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Mai Zetterling

 
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Mai Zetterling

Biography

Swedish-born Mai Zetterling found acting as an escape from an impoverished childhood, and after training at Stockholm's Royal Dramatic Theater School, she made her debut on stage and screen at the age of 16. Her movie career took over when she was cast as the teenage girl victimized by a sadistic teacher in Torment (1944), a picture directed by Alf Sjoberg that was scripted by Ingmar Bergman, which became a major success among critics all over the world. She went to England in 1946 to star in the drama Frieda, about the plight of a European immigrant living in England during the postwar period. She was then signed by the Rank Organisation which tried to turn her into a major star. Unfortunately, she came to England at a time when the film industry was in a period of upheaval and retrenchment, and her films -- which included Quartet (1948) and The Bad Lord Byron (1949) -- never really succeeded. After the failure of The Romantic Age, she began setting her sights elsewhere from Rank. The early '60s saw Zetterling appear opposite Peter Sellers in what was probably the most interesting of his late-British successes, Any Number Can Play. By that time, she was concentrating on directing as well as acting, having made the documentary The War Game, which won a prize at the 1963 Venice Film Festival. Her feature films Loving Couples and Night Games (the latter based on her own novel) established Zetterling as one of the most-respected women filmmakers of her generation, and the fact that her work frequently dealt with issues of special interest to women put her at the forefront of the feminist movement. She continued making occasional appearances as an actress into the 1990s, most notably an extremely popular turn as the grandmother in the Jim Henson-directed fantasy The Witches (1990). ~ Bruce Eder, Rovi
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Mai Zetterling

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Mai Zetterling
Born Mai Elisabeth Zetterling
24 May 1925(1925-05-24)
Västerås, Västmanland, Sweden
Died 17 March 1994(1994-03-17) (aged 68)
London, England, U.K.
Occupation Actress, film director
Spouse Tutte Lemkow (1944–1953) (divorced)
David Hughes (1958–1979) (divorced)

Mai Elisabeth Zetterling (Swedish pronunciation: [mâjː sɛ̂tːəɭɪ̂ŋ]; 24 May 1925 – 17 March 1994)[1] was a Swedish actress and film director.

Contents

Early life

Zetterling was born in Västerås, Västmanland, Sweden to a working class family.[2] She started her career as an actress by the age of seventeen at Dramaten, the Swedish national theater, and appeared in war-era film starting in her teens.

Career

Zetterling appeared in film and television productions spanning six decades from the 1940s to the 1990s. Her breakthrough came in the 1944 film Torment written by Ingmar Bergman, in which she played a controversial role as a tormented shopgirl. Shortly afterwards she moved to England and gained instant success there with her title role in Basil Dearden's Frieda (1947) playing opposite David Farrar. After a brief return to Sweden in which she worked with Bergman again in his film Music in Darkness (1948), she returned to England and starred in a number of English films, playing against such leading men as Tyrone Power, Dirk Bogarde, Richard Widmark, Laurence Harvey, Peter Sellers, Herbert Lom, Richard Attenborough, Keenan Wynn, Stanley Baker, and Dennis Price.

Some of her notable films as an actress include Quartet (1948), a film based on some of W. Somerset Maugham's short stories, The Romantic Age (1949) directed by Edmond T. Gréville, Only Two Can Play (1962) co-starring Peter Sellers and directed by Sidney Gilliat, and The Witches (1990), an adaptation of Roald Dahl's book directed by Nicholas Roeg. Having gained a reputation as a sex symbol in dramas and thrillers, she was equally effective in comedies, and also was very active in British television in the '50s and '60s.

She began directing in the early 1960s, starting with political documentaries and a short film called The War Game (1962), which was nominated for a BAFTA award. Her first feature film Älskande par (1964, "Loving Couples"), was banned at the Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane." It was not the only film she made which would stir up controversy for its frank sexuality.

When critics reviewing her debut feature said that "Mai Zetterling directs like a man,"[3] she began to explore feminist themes more explicitly in her work. The Girls, which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, discussed women's liberation (or lack thereof) in a society controlled by men, as the protagonists compare their lives to characters in the play Lysistrata, and find that things have not progressed very much for women since ancient times.

Personal life

In 1985 she published an autobiography, All Those Tomorrows.[4] She died in London, England, from cancer on St. Patrick's Day in 1994, at the age of 68. Recently released documents at the National Archives in London show that she, a member of the Hollywood Left, was watched by British security agents as a suspected Communist. However, the UK never had a system along the lines of the American Hollywood Blacklist.

Filmography

A partial filmography as director:

Actress

References

External links


 
 
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