Mama Day (Sources)
Contents: IntroductionPlot Summary Characters Themes Style Critical Overview Criticism For Further Study |
Sources
Rita Mae Brown, a review in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 13-15.
Peter Erickson, "'Shakespeare's Black?': The Role of Shakespeare in Naylor's Novels," in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 231-48.
Allison Gloch, "A Woman to Be Reckoned With," in Special Report, January-February, 1993, pp. 22-25.
Rachel Hass, a review in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 22-23.
Elizabeth T. Hayes, "Gloria Naylor's Mama Day as Magic Realism," in The Critical Response to Gloria Naylor, edited by Sharon Felton and Michelle C. Loris, Greenwood Press, 1997, pp. 177-86.
Margot Anne Kelley, "Sister's Choices: Quilting Aesthetics in Contemporary African-American Women's Fiction," in Quilt Culture: Tracing the Pattern, edited by Cheryl B. Torsney and Judy Elsley, University of Missouri Press, 1994, pp. 49-67.
Missy Dehn Kubitschek, "Toward a New Order: Shakespeare, Morrison, and Gloria Naylor's Mama Day," in Melus, Vol. 19, No. 3, Fall, 1994, pp. 75-90.
Helen Fiddyment Levy, "Lead on with Light," in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 263-84.
Michelle C. Loris, "Interview: 'The Human Spirit Is a Kick-Ass Thing," in The Critical Response to Gloria Naylor, edited by Sharon Felton and Michelle C. Loris, Greenwood Press, 1997, pp. 251-63.
Susan Meisenhelder, "'The Whole Picture' in Gloria Naylor's Mama Day," in African-American Review, Vol. 27, No. 3, 1993, pp. 405-19.
Bharati Mukherjee, a review in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 19-21.
Gloria Naylor and Toni Morrison, "A Conversation," in Southern Review, Vol. 21, Summer, 1983, pp. 567-93.
Linda Simon, a review in Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and K. A. Appiah, Amistad, 1993, pp. 15-18.
Lindsey Tucker, "Recovering the Conjure Woman: Texts and Contexts in Gloria Naylor's Mama Day," in African-American Review, Vol. 28, No. 2, 1994, pp. 173-88.
