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Marion Harris

 
Artist: Marion Harris

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  • Born: 1896, Indiana
  • Died: April 23, 1944, New York, NY
  • Active: '10s, '20s, '30s
  • Genres: Vocal Music
  • Instrument: Vocals, Drums, Performer
  • Representative Albums: "Look for the Silver Lining," "The Complete Victor Releases"

Biography

A hitmaker who was recording before the end of World War I, Marion Harris sang a Broadway version of the blues several years before it had cracked the commercial consciousness, near the end of the 1910s. In that, she was a harbinger of the Jazz Age, although her hits dried up by the mid-'20s, and when she died in 1944 she had been long forgotten. Still, Harris was among the most popular singers of the '20s, and her versions of "St. Louis Blues," "Tea for Two," and "Look for the Silver Lining" were the most successful of the era.

Born in 1896, probably in Indiana, Harris made her first professional stop in Chicago, where she played vaudeville and accompanied silent pictures with her voice. Her singing made an impression on the famed dancer Vernon Castle, who enabled her entrance into the New York theater scene; she debuted in a 1915 Irving Berlin revue titled Stop! Look! Listen! and also performed with Florenz Ziegfeld's famous Follies. By 1916, Harris began recording for Victor, and one year later she enjoyed her first hit -- "They Go Wild, Simply Wild, Over Me." She could belt out a strong theater blues, like Layton-Creamer's "Eveybody's Crazy 'Bout the Doggone Blues, But I'm Happy" (also a hit), but she tempered those brash titles with ballads such as "After You've Gone." Also, she continued performing in vaudeville, but at a much higher caliber than in Chicago, touring the nation with a top billing.

Meanwhile, her personal life was much less successful than her professional career. Her 1920 marriage to actor Bobby Williams was tempestuous and lasted only one year; a later marriage collapsed after her husband was tried on rape charges (the alleged victim was appearing with Harris in a play). Her lone attempt at going Hollywood, the 1927 film Devil-May-Care, was a flop, and she withdrew from her next theater show because of an undisclosed illness. Harris spent the next few years in Europe, often performing in cabaret, but never appeared again professionally after the mid-'30s. Until 1944, the last year of her life, she lived in London with her third husband; the effects of the blitz may have caused the "neurological disorder" that caused her to travel to New York for treatment. Although she was discharged two months later, she died soon after in a hotel fire that started when she fell asleep while smoking in bed. ~ John Bush, All Music Guide
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Wikipedia: Marion Harris
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Marion Harris

Marion Harris in 1924
Background information
Birth name Mary Ellen Harrison
Born 1896
Indiana, United States
Died April 23, 1944
New York City, New York
Genres Jazz, blues, pop
Occupations Singer
Years active 1914—1930s
Labels Victor, Columbia, Brunswick

Marion Harris (April 4 1896[1] — April 23, 1944)[2][3] was an American popular singer, most successful in the 1920's. She was the first widely known white singer to sing jazz and blues songs.[4]

Born Mary Ellen Harrison, probably in Indiana,[5] she first played vaudeville and movie theaters in Chicago around 1914. Dancer Vernon Castle introduced her to the theater community in New York where she debuted in a 1915 Irving Berlin revue, Stop! Look! Listen!

Contents

Recordings

In 1916, she began recording for Victor Records, singing a variety of songs, such as "Everybody's Crazy 'bout the Doggone Blues, But I'm Happy", "After You've Gone", "A Good Man Is Hard to Find" (later recorded by Bessie Smith), "When I Hear that Jazz Band Play" and her biggest success, "I Ain't Got Nobody".[6]

In 1920, after the Victor label would not allow her to record W.C. Handy's "St. Louis Blues", she joined Columbia Records where she recorded the song successfully. Sometimes billed as "The Queen of the Blues,"[7] she tended to record blues- or jazz-flavored tunes throughout her career. Handy wrote of Harris that "she sang blues so well that people hearing her records sometimes thought that the singer was colored."[8] Harris commented, "You usually do best what comes naturally, so I just naturally started singing Southern dialect songs and the modern blues songs."[9]

In 1922 she moved to the Brunswick label. She continued to appear in Broadway theatres throughout the 1920s. She regularly played the Palace Theatre, appeared in Florenz Ziegfeld's Midnight Frolic and toured the country with vaudeville shows.[2] After a marriage which produced two children, and her subsequent divorce, she returned in 1927 to New York theater, made more recordings with Victor and appeared in an eight-minute promotional film, Marion Harris, Songbird of Jazz. After a Hollywood movie, the early musical Devil-May-Care with Ramon Navarro, she temporarily withdrew from performing because of an undisclosed illness.

Radio

Between 1931 and 1933, when she performed on such NBC radio shows as The Ipana Troubadors and Rudy Vallee's The Fleischmann's Yeast Hour, she was billed by NBC as "The Little Girl with the Big Voice."[10]

In early 1931 she performed in London, returning for long engagements at the Café de Paris. In London she appeared in the musical Ever Green and broadcast on BBC radio. She also recorded in England in the early 1930s but retired soon afterwards and married an English theatrical agent. Their house was destroyed in a German rocket attack in 1941, and in 1944 she travelled to New York to seek treatment for a neurological disorder. Although she was discharged two months later, she died soon afterwards in a hotel fire that started when she fell asleep while smoking in bed.

References and notes

  1. ^ Her gravestone, as seen at Find-a-Grave[1], gives a birth date of 1906. This does not tally with all evidence elsewhere, which is that she was a young adult by 1914.
  2. ^ a b Marion Harris
  3. ^ Find-a-Grave states March 24, 1944.
  4. ^ Elijah Ward, Escaping The Delta, 2005, ISBN 978-0-06-052427-2
  5. ^ Find-a-Grave states Kentucky, but this is countered by evidence at The Jazz Age site [2]
  6. ^ Originally titled "I Ain't Got Nobody Much"
  7. ^ Elijah Ward, Escaping The Delta, 2005, ISBN 978-0-06-052427-2
  8. ^ W.C. Handy, Father of the Blues, 1941
  9. ^ 1922 Columbia Records catalog, quoted in Elijah Ward, Escaping The Delta, 2005, ISBN 978-0-06-052427-2, p. 283.
  10. ^ Gracyk, Tim. The Encyclopedia of Popular American Recording Pioneers: 1895-1925. Routledge, 2000.

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