Martucci: The Complete Orchestral Works [Box Set]

• Main performer: Francesco d'Avalos
• Time: 259:33
• Release Date: 1990

Review

Despite that musical styles of Italian origin dominated all of Western music in the two centuries between 1600 and 1800, beginning in 1800 history witnesses a gradual ghettoization of Italian music into opera. Although Respighi, Busoni, Malipiero, and others revived the notion of non-operatic Italian music at the beginning of the twentieth century, a composer born in the middle of the nineteenth was the first to buck this trend: Giuseppe Martucci. While there is hardly a music lover who has not had exposure to The Pines of Rome, outside Italy Martucci remains a rara avis, an acquired taste that hardly any non-Italians ever manage to acquire. In 1989, conductor and composer Francesco d'Avalos decided it was time for that notion to change and recorded Martucci's entire orchestral output on four ASV discs with the Philharmonia Orchestra. The following year, ASV combined the four into a single set. There are ample reasons to want it in such a form; Martucci's orchestral output is small and his style easy to digest. Brian Culverhouse, one of the top engineers of classical music in Britain who worked for EMI for more than three decades, produced these recordings; the orchestral sound is both vivid and realistic. D'Avalos' advocacy of these largely neglected works is admirable; he makes them sound as though they are familiar and accurately transmits the flavor of Martucci's orchestral scoring, which is by turns both rock solid and transparent.

Martucci's major orchestral works -- his two Piano concerti, two symphonies, and a lovely orchestral song cycle, La canzone dei Ricordi -- are all included, though with the exception of the masterful Symphony No. 2 listeners may well find themselves gravitating to the shorter pieces in the set, which brim with charm and inventiveness. Some may find themselves taking issue with d'Avalos' occasionally rather hard-nosed assessment of these pieces -- in his opinion the Colore Orientale, Op. 44/3, is "above all, a genre piece," but one can hear an obvious correspondence between it and similar efforts by Rimsky-Korsakov. In general, Martucci's orchestral music bears a much stronger kinship, and sense of purpose, with the Russian nationalists and Tchaikovsky than with German symphonists such as Brahms and Schumann who dominated the era. If the only acquaintance one might have with Italian romantic instrumental music is Puccini's Crisantemi, then ASV's Martucci: The Complete Orchestral Works would be about the next best step one could take. ~ Uncle Dave Lewis , Rovi

Performances

Composer	Title	Time
Giuseppe Martucci	Symphony No. 1 in D minor, Op. 75	41:28
Giuseppe Martucci	Novelletta, for piano, Op. 82/2	6:17
Giuseppe Martucci	Notturno for piano (or orchestra) in G flat major, Op. 70/1	6:47
Giuseppe Martucci	Tarantella, for piano, Op. 44/6	5:53
Giuseppe Martucci	Symphony No. 2 in F major, Op. 81	43:40
Giuseppe Martucci	Andante for cello & piano (or orchestra), Op. 69/2	11:35
Giuseppe Martucci	Colore Orientale, for piano (or orchestra), Op. 44/3	10:26
Giuseppe Martucci	Piano Concerto No. 1 in D minor, Op. 40	36:57
Giuseppe Martucci	La Canzone dei ricordi (The Song of Memories), 7 songs for soprano & orchestra	30:54
Giuseppe Martucci	Piano Concerto No. 2 in B flat minor, Op. 66	41:03
Giuseppe Martucci	Canzonetta for orchestra, Op. 65/2	2:59
Giuseppe Martucci	Gavotta (Tempo di Gavotta), for piano, Op. 55/2	4:18
Giuseppe Martucci	Giga for small orchestra, Op. 61/3	3:16
Giuseppe Martucci	Serenata, for piano (or orchestra), Op. 57/2	3:55
Giuseppe Martucci	Minuetto for piano in E minor, Op. 55/1	5:48
Giuseppe Martucci	Momento musicale for orchestra, Op. 64/1	4:17

Previous:	Martucci: Symphony No. 2; Andante; Colore orientale
Next:	Martucci: The Complete Works for Piano, Vol.1