the song "La Vie en rose" where being en rose (in pink) means being in love; in the film it refers to Ludovic's female-gender identity.

The film features a European doll, named Le monde de Pam, that is a clone of the Barbie doll; the film-doll's brand is fictional.

The gender-ambiguous girl (Ludovic's counterpart) near the end of the film has the same first name as screenwriter Chris Vander Stappen, who has written and directed several films involving lesbian relationships.

Production

Although internationally presented as a Belgian film because of the nationality of Berliner, its director and co-screenwriter, the film is an international co-production between companies in Belgium, the United Kingdom and France — the majority of the production work was done by the French independent-film house Haut et Court and the shooting took place south of Paris, France, near the commune of Évry

The color timing in the film is significant — it changes as parents exit from the school play, switching to cold-blue tones.

American controversy

In the United States the film received an R rating by the Motion Picture Association of America, an unusual decision because the film has minimal sexual content, minimal violence, and mild language. Those opposed to the rating believe that the rating was the result of transphobia.[1]

Awards

The film won the Golden Globe Award for Best Foreign Language Film. It also won the Crystal Globe award at the Karlovy Vary International Film Festival.

External links

See also

Awards
Preceded by
Kolya
Golden Globe for Best Foreign Language Film
1998
Succeeded by
Central Station

 
 

 

Copyrights:

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