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Mark Hellinger

 
Quotes By: Mark Hellinger

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"Every murder turns on a bright hot light, and a lot of people have to walk out of the shadows."

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Writer: Mark Hellinger
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  • Born: Mar 21, 1903 in New York City, New York
  • Died: Dec 21, 1947 in Los Angeles, California
  • Occupation: Writer
  • Active: '30s-'40s
  • Major Genres: Drama, Crime
  • Career Highlights: Brute Force, Naked City, Between Two Worlds
  • First Major Screen Credit: Night Court (1932)

Biography

Most New Yorkers born after 1945 know "Mark Hellinger" only as the name of the Broadway theatre where My Fair Lady premiered. Those with longer memories recall Hellinger as a two-fisted, hard-driving, hard-drinking journalist of the Damon Runyon/Walter Winchell school. In both his newspaper pieces and short stories, Hellinger had a genius for accurately conveying the street-smart jargon and self-centered sentiments of New York's less savory citizens. Unlike Runyon, whose gangsters, race-track touts and sharpsters leaned towards the mythological, Hellinger's lowlifes were three-dimensional, flesh-and-blood creations (most were composites of actual people, which is why so many of Hellinger's film works are preceded with an "only the names have been changed" disclaimer). Hellinger's movie career began with his uncompromising screenplay for 1932's Night Court. Two years later, one of his short stories formed the basis of Frank Capra's racetrack fable Broadway Bill (1934). In 1939, Hellinger scripted Raoul Walsh's The Roaring Twenties (1939), a fictionalized pageant of the Prohibition era in which every "fictional" character was instantly recognizable to contemporary audiences as being based on a genuine person, living or dead (mostly dead). Warners was so pleased with the box-office take of Roaring Twenties that the studio engaged Hellinger's service as an associate producer on such films as High Sierra (1941) and Strawberry Blonde (1941). He became a full producer when he moved to 20th Century-Fox in 1941 for a brace of melodramas, Rise and Shine (1941) and Moontide (1942). Then it was back to Warners for a few years, where his output ranged from the ethereal goings-on in Between Two Worlds (1944) to the low-comedy hijinks of Jack Benny's The Horn Blows at Midnight (1945). In 1946, Hellinger began his association with Universal, where he produced three top-rank crime films: The Killers (1946), Brute Force (1947) and The Naked City (1948). In addition to his production chores, Hellinger appeared on-camera in Warners' Thank Your Lucky Stars (1943) and served as off-screen narrator (reciting the opening credits and the famous "eight million stories" palaver) for Naked City. Never one to look after his own health, Mark Hellinger died suddenly at the age of 44; his biography, written by Jim Bishop, was published in 1952, while producer/director/writer Richard Brooks, a Hellinger protégé, used his mentor as the basis for his novel The Producer. ~ Hal Erickson, All Movie Guide
Wikipedia: Mark Hellinger
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Mark Hellinger

Hellinger in the trailer for High Sierra, one of several films he produced in the 1940s
Born Mark Hellinger
March 21, 1903(1903-03-21)
New York City
Died December 21, 1947 (aged 44)
Los Angeles
Cause of death Coronary thrombosis
Resting place Sleepy Hollow Cemetery
Sleepy Hollow, New York
Citizenship United States
Occupation Journalist
Theatre columnist
Film producer
Years active 1923 - 1947
Spouse(s) Gladys Glad
Awards Edgar Award for Best Motion Picture

Mark Hellinger (March 21, 1903 - December 21, 1947) was an American journalist, theatre columnist, and film producer.

Contents

Early life and career

Hellinger was born into an Orthodox Jewish family in New York City, although in later life he became a non-practicing Jew. When he was fifteen, he organized a student strike at Townsend Harris High School and was expelled for his actions. This proved to be the end of his formal education. [1]

In 1921, Hellinger began working as a waiter and cashier at a Greenwich Village night club in order to meet theatre people. He later was employed by Lane Bryant to write direct mail advertising for clothing for overweight and pregnant women. The following year he began his journalistic career as a reporter for Zit's Weekly, a theatrical publication, where he remained for eighteen months. [1]

In 1923, Hellinger moved to the city desk of the New York Daily News. In July 1925, he was assigned About Town, a Sunday column his editors intended him to fill with news and gossip about Broadway theatre. Instead, he filled the space with short stories in the style of O. Henry. When his columns drew a considerable amount of fan mail, he was permitted to continue in this vein. Three years later he graduated to a daily feature called Behind the News. He numbered such personalities as Walter Winchell, Florenz Ziegfeld, Texas Guinan, Dutch Schultz, and Legs Diamond among his friends. [1]

In November 1929, Hellinger moved to the New York Daily Mirror. While continuing to write daily and Sunday columns, he contributed sketches to the Ziegfeld Follies, wrote plays, published magazine articles, produced two collections of short stories, Moon Over Broadway (1931) and The Ten Million (1934), [1] and co-wrote the screenplay for Broadway Bill with Robert Riskin.

Later career

By 1937, Hellinger was a syndicated columnist featured in 174 newspapers. That same year he was hired as a writer/producer by Jack Warner. He provided the story for the 1939 Jimmy Cagney/Raoul Walsh gangster film The Roaring Twenties, basing it on his own experiences during that decade. In his onscreen foreword to the film, he wrote, "It may come to pass that, at some distant date, we will be confronted with another period similar to the one depicted in this photoplay. If that happens, I pray that the events, as dramatized here, will be remembered. In this film, the characters are composites of people I knew, and the situations are those that actually occurred. Bitter or sweet, most memories become precious as the years move on. This film is a memory - and I am grateful for it."

Because of a congenital heart condition, Hellinger repeatedly was rejected for active service during World War II. Instead, he briefly worked as a war correspondent, writing human interest stories about the troops. [2]

Burial site of Mark and Gladys Hellinger

Other Hollywood producer credits included They Drive by Night, High Sierra, Thank Your Lucky Stars, The Horn Blows at Midnight, Brute Force, The Two Mrs. Carrolls, and The Naked City, which he also narrated. The film was released several weeks after Hellinger's death, and in his review for the New York Times, Bosley Crowther called it "a virtual Hellinger column on film" and "his appropriate valedictory" and observed, "The late Mark Hellinger's personal romance with the City of New York was one of the most ecstatic love affairs of the modern day — at least, to his host of friends and readers who are skeptics regarding l'amour. Before he became a film producer and was still just a newspaper scribe, Mr. Hellinger went for Manhattan in a blissfully uninhibited way — for its sights and sounds and restless movements, its bizarre people and its equally bizarre smells. And he made quite a local reputation framing his fancies in flowery billets doux which stirred the hearts and the humors of readers of the tabloid press." [3]

Hellinger won the 1947 Edgar Award for Best Motion Picture for The Killers.

Personal life

In 1926, Hellinger was one of the judges for a beauty contest sponsored by the Daily News. The winner was Ziegfeld showgirl Gladys Glad, and on July 11, 1929, the two were wed. She divorced him in 1932, but after a year the two remarried on the same date as their original wedding, and they remained wed until his death from a coronary thrombosis in Cedars of Lebanon Hospital in Los Angeles. He was buried in a private mausoleum at Sleepy Hollow Cemetery in Sleepy Hollow, New York on Christmas Eve. [1]

Legacy

In January 1949, the 51st Street Theatre in Manhattan was renamed the Mark Hellinger Theatre in his honor. In 1989 the venue was converted into the Times Square Church. [4]

Established in 1960 by columnist Jim Bishop in memory of his mentor, the Hellinger Award annually acknowledges the accomplishments of St. Bonaventure University's most promising young journalism student. [5] Bishop also wrote a biography of Hellinger entitled The Mark Hellinger Story: A Biography of Broadway and Hollywood. [2]

References

External links


 
 

 

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