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Martin Archer Shee

 
Art Encyclopedia: Sir Martin Archer Shee

(b Dublin, 20 Dec 1769; d Brighton, 19 Aug 1850). Irish painter and writer, active in England. He received a Classical education before entering the Drawing Academy of the Royal Dublin Society, where his master was Francis Robert West (?1749-1809). After leaving the Academy he practised as a portrait painter in oil and pastel, taking his sitters from Dublin society. In 1788, on the advice of the American portrait painter Gilbert Stuart, Shee travelled to London where, despite useful introductions, he was reduced to making engraved copies for Thomas Macklin, the publisher. His fortunes changed with the arrival of his cousin Sir George Shee, a rich Indian nabob, who obtained him an audience with Joshua Reynolds; in March 1790 he enrolled at the Royal Academy Schools. His new self-confidence is evident in his Self-portrait (1794; London, N.P.G.). He became an ARA in November 1798 and an RA in February 1800. In 1805 Shee published Rhymes on Art, or the Remonstrance of a Painter, in which he argued for national patronage of artists. The book was well received and was instrumental in the establishment of the British Institution in 1807. Elements in Art, a poem in six cantos, which he wrote four years later, was less influential.

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Irish Literature Companion: Martin Archer Shee
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Shee, (Sir) Martin Archer (1769-1850), painter and poet. Born in Dublin and trained at the RDS Art School, he went to London in 1788. He wrote poetry (Rhymes on Art, 1805), drama (Alasco, 1824), novels (Old Court, 1819; and Harry Calverley, 1835), and a memoir of Sir Joshua Reynolds.

 
Columbia Encyclopedia: Sir Martin Archer Shee
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Shee, Sir Martin Archer, 1769-1850, British portrait painter and writer, b. Dublin; pupil of Sir Joshua Reynolds. He attained popularity in court and theatrical circles and executed many royal commissions. Among his portraits are those of Daniel O'Connell and William Archer Shee (Metropolitan Mus.) and the dramatist Thomas Morton (Tate Gall., London). He wrote Rhymes on Art (1805); a tragedy, Alasco (1824); and a novel, Old Court (1829). Shee was president of the Royal Academy from 1830 until his death.
Quotes By: Sir Martin Archer Shee
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Quotes:

"Give me the critic bred in Nature's school, who neither talks by rote, nor thinks by rule; who feeling's honest dictates still obeys, and dares, without a precedent, to praise."

Wikipedia: Martin Archer Shee
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Sir Martin Archer Shee RA (December 23, 1769 – August 13, 1850) was a British portrait painter and president of the Royal Academy.

He was born in Dublin, of an old Catholic Irish family, and his father, a merchant, regarded the profession of a painter as an unsuitable occupation for a descendant of the Shees. Martin Shee nevertheless studied art in the Dublin Society, and came to London. There, in 1788, he was introduced by William Burke to Joshua Reynolds, on whose advice he studied in the schools of the Royal Academy. In 1789 he exhibited his first two pictures, the "Head of an Old Man" and "Portrait of a Gentleman." Over the next ten years he steadily increased in practice. He was chosen an associate of the Royal Academy in 1798, in 1789 he married, and in 1800 he was elected a Royal Academician. He moved to George Romney's former house in Cavendish Square, and set up as his successor.

Shee continued to paint with great readiness of hand and fertility of invention, although his portraits were eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. The earlier portraits of the artist are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting—a defect which is still more apparent in his later works, ‘in which the handling is less "square," crisp and forcible. In addition to his portraits he executed various subjects and historical works, such as Lavinia, Belisarius, his diploma picture "Prospero and Miranda", and the "Daughter of Jephthah."

Portrait of William Roscoe, 1815-1817

In 1805 he published a poem consisting of Rhymes on Art, and a second part followed in 1809. Lord Byron spoke well of it in his English Bards and Scotch Reviewers. Shee published another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this was less successful. He also produced a tragedy, Alasco, set in Poland. The play was accepted at Covent Garden, but was refused a licence, on the grounds that it contained treasonable allusions, and Shee angrily resolved to make his appeal to the public. He carried out his threat in 1824, but Alasco was still on the list of unacted dramas in 1911.

On the death of Lawrence in 1830, Shee was chosen president of the Royal Academy, and shortly afterwards he received a knighthood. In his examination before the parliamentary committee of 1836 concerning the functions of the Academy, he ably defended its rights. He continued to paint till 1845. Illness made him retire to Brighton, and he was deputised for by J.M.W. Turner, who had appointed him a trustee of the projected Turner almshouse. His descendant Mary Archer-Shee supports the campaign for the fulfilment of Turner's wishes for his bequests. Shee had three sons, who became successful barristers. A descendant of one of the sons was George Archer-Shee, the central figure in The Winslow Boy, a play written by Terence Rattigan. Martin Archer Shee was buried in the western extension to St Nicholas Churchyard in Brighton where his headstone remains, although now laid flat and moved to the perimeter of the site.

References

  • Martin Archer Shee, The Life of Sir Martin Archer Shee, 2 Vols., 1860.

Wikisource-logo.svg "Shee, Sir Martin Archer". Encyclopædia Britannica (11th ed.). 1911.  This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.

Cultural offices
Preceded by
Sir Thomas Lawrence
President of the Royal Academy
1830–1850
Succeeded by
Sir Charles Lock Eastlake

 
 
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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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