Contents: IntroductionPlot Summary Characters Style Critical Overview Criticism Sources For Further Study |
Themes
Supernatural
Mama Day is imbued with supernatural occurrences. As part of the hoodoo religion they have inherited from their slave ancestors, the inhabitants of Willow Springs believe in the supernatural. Near the end of the novel, readers learn that George, one of the narrators, has been dead for fourteen years, and that Cocoa speaks to him regularly.
But it is Mama Day who embodies the supernatural. She possesses a "gift" that she inherited from her great-grandmother, the slave Sapphira Wade. According to Willow Springs legend, Sapphira was a "conjure woman" who "could walk through a lightning storm without being touched; grab a bolt of lightning in the palm of her hand; use the heat of the lightning to start the kindling going under the medicine pot. She turned the moon into salve, the stars into swaddling cloth, and healed the wounds of every creature walking up on two or down on four." According to the bill of sale for Sapphira that prefaces the novel, she "has served on occasion in the capacity of midwife and nurse, not without extreme mischief and suspicions of delving in witchcraft."
This language expresses the white world's view of Sapphira's power, but the novel goes to great lengths to demystify and present in a positive light the powers Mama Day possesses. In the world of Willow Springs, where all the inhabitants are descendants of slaves, magic and the supernatural are everyday parts of life, and Mama Day's gift is something to be respected and occasionally feared.
The novel makes a clear distinction between the kind of conjuring or hoodoo that Mama Day practices and two other kinds: the trickery of Dr. Buzzard and the evil practices of Ruby. Mama Day uses her powers for benevolent purposes, healing the sick, helping women to give birth, and helping Bernice get pregnant. As she says, she gets "joy" "from any kind of life." Her job is "bringing on life, knowing how to get under, around, and beside nature to give it a slight push." She works in concert with nature to help things grow, while Ruby uses spells, poisons, and herbal mixtures with graveyard dust to kill and drive insane the women whom she fears are after her man. The only time Mama Day kills is when she attracts lightning to Ruby's house in revenge for Ruby's poisoning of Cocoa. And while Dr. Buzzard also claims to heal, his remedies are fake, consisting mostly of alcohol and nothing of any real medicinal value. He also exploits the villagers' fears and beliefs in ghosts to hawk his charms and talismans.
Mama Day's practices are described in great detail to emphasize that what she possesses most of all is a vast knowledge of effective herbal remedies. She also uses her understanding of psychology, such as when she helps Bernice by giving her black and gold seeds, which, rather than possessing supernatural powers, represent her negative feelings about her mother-in-law and her hopes for her baby. Naylor therefore demystifies some of Mama Day's practices and shows the reader that her supernatural powers are natural extensions of her understanding of the "real" world.
Cultural Heritage
The lesson that Cocoa must learn in Mama Day is that she cannot escape her past. Even though she has spent the last several years in New York, in the last half of the book she must come to terms with Willow Springs and her heritage, which means the loss of "peace" that the women in her family have suffered.
George cannot help her with this because he has no past and no understanding of the rich heritage of the Day family. He does not understand why they have to put moss in their shoes when they walk in the west woods where her ancestors are buried. She can only say, "it is a tradition" and "it shows respect." He is intrigued by the "other place," the Day ancestral home, and wants to become a part of it without knowing its sad history. While Cocoa hears voices telling her "you'll break his heart," George hears nothing and tells her "we could defy history."
When Cocoa becomes ill from Ruby's poisoning, Mama Day goes to the other place to find out what she has to do to save Cocoa. She realizes that Cocoa has put a significant part of herself in George's hands, and that he must help her. When he is unable to join hands with Mama Day and make the "bridge for Baby Girl to walk over," he must sacrifice his life to save Cocoa. Only with his death and his letting go of Cocoa can Mama Day's remedies return Cocoa to health and her cultural heritage, making her the first Day to learn "the meaning of peace." And only in death can George become a part of the island and its heritage. He is buried on the island, and Cocoa names one of her sons from a subsequent marriage after him.
Topics for Further Study
- Research the history and practices of African-American folk medicine and hoodoo and write a paper comparing them to Western medicine, using Mama Day and Dr. Smithfield as examples.
- Research your own family history, making a family tree like that at the beginning of Mama Day. Then write a paper about how your family's legacy continues to influence you and other family members.
- Explore historical and fictional accounts that describe the relations between slave women and their masters in early America (like those between Thomas Jefferson and Sally Hemmings) and write first-person narratives of Sapphira and Bascombe Wade's experiences. You can make them talk to each other the way George and Cocoa do in Mama Day.
- Compare Zora Neale Hurston's practices, methodology, and results in her Mules and Men (1935) to the efforts of the student, Reema's boy, who returns to Willow Springs at the beginning of Mama Day. You may also expand your research to include a historical survey of how anthropologists have approached and interpreted southern black folk culture.


