Despite scoring only one national hit, the 1961 instrumental smash "Last Night," the Mar-Keys remain one of the most important groups ever to emerge from the Memphis music scene. As the first house band for the legendary Stax label, they appeared on some of the greatest records in soul history, with their ranks also producing such renowned musicians as guitarist Steve Cropper and bassist Donald "Duck" Dunn. The Mar-Keys formed in 1958 and included drummer Terry Johnson, pianist Jerry Lee "Smoochie" Smith, saxophonists Don Nix and Charles Axton, and trumpeter Wayne Jackson in addition to Cropper and Dunn. Originally dubbed the Royal Spades, in 1960 the group joined the staff at Axton's mother Estelle's Satellite label, backing artists that included Rufus Thomas and his daughter Carla. A year later, the Mar-Keys headlined the Chips Moman-penned "Last Night," which reached the number three spot in the summer of 1961. When Satellite changed its name to Stax, the Mar-Keys remained on board, laying the foundation for the classic Memphis soul sound through with their funky, sophisticated grooves; concurrently they recorded a series of singles including "Pop-Eye Stroll," "The Morning After," and "Philly Dog," although none repeated the commercial success of "Last Night." In 1962 Cropper and Dunn left the lineup to co-found the famed Booker T. and the MG's. Other personnel changes followed, although the Mar-Keys continued on for several more years before the name was eventually dropped. Jackson then formed another top-notch session group, the Memphis Horns, while Axton led the Packers, scoring a 1965 hit with "Hole in the Wall." Nix, meanwhile, mounted a solo career, also producing records for artists including Freddie King, Jeff Beck, and Furry Lewis. ~ Jason Ankeny, All Music Guide
The Mar-Keys, formed in 1958, were a studiosessionband for the Staxlabel from Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
They also recorded organ and saxophone oriented singles of their own, scoring a number three hit nationally with "Last Night" in 1961. It sold over one million copies, earning gold disc recognition.[1]Keyboards were played by Jerry Lee "Smoochy" Smith.[1] Other singles of theirs from the early 1960s include "Philly Dog" and "Pop-eye Stroll." Members of this rhythm section later formed other nationally prominent Memphis studio session groups, including the Memphis Horns, the Packers, and Booker T. & the M.G.'s. Each of these offshoot groups also recorded popular instrumentalalbums of their own, in addition to serving as the backing band on albums by dozens of rock, R&B, and soul musicstars on Stax, Volt and other national labels. The legacy of the Mar-Keys and later groups was that of having been key players in the development of soul music styles like Southern soul and Memphis soul.
