| 1982 | All That Is Solid Melts into Air: The Experience of Modernity. In this highly praised, searching examination of the idea of progress, Berman, a professor of political science at New York's City College, examines the writings of Johann Goethe, Fyodor Dostoyevski, and others and explores the ramifications of modern architecture to reveal how modernism has fostered and responded to change. The title of his book refers to the prospect of nihilism and the denial of universal values, which seem to be inherent in modernism. |
Marshall Berman (born 1940, The Bronx, New York City) is an American philosopher and Marxist Humanist writer. He is currently Distinguished Professor of Political Science at The City College of New York and at the Graduate Center of the City University of New York, teaching Political Philosophy and Urbanism.
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An alumnus of Columbia University, Berman completed his Ph.D. at Harvard University in 1968. He is on the editorial board of Dissent and a regular contributor to The Nation, The New York Times Book Review, Bennington Review, New Left Review, New Politics and the Village Voice Literary Supplement.
His major work is All That Is Solid Melts Into Air: The Experience Of Modernity. His most recent publication is the anthology, New York Calling: From Blackout To Bloomberg, for which he was co-editor, with Brian Berger, and also wrote the introductory essay. In Adventures in Marxism, Berman tells of how while a Columbia University student in 1959, the chance discovery of Karl Marx's Economic and Philosophical Manuscripts of 1844 proved a revelation and inspiration, and became the foundation for all his future work. This personal tone pervades his work, linking historical trends with individual observations and inflections from the situation.
During the mid-to-late-20th century philosophical discourse focused on issues of modernity and cultural attitudes and philosophies towards the modern condition. Berman put forward his own definition of modernism to counter post-modern philosophies.
This view of modernism is at odds with post-modernism. Paraphrasing Charles Baudelaire, Michel Foucault simply defined Modernism as the will to “heroize” the present[1]. Berman views postmodernism as a soulless and hopeless chamber.
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