Martyrs

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Plot

The Brotherhood of the Wolf director Pascal Lauguier follows his 2004 thriller House of Voices with this relentlessly brutal tale of a girl who suffered unimaginable abuse as a young child, and the unspeakable horrors that unfold when she arrives at an isolated cabin in the woods fifteen years later. The story begins as the young, badly battered Lucie (Mylène Jampanoï) -- obviously the victim of inhuman abuse -- is hospitalized after somehow managing to escape her sadistic captors. Nearly catatonic after her life-altering ordeal, Lucie only manages to become functional again as a result of her friendship with Anna (Morjana Alaoui), a fellow abuse victim who selflessly reaches out to the badly damaged girl. Fifteen years later, Lucie guns down an entire family in cold blood. Is Lucie seeking belated vengeance against the people who tortured her as a young girl, or has her fragile psyche finally snapped, resulting in the bloody demise of an innocent family? Later, when Lucie calls on her old friend Anna, the truth about Lucie's traumatic early life experience slowly comes into focus. ~ Jason Buchanan, Rovi

Review

Torture Porn (aka Sadistic Horror) (tôr´cher pôrn) adjective A type of horror film in which terror is induced not by mere suggestion, but by the graphic torture and torment of various victims as they scream for mercy, which will inevitably not come. (Official AMG definition)

On first glance, many people will be quick to dismiss Martyrs as just another torture porn flick. And while Pascal Laugier's confrontational study in agony does indeed revel in disturbing and explicit imagery, Martyrs ultimately becomes more than the sum of its parts by taking a philosophical approach to human suffering, and by offering some genuinely unexpected (and unsettling) nuances. It's no surprise that Martyrs writer/director Laugier was selected as the writer/director of the upcoming Hellraiser remake, because much like Clive Barker's infernal 1987 frightener, this film takes a somewhat metaphysical route in delivering the gory goods.

The story begins as the young, badly battered Lucie (Mylène Jampanoï) -- obviously the victim of inhuman abuse -- is hospitalized after somehow managing to escape her sadistic captors. Nearly catatonic after her life-altering ordeal, Lucie only manages to become functional again as a result of her friendship with Anna (Morjana Alaoui), a fellow abuse victim who selflessly reaches out to the badly damaged girl. Fifteen years later, Lucie guns down an entire suburban family in cold blood. Is Lucie seeking belated vengeance against the people who tortured her as a young girl, or has her fragile psyche finally snapped, resulting in the bloody demise of an innocent family? Later, when Lucie calls on her old friend Anna, the truth about Lucie's traumatic early life experience slowly comes into focus.

To reveal anymore about the plot of Martyrs would be an enormous disservice to the filmmakers. In fact, it's probably best that viewers go into Martyrs as "blind" as possible because in addition to raising some profound questions about the power of film imagery, it also has its fair share of twisted surprises. And while it's tricky to avoid specifics while reviewing a film that hinges on such a disturbing central mystery, it is possible to say that Martyrs' goals are much more lofty than the films it will undoubtedly be compared to (Hostel, in particular, and perhaps rightfully so). Once a horror subgenre like torture porn has been firmly established, it takes a particularly bold vision to simultaneously exploit and transcend the standards that have come to define it. Though Wes Craven successfully deconstructed the slasher genre in Scream and Guillermo del Toro skillfully subverted the common ghost story in The Devil's Backbone, most attempts to accomplish such a formidable task result in an end product that simply becomes a poor version of the product it aims to upset.

Most films that fall into the "torture porn" subgenre aren't as interested in getting us to think as to simply react, but Laugier wants us to consider the real impact of the images he confronts us with. Although Martyrs could indeed by viewed as just another in a long-running series of cinematic endurance tests, Laugier wants us to question whether such images might possess some kind of mystical power -- a task that requires some seriously heavy setup in order to get us in the right frame of mind. Martyrs is not a film for everyone (a simple glance at the MPAA ratings reason should provide proof positive of that), but for those who prefer their art to be a bit more challenging, and who possess the ability to look beyond trendy tropes, this transgressive shocker will likely earn a cherished spot as one of the most effective and ambitious horror films of the past decade. ~ Jason Buchanan, Rovi

Cast

  • Morjana Alaoui - Anna
  • Mylene Jampanoi - Lucie
  • Catherine Begin - Mademoiselle
  • Robert Toupin - Father
Patricia Tulasne - Mother; Juliette Gosselin - Marie; Xavier Dolan-Tadros - Antoine; Isabelle Chassé - Creature; Emilie Miskdjian - Torture Victim; Mike Chute - Executioner; Gaelle Cohen - Henchwoman; Anie Pascale - Female Executioner; Jessie Pham - Lucie, Age 10; Erika Scott - Anna, Age 10; Louise Boisvert - Voice of Anna's Mother; Jean-Marie Moncelet - Étienne; Tony Robinow - Doctor

Credit

Louis-René Landry - Art Director, Helene Rousse - Casting, Simon Trottier - Co-producer, Claire Nadon - Costume Designer, Carl Desjardins - First Assistant Director, Pascal Laugier - Director, Sebastien Prangere - Editor, Marcel Giroux - Executive Producer, Frederic Doniguian - Executive Producer, Seppuku Paradigm - Composer (Music Score), Louise Mignault - Makeup, Benoit Lestang - Makeup Special Effects, Adrien Morot - Makeup Special Effects, Jean-Andre Carriere - Production Designer, Nathalie Moliavko-Visotzky - Cinematographer, Stephanie Martin - Cinematographer, Donald Tetreault - Production Manager, Richard Grandpierre - Producer, Jerome Wiciak - Sound Mixer, Philippe Mercier - Sound/Sound Designer, Germain Boulay - Sound Editor, Pascal Laugier - Screenwriter, Doris Yoba - Post Production Supervisor, Sophie Daubisse - Production Coordinator, Sophie Boyer - Script Supervisor, Isabelle Faivre-Duboz - Script Supervisor, Nadine Brassard - Second Assistant Director, Roger Martin - Set Decorator

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Martyrs

Theatrical release poster
Directed by Pascal Laugier
Produced by Richard Grandpierre
Simon Trottier
Written by Pascal Laugier
Starring Morjana Alaoui
Mylène Jampanoï
Music by Alex Cortés
Willie Cortés
Seppuku Paradigm
Cinematography Stéphane Martin
Nathalie Moliavko-Visotzky
Editing by Sébastien Prangère
Studio Canal+
Wild Bunch
CinéCinéma
Distributed by Canal Horizons
(France)
The Weinstein Company
(United States)
Release date(s)
  • 3 September 2008 (2008-09-03)
Running time 94 minutes
Country ‹See Tfd› France
‹See Tfd› Canada
Language French
Budget 2.8 million[1]

Martyrs is a 2008 French-Canadian horror film written and directed by Pascal Laugier. It was first screened during the 2008 Cannes Film Festival at the Marché du Film. The film was released in France publicly on 3 September 2008. The U.S. rights for Martyrs were bought by The Weinstein Company, who released it on DVD in April 2009. A U.S. remake from the producers of Twilight is in the works.

The film has been associated with the New French Extremity movement[2].

Contents

Plot

The film begins with a young girl, Lucie (Jessie Pham), as she escapes from a disused abattoir where she has been imprisoned and physically abused for a lengthy period of time. No signs of sexual abuse are identified, and the perpetrators and their motivations remain a mystery. Lucie is placed in an orphanage, where she is befriended by a young girl named Anna (Erika Scott). Anna soon discovers that Lucie believes that she is constantly being terrorized by a ghoulish creature; a horrible, disfigured, emaciated woman (Isabelle Chasse) covered in scars.

Fifteen years later, Lucie (Mylène Jampanoï) bursts into a seemingly normal family's home and kills them all with a shotgun. Lucie calls Anna (Morjana Alaoui) to tell her that she has finally found and killed the people responsible for her childhood abuse and requests her help in burying the bodies. Upon arriving, Anna is horrified at the carnage, and worries that Lucie may have murdered the wrong people. Anna later discovers the mother is still alive and tries to help her escape, but the two are discovered by Lucie, who bludgeons the mother to death. Lucie is again attacked by the scarred creature, but all Anna sees is Lucie banging her head against the wall and cutting herself with a knife; the 'creature' is nothing more than a psychological manifestation of Lucie's guilt for leaving behind another girl who was also imprisoned and tortured with her as a child. Lucie tells the apparition that she killed its tormentors and that it can rest, but it has no effect. Lucie finally realizes that her insanity will never leave her and slits her throat. She dies in Anna's arms.[3]

The next day, after mourning her friend's death, Anna attempts to clean up the house and discovers a secret underground chamber. Imprisoned within is a horribly tortured woman, covered in scars with a strange metal contraption nailed to her head. While Anna attempts to care for her and clean her wounds, a group of strangers arrive and shoot the woman dead. Captured by the menacing newcomers, Anna meets their leader, an elderly lady only referred to as Mademoiselle (Catherine Bégin). She explains that she belongs to a secret society seeking to discover the secrets of the afterlife through the creation of "martyrs". Systematic acts of torture are inflicted upon young women in the belief that their suffering will result in a transcendental insight into the world beyond this one. So far, all of their attempts have failed, and they have only created "victims".

Anna becomes their latest subject and is imprisoned in a chamber. After an unspecified period, during which she is repeatedly beaten and degraded, Anna hallucinates a conversation with Lucie, who tells her to "let go" so she won't be afraid any more. Soon after, Anna is told she has progressed further than any other test subject, and has reached the "final stage" and will suffer no more. Anna is taken to a surgeon and is flayed alive. She survives the procedure, entering a state that is described as being "euphoric" and likened to achieving transcendence. Mademoiselle arrives, eager to speak to Anna about her experience. Anna turns to her and whispers into her ear.

Members of the society begin gathering at the house to learn of the insights Anna shared with Mademoiselle. As Mademoiselle prepares herself, a doubting member asks her if what Anna said was clear and precise. Mademoiselle replies that there is no room for interpretation, and asks him if he could imagine what comes after death. When he says no, she tells him to "keep doubting" and places a pistol in her mouth and shoots herself. An intertitle informs the audience that "martyr" is Greek for "witness".

Cast

Production

Director Pascal Laugier.

Pascal Laugier said that "the film was rejected by all the big French studios, by a lot of actresses, too. (...) The film was really supported by Canal+, the only television channel in France that still finances some unusual projects". He also comments that the main difficulty other than the technical issues such as special effects was to keep the actresses crying all the time, and that was too demanding.[4]

Reception

The film was categorized as a new example of new era French horror films akin to Inside with regards to the level of violence it depicts.[4][5] The film ranking website Rotten Tomatoes reported that 52% of critics had given the film positive reviews, based upon a sample of 25.[6] Todd Brown at Twitch called it "without a doubt the single most devisive [sic] film to screen in the Cannes Marche Du Film this year",[7] while Ryan Rotten at shocktillyoudrop.com claims that the film "is the new yard stick against which all forms of extreme genre films should be measured against."[4]

The film received an 18+ rating in France (unsuitable for children under 18 or forbidden in cinemas for under 18s) which the producers of the film appealed.[8][9] The French Society of Film Directors (SRF) have also asked the Ministry of Culture to re-examine the decision remarking that "this is the first time a French genre film has been threatened with such a rating." The Union of Film Journalists has adopted the same position as the SRF, claiming censorship.[10]

Remake

Laugier has confirmed in an interview that he is currently in the middle of negotiating the rights for Martyrs to be remade in America.[11] It will be directed by Daniel Stamm, director of The Last Exorcism, and written by Mark L. Smith, writer of Vacancy. The film comes from the producers of Twilight. The producer of the film has said he would like Twilight actress Kristen Stewart for the film,[12] though her presence in the film was later denied by Stamm.[13][14]

Stamm has said "[The original film] is very nihilistic. The American approach [that I'm looking at] would go through all that darkness but then give a glimmer of hope. You don't have to shoot yourself when it's over."[13]

See also

References

  1. ^ Lemercier, Fabien (2007-02-13). "Martyrs: A journey into the heart of darkness". cineuropa.org. http://cineuropa.org/newsdetail.aspx?documentID=73116. Retrieved 2008-06-25. 
  2. ^ Eye for Film, Martyrs review
  3. ^ Pascal Laugier: And finally she realized that the creature is still there, you know she says to the creature that "They're dead. They won't hurt you anymore" and the creature is not agreeing with that and finally she understands that her craziness will last forever and she prefers to die, you know.
  4. ^ a b c Rotten, Ryan (2008-06-23). "Exclusive Interview: Martyrs Director Pascal Laugier". shocktillyoudrop.com. http://shocktillyoudrop.com/news/topnews.php?id=6654. Retrieved 2008-06-25. 
  5. ^ Mr. Disgusting. "Martyrs". bloody-disgusting.com. http://www.bloody-disgusting.com/review/2031. Retrieved 2008-06-27. 
  6. ^ "Martyrs - Rotten Tomatoes". Rotten Tomatoes. IGN Entertainment, Inc. http://www.rottentomatoes.com/m/martyrs/. Retrieved February 8, 2010. 
  7. ^ Brown, Todd (2008-06-03). "Pascal Laugier’s MARTYRS Hit With 18+ Rating In France". twitchfilm.net. http://twitchfilm.net/site/view/pascal-laugiers-martyrs-hit-with-18-rating-in-france/. Retrieved 2008-06-25. 
  8. ^ "Two teasers for Pascal Laugier's French horror flick MARTYRS". quietearth.us. 2008-06-12. http://www.quietearth.us/articles/2008/06/12/Two-teasers-for-Pascal-Laugiers-French-horror-flick-MARTYRS. Retrieved 2008-06-25. 
  9. ^ "Les news de : Martyrs". Premiere (magazine). 2008-06-03. http://www.premiere.fr/film/martyrs/(affichage)/news#1308425. Retrieved 2008-06-25. 
  10. ^ , so finally the film got a -16 (Teenagers 16+ can see it), but, obviously this film got a warning because of its "extreme violence and torture". Lemercier, Fabien (2008-06-02). "Controversy over Pascal Laugier’s Martyrs". cineuropa.org. http://cineuropa.org/newsdetail.aspx?lang=en&documentID=84543. Retrieved 2008-06-25. 
  11. ^ Ain't It Cool News: Northlander interviews MARTYRS' Pascal Laugier - and he spills about his HELLRAISER remake!!
  12. ^ http://www.fearnet.com/news/interviews/b19324_exclusive_twilight_producer_wants.html Exclusive: 'Twilight' Producer Wants Kristen Stewart for 'Martyrs' Remake
  13. ^ a b "French horror hit 'Martyrs' will undergo an American exorcism". [1]. October 16,2010. http://latimesblogs.latimes.com/movies/2010/11/martyrs-remake-pascal-laugier-daniel-stamm.html/. Retrieved October 16, 2010. 
  14. ^ More Horror News: 'Martyrs' to Get American Makeover

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