Career Highlights: Girls of the Big House, Gildersleeve's Ghost, Lady of Burlesque
First Major Screen Credit: Sinners in Paradise (1938)
Biography
The brassiest platinum blonde of them all, Marion Martin turned up in numerous films of the 1930s and 1940s, usually only for a moment or two but long enough to make an impression. Reportedly hailing from Philadelphia's Main Line, Martin had made her Broadway bow in a 1927 revival of Lombardi Ltd. but was rather more noticeable in burlesque where she vowed 'em with a voluptuous body and with a throaty singing voice to match. She began popping up in films around 1935 and went on to play a host of characters named Blondie, Fifi, Lola, and Dixie, rarely awarded a last name and usually only a line or two. But she almost always made the line count, as in Sinner in Paradise (1938), when he-man Bruce Cabot introduces himself with a terse "the name is Malone." "Does it make you happy," she quips, with that bored look she had come to favor. Martin's screen career lasted well into the 1950s but by then her once-statuesque build had turned quite blowsy. In her later years as the wife of a Southern California physician, she occasionally expressed a desire to return to show business but no projects materialized. ~ Hans J. Wollstein, All Movie Guide
Marion Martin (June 7, 1909 - August 13, 1985) was an American movie and stage actress.
Martin was born, Marion Suplee in Philadelphia, Pennsylvania, the daughter of a Bethlehem Steel executive. She became an actress after her family fortune was lost in the Wall Street Crash of 1929 and appeared in the Broadway productions Lombardi Ltd. and Sweet Adeline. She made her film debut in She's My Lillie, I'm Her Willie and subsequently played minor roles, often as showgirls. Several of her early roles were in musicals and she achieved some success as a singer.
By the end of the decade she had played leading female roles in several "B" pictures, playing one of her most notable roles in James Whale's Sinners in Paradise (1938). Despite her success she was often cast in minor roles in more widely seen films such as His Girl Friday (1940). The majority of her roles were in comedies but she also appeared in dramas such as Boomtown (1940) in which she played a dance hall singer who is briefly romanced by Clark Gable. She played secondary roles in a three Lupe Velez "Mexican Spitfire" films in the early 1940s, and was the comic foil for the Marx Brothers in The Big Store, where the back of her skirt is cut away by Harpo. She played a ghost in Gildersleeves Ghost, and was the subject of a legendary fistfight between Gildersleeve star Harold Peary and Warner Bros studio mogul Bud Stevens at the Mocambo nightclub in 1943. Her more substantial roles included Alice Angel, a dizzy showgirl, in the murder mystery Lady of Burlesque with Barbara Stanwyck and Angel on My Shoulder.
By the late 1940s, her roles were often minor. Three Stooges fans will remember her as western cowgirl Gladys in Merry Mavericks. Shortly afterward, she made her final film appearance in 1952. Married to a physicist, Martin retired, and although she expressed the desire to return to show business, suitable roles were not offered to her.
She was awarded a star on the Hollywood Walk of Fame for her contributions to motion pictures, at 6925 Hollywood Boulevard.