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French Literature Companion:

Marcel Jouhandeau

Jouhandeau, Marcel (1888-1979). Unorthodox mystic Catholic novelist and memorialist, closely allied to the Nouvelle Revue Française group of Gide, Martin du Gard, and Paulhan. He uses an evocation of his native town of Guéret, in the Creuse, under the fictional name of Chaminadour (1934), to paint an acerbic portrait of small-town life which transcends mere social depiction to become a mystic allegory of the struggle between man and God. In his writing, his tempestuous and disastrous marriage and his homosexuality, recorded in Chroniques maritales (1938) and the 27 vols. of Journaliers (1961-81), are integrated into his tortured religious vision.

[Nicholas Hewitt]

 
 
Wikipedia: Marcel Jouhandeau

Marcel Jouhandeau (born in Guéret, July 26, 1888 - died in Rueil-Malmaison, April 7, 1979) was a French writer.

Marcel Jouhandeau grew up in a world of women presided over by his grandmother. Under the influence of a young woman from the Carmel of Limoges, he embraced a mystical form of Catholicism and for a time thought to enter the orders. However, in 1908 he left for Paris where he studied first at the Lycée Henri-IV, and then at the Sorbonne where he began to write. In 1912 he became a professor in a school at Passy.

As a very young man, Marcel Jouhandeau discovered his homosexual feelings which provoked great guilt as offensive to God. Still, his feelings of shame did not prevent him from engaging in numerous homosexual acts and his whole life alternated between a celebration of the male body and mortification of sexuality. In 1914, during a mystical crisis, he burned his manuscripts and attempted suicide. Once the crisis had passed, he turned again to writing and created the village chronicles which brought him his first literary successes.

During World War I, he was initially a secretary in his hometown of Guéret. In 1924 he published Pincegrain, a barely disguised chronicle of the inhabitants of Guéret, which shocked the people of the town. His voyages became an opportunity for him to give himself over to his love of men, as he recounted in the Amateur d'imprudences.

At age 40, he married a dancer, Élisabeth Toulemont, known as Caryathis « Elyse », the former mistress of Charles Dullin and an intimate friend of Jean Cocteau and Max Jacob. She hoped to rid him of his homosexual leanings. During this period he undertook a work of Christian moralism (De l'abjection) before tumbling again into the arms of men -- much to the dismay of his wife -- which he wrote about in Chronique d'une passion and Eloge de la volupté.

Nevertheless Jouhandeau and his wife Élise adopted a girl named Céline who gave birth to a baby boy, Marc. Following the death of Élise in 1971, Jouhandeau finished his last days with Marc.

Jouhandeau has been criticized because some of his works provide a defense of antisemitism.[citation needed]

Bibliography

  • La jeunesse de Théophile (1921)
  • Les Pincengrain (1924)
  • Prudence Hautechaume (1927)
  • Monsieur Godeau intime (1926)
  • L'amateur d'imprudences(1932)
  • Monsieur Godeau marié (1933)
  • Chaminadour (1934-1941)
  • Algèbre des valeurs morales (1935)
  • Le Peril Juif, Editions Sorlot, 1938.
  • Chroniques maritales (1938)
  • De l'abjection (1939)
  • Essai sur moi-même (1947)
  • Scènes de la vie conjugale (1948)
  • Mémorial (1948)
  • La faute plutôt que le scandale (1949)
  • Chronique d'une passion (1949)
  • Eloge de la volupté (1951)
  • Dernières années et mort de Véronique (1953)
  • Contes d'enfer (1955)
  • Léonara ou les dangers de la vertu (1955)
  • Carnets de l'écrivain (1957)
  • L'école des filles (1960)
  • Journaliers (1961-1978)
  • Les instantanés de la mémoire (1962)
  • Trois crimes rituels (1962)
  • le Pur Amour (1970)

Source

  • French Wikipedia article on Jouhandeau

 
 

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Marcel Jouhandeau" Read more

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