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Frederic March

 

(born Aug. 31, 1897, Racine, Wis., U.S. — died April 14, 1975, Los Angeles, Calif.) U.S. actor. He began acting on Broadway, and his parody of John Barrymore in a touring production of The Royal Family earned him a five-year contract with Paramount Pictures; he reprised the role in the retitled screen adaptation, The Royal Family of Broadway (1930). He subsequently appeared in more than 65 films, including Dr. Jekyll and Mr. Hyde (1932, Academy Award), A Star Is Born (1937), The Best Years of Our Lives (1946, Academy Award), Death of a Salesman (1951), and Inherit the Wind (1960). He starred on the stage, often with his wife, Florence Eldridge, in plays such as The Skin of Our Teeth (1942) and Long Day's Journey into Night (1956, Tony Award). A versatile stage and film actor, his cerebral approach occasionally resulted in stolid, emotionally unconvincing performances, but it more often produced compelling, complex characterizations.

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American Theater Guide: Frederic March
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March, Frederic [né Frederick McIntyre Bickel] (1897–1975), actor. Born in Racine, Wisconsin, and educated at the University of Wisconsin, he made his stage debut as the Prompter in Deburau in 1920. Within a few seasons he had risen to leading man in several short‐lived dramas, then became a star in films. March did not return to Broadway until 1938, when he appeared opposite his wife, Florence Eldridge, in the quick failure, Yr. Obedient Husband. Further failures followed before he won praise as the allegorical Mr. Antrobus in The Skin of Our Teeth (1942). He subsequently distinguished himself as Major Victor Joppolo in A Bell for Adano (1944), the father Clinton Jones in Years Ago (1946), the meddling, self‐important artist Nicholas Denery in The Autumn Garden (1951), the bitter, tight‐fisted actor James Tyrone in Long Day's Journey into Night (1956), and the Angel of God in Gideon (1961). His performance as Tyrone, which won him numerous honors, was called by Brooks Atkinson “masterful. . .a character portrait of grandeur.” It was made all the more believable because, like the figure he was playing, March had a touch of the ham in him and the aura of an earlier‐day matinee idol, handsome, but stern‐looking.

 
 

 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more