Themes: Looking For Love, Mothers and Sons, Midlife Crises
Main Cast: Ernest Borgnine, Betsy Blair, Esther Minciotti, Augusta Ciolli, Joe Mantell
Release Year: 1955
Country: US
Run Time: 91 minutes
Plot
Paddy Chayefsky's Oscar-winning slice-of-life drama is a heartwarming story about Marty Pilletti (Ernest Borgnine), a lonely Bronx butcher. Marty is a burly but gentle man, easing into middle age without much hope for romance or a career. He lives at home with his mother (Esther Minciotti), a kind but life-smothering woman, and a small circle of dead-end friends. Marty has no self-confidence and feels he's dumpy and unattractive. While it takes some doing, Marty's mother finally convinces him to go to the Stardust Ballroom in Manhattan, where he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own. He asks Clara to dance and soon they are smitten with one another. But to Marty's surprise and frustration, his friends put her down and his mother is hostile to her. Swayed by his friends and his mother, he doesn't call Clara back. But sitting at the bar with his friends the next night, Marty decides he has had enough, and defying his enclosed little world, he rushes to a phone booth to call Clara. As Marty shouts to his friends, "You don't like her. My mother don't like her. She's a dog. And I'm a fat, ugly man. Well, all I know is I had a good time last night ... You don't like her? That's too bad!" ~ Paul Brenner, All Movie Guide
Review
Marty derives its greatness from Paddy Chayefsky's superb screenplay, which examines the reasons why people needlessly consign themselves to lives of sterile loneliness. The film makes the audience feel the ennui that surrounds Marty (Ernest Borgnine), from his mother's smothering love to the banality of his friends and his job. In one of the screen's great moments of heroism, Marty breaks free of his self-chosen prison and accepts the emotional risk of seeking happiness. There are few closing words more frightening and more hopeful than in the climactic moment when Marty picks up the phone, dials the number of the woman he has met, and says, "Hello, Clara." An oddity among Best Picture Oscar winners in that it was based on a TV drama, Marty transcends its era and speaks to the most basic needs for love and companionship. ~ Richard Gilliam, All Movie Guide
