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Mark Boyle

 
Art Encyclopedia: Mark Boyle

(b Glasgow, 11 May 1934). Scottish sculptor, performance artist and painter. He studied law at the University of Glasgow (1955-6) but received no formal art training. He had a number of jobs until devoting himself entirely to art in 1958, when he met the artist Joan Hills (b Edinburgh, 1936) and began living and working with her. His earliest works were paintings, which were featured in his first one-man show in 1963. From 1964 he organized a series of events presented in front of an audience, beginning with Suddenly Last Supper (1964) at a flat in London. This consisted of films projected on to a variety of surfaces, including a reproduction of Botticelli's Birth of Venus (original Florence, Uffizi) projected on to a nude woman in the same pose; the films were destroyed by fire or acid while still running, and during the performance the entire contents of the flat were removed, leaving the audience alone. Another event staged in London in 1964 was The Street, in which a group of people was led unknowingly into the back of a shop; once they were in place a screen was pulled back to reveal the street outside, with the variety of its activity presented as a 'found' performance.

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Mark Boyle (May 11, 1934 - May 4, 2004) was an artist born in Glasgow and known for his work in the cultural UK Underground of the 1950s around the Traverse Theatre, and exhibiting since 1985 with Joan Hills and their children Sebastian and Georgia as the Boyle Family.

The World Series works meticulously re-created randomly chosen areas and were exhibited widely across the world, including the British Pavilion at the XXXIX Venice Biennale in 1979. The Hayward Gallery showed Beyond Image: Boyle Family in 1986. The National Gallery of Scotland held a major retrospective Boyle Family in 2003.

While he was a prolific artist he may be best known for his work as a pioneer of light shows in music, producing light environments for Soft Machine and Jimi Hendrix during the 1960s.

Amongst others he collaborated with George Brecht, Peter Schmidt, Cornelius Cardew, and John Tilbury.


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