Marjorie Perloff

Marjorie Perloff (born September 28, 1931) is an Austrian-born U.S. poetry critic.

Perloff was born Gabriele Mintz into a secularized Jewish family in Vienna. Faced with Nazi terror, her family emigrated in 1938 when she was six-and-a-half, going first to Zürich and then to the United States, settling in Riverdale, New York. After attending college at Oberlin in Ohio, she graduated from Barnard College in New York in 1953, doing graduate work at the Catholic University of America in Washington, D.C. (MA, 1956; PhD 1965).

After teaching at Catholic University (1966–71) she became Professor of English at the University of Maryland, College Park (1971–76) and Professor of English and Comparative Literature at the University of Southern California (1976–86) and then at Stanford University (1986–90). She then became Sadie Dernham Patek Professor of Humanities at Stanford (1990—2000, Emerita from 2001). She is currently scholar-in-residence at the University of Southern California.

Her work has been especially concerned with explicating the writing of experimental and avant-garde poets and relating it to the major currents of modernist and, especially, postmodernist activity in the arts, including the visual arts and cultural theory.^[1]

Perloff has done much to promote poetics that are not normally part of the discourse in the United States such as Louis Zukofsky and Brazilian poetry. Her work on contemporary American poetry and in particular poetry associated with the avant-garde (such as Language poetry and the Objectivist poets) has significantly opened up the "Official Verse Culture" to critique and dialogue from outside the classroom and lecture hall: even as poetry in the U.S. today continues its division between categories like "experimental", "mainstream", and "spoken word".^[2]

Selected works

• Unoriginal Genius: Poetry by Other Means in the New Century (University of Chicago Press, 2010) ISBN 978-0-226-66061-5
• Differentials: Poetry, Poetics, Pedagogy (University of Alabama Press, 2004) ISBN 978-0-8173-1421-7
• The Vienna Paradox: A Memoir (New Directions Books, 2004) ISBN 978-0-8112-1571-8
• The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, with a New Preface (University of Chicago Press, 2003) pbk. ISBN 978-0-226-65738-7
• Poetry On and Off the Page: Essays for Emergent Occasions (Northwestern University Press, 1998) ISBN 978-0-8101-1560-6
• Frank O'Hara: Poet Among Painters (University of Chicago Press, 1998) ISBN 978-0-226-66059-2
• The Dance of the Intellect: Studies in the Poetry of the Pound Tradition (Northwestern University Press, 1996) pbk. ISBN 978-0-8101-1380-0
• Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary (University of Chicago Press, 1996) pbk. ISBN 978-0-226-66058-5
• Radical Artifice: Writing Poetry in the Age of Media (University of Chicago Press, 1991) ISBN 978-0-226-65733-2
• Poetic License: Studies in the Modernist and Postmodernist Lyric (Northwestern University Press, c1990) ISBN 978-0-8101-0843-1

References

External links

• Official Website
• Author Page at EPC
• Stanford homepage
• A response to the literary critic Harold Bloom
• Interview with David Clippinger for The Argotist Online
• Interview with Jeffrey Side for The Argotist Online
• Audio of Marjorie Perloff's lecture "The Aura of Modernism" delivered at the Walter Chapin Simpson Center for the Humanities on May 19, 2004.
• Review of The Vienna Paradox poet Ron Silliman discusses Perloff's memoir on his blog September 12, 2005
• Three one-hour radio interviews on Entitled Opinions with Robert P. Harrison about Ezra Pound, W.B. Yeats, and the Avant-Gardes
• Photo of Perloff by Emma Bee Bernstein