Malayalam cinema
| South Asian cinema |
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Malayalam cinema refers to films made in the Indian state of
Kerala in the Malayalam language. It forms a
significant component of the Indian cinema. Malayalam movies are among the finest of the
entire Indian Movie Industry. Malayalam Art Films are Internationally acclaimed. The commercial Malayalam block busters are often
remade to Hindi, Tamil and other languages. Every year, a minimum of 2-3 Malayalam movies are remade in Bollywood.
History of Malayalam Cinema
Early Era
The first Malayalam film titled Vigathakumaran was released in 1928. It was a silent film titled Vigathakumaran and was produced and directed by a businessman, J. C. Daniel who had no prior film experience. The second film Marthanda Varma based on a novel by C. V. Raman Pillai, was produced in 1933. But it was never released due to some legal disputes.
Balan released in 1938 was the first talkie in Malayalam. Its screenplay and songs were written by Muthukulam Raghavan Pillai and directed by S Nottani. It was produced at Chennai (then Madras) in the neighbouring state of Tamilnadu. Malayalam films continued to be made almost exclusively by Tamil producers till 1947 when the first major film studio, Udaya was established in Kerala.
In 1954, Neelakkuyil captured national interest by winning the President's silver medal. Scripted by the well-known Malayalam novelist Uroob and directed by P. Bhaskaran and Ramu Kariat, it is often considered as the first authentic Malayali film. Another notable production was Newspaper Boy (1955) which had elements of Italian neorealism. Chemmeen (1965), directed by Ramu Kariat and based on a story by Thakazhi Sivasankara Pillai went on to become immensely popular and won the national award. It had music by Salil Chowdhury, songs by Manna Dey and editing by Hrishikesh Mukherjee. The first colour film in Malayalam was Kandam becha coat.
1960s
Malayalam Parallel films of the 1970s
The 70s saw the emergence of a new wave of cinema in Malayalam. The growth of film society movement in Kerala introduced the works of the French and Italian New Wave directors to the discerning Malayali film enthusiasts. Adoor Gopalakrishnan's first film Swayamvaram (1972) brought Malayalam cinema to the International film arena. In 1973 M. T. Vasudevan Nair who was by then recognized as an important author in Malayalam, directed his first film Nirmalyam, which won the President's Gold Medal for the best film. G. Aravindan followed Adoor's lead with his Uttarayanam in 1974. John Abraham, K. R. Mohanan, K. G. George, and G. S. Panikkar were products of the Pune Film Institute who made significant contributions.
'List of Malayalam films from 1976 to 1980 Aravindan was famous in Kerala as a cartoonist before he started making films. His important movies include Kanchana Seeta (1977), Thampu (1978), Kummatty (1979), Chidambaram (1985), Oridathu (1986), and Vasthuhara (1990).
Malayalam Art Cinema of the early 1980s
Adoor Gopalakrishnan made Elipathayam in 1981. This movie was widely acclaimed and won the British Film Institute award. His other movies include Mukhamukham (1984), Anantharam (1987) Mathilukal (1989), Vidheyan (1994), Kathapurushan (1995), and Nizhalkkuthu (2003). Padmarajan made his early works in this period including the movie Koodevide? (1983)
P. A. Backer and Bharathan are other names worth mentioning.
'Golden Age' of Malayalam cinema
Most critics and audiences consider this period from as the golden age of Malayalam cinema. The Malayalam cinema of this period was characterised by detailed screenplays dealing with everyday life with a lucid narration of plot intermingling with humour and melancholy. This was aided by brilliant cinematography and lighting as in motion pictures like Perumthachan (1990), directed by Ajayan with Santosh Sivan as the cinematographer. These films are also remembered for their warm background music by composers like Johnson, as in the motion picture Nammukku paarkkaan munthiri thoppukal (1986) directed by Padmarajan.
Many of the movies released during this time narrowed the gap between art cinemas and commercial cinemas in the Malayalam film industry, as in Oru Vadakkan Veeragatha (1989). These were paralleled with movies like Kireedam (1989) directed by Sibi Malayil and written by Lohitadas, Mathilukal directed by Adoor Gopalakrishnan (1989), 'Amaram'(1991) directed by Bharathan, Kaakothikaavile Appoopan Thadikal(1988) directed by Kamal and 'Sargam'(1992) directed by Hariharan.
The period had an abundance of movies rich in creative humour from directors like Priyadarshan, Sathyan Anthikkad and Kamal. The era also saw well crafted comedy by the Duo Siddique-Lal, (Ramji Rao speaking (1989) and In Harihar Nagar (1990). Other notable contributions of this period include His Highness Abdullah (1990) directed by Sibi Malayil, Piravi (1989) by Shaji N. Karun, Abhayam (1991) directed by Sivan, and the motion picture Daisy (1988) an expressive depiction of separation and longing set in a Boarding school, directed by Prathap K Pothan.
Popular Malayalam cinema through early-mid 1990s
Films made during this period continued to stand out for their brilliance in storytelling and appeal. These include 'Bharatham' (1991) by Sibi Malayil, Ulladakkam(1991) directed by Kamal, Kaalapaani (1996) by Priyadarshan, and the award winning 'Manichitrathazhu' (1993) by Fazil. 'Sphadikam' (1995) directed by Bhadran was well received by the viewers as was 'Desadanam' (1997) by Jayaraaj. Some works stood out as strong in evocative power reminiscent of the earlier period, like Swaham (1994) directed by Shaji N.Karun, the first Malayalam film entry into the Cannes International Film Festival.
Present
The Malayalam film industry in recent times has been affected by the spread of satellite digital television and film piracy. Slapstick comedy is the predominant theme. Meesamadhavan (2002) by Lal Jose and Kunjikkoonan directed by Sasi Shankar (2002) are examples. However notable exceptions to these were Chinthavishtayaya Shyamala by Srinivasan (1998), Vanaprastham (1999) directed by Shaji N Karun, Maduranombarakaatu(2000), Meghamalhar(2001), Perumazhakaalam(2004) and Karuthapakshikal(2006) directed by Kamal.
Sequels have been made of a number of successful films. These include Ravanaprabhu (Devasuram) and Nerariyan CBI (Oru CBI Diarykurippu).
See also
External links
- Malayalam Cinema, An Ever Vibrant Film Industry, an article by Shruthi S. Namboodiri
- Malayalam Movie Songs
- Malayalam Movie Portal
- Malayalam Movie reviews and previews
- Malayalam Cinema Music Database
- Cinema of Malayalam - A non-commercial website dedicated to meaningful cinema of Malayalam
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