Indulging in one of his favorite subjects, sexual obsession, Yasuzo Masumura pulls out all the stops in this absurdist melodrama made at the mid-1960s peak of this career. The plot features more twists and turns than a whole season of an average soap opera as the four main characters engage in a round robin of deception and romantic intrigue. There are poisonings, fake pregnancies, and contracts signed in blood. Kyoko Kishida is fantastic as the heroine Sonoko. Best known for her role in Hiroshi Teshigahara's The Woman in the Dunes, she has a very distinctive face with large pleading eyes perfectly suited for gazing with lustful longing at Ayako Wakao's Mitsuko, the object of her obsession. As with Masumura's other films, plausibility plays a minor role in this one. Plot holes and improbable behavior simply do not concern him, making the film even more of a giddy pleasure. Like his mentor Kon Ichikawa, who directed a similarly perverse adaptation of a Tanizaki novel, Odd Obsession, Masumura knows how to mold the material to his directorial strengths. Also like Ichikawa, the wide screen, Technicolor compositions that contain this wacky tale are exquisite. ~ Tom Vick, Rovi