Mary Boland

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Boland, Mary (1885–1965), comic actress. The Philadelphia‐born comedienne made her debut in Detroit in 1901 in A Social Highwayman, and over the next several years she toured and played seasons with various stock companies before making her New York debut as Dorothy Nelson in Strongheart (1905), a role in which she continued for two years. Boland was at this time a young performer of notable beauty and charm, appearing as Dorothy Osgood in The Ranger (1907) and the saucy Lady Rowena Eggington in When Knights Were Bold (1907). Under Charles Frohman's supervision, she became leading lady to John Drew in Jack Straw (1908), Inconstant George (1909), Smith (1910), The Perplexed Husband (1912), Much Ado About Nothing (1913), The Will (1913), A Scrap of Paper (1914), and others. Boland then left Frohman to assume the roles of all the women who wore My Lady's Dress (1914), followed by the stepmother, Mrs. Wheeler, in Clarence (1919), her first essay as the sort of fluttery grande dame that would become her trademark. Among her major assignments in the 1920s were Paula Ritter, the amateur theatre buff in The Torch‐Bearers (1922); Gertrude Lennos, the inadvertent bigamist, in Meet the Wife (1923); and Susan Martin, whose plans to make her husband jealous backfire, in Cradle Snatchers (1925). One of her best performances was as the flighty matron Laura Merrick in The Vinegar Tree (1930), and she shone in two musicals, as the nouveau riche Mrs. Meshbesher in Face the Music (1932) and the Queen in Jubilee (1935). Boland returned from Hollywood to play Mrs. Malaprop in 1942, then again in 1954 as the domineering mother in Lullaby, her last New York appearance.

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Biography

A specialist in portraying light-headed, pretentious society dowagers, American actress Mary Boland began her stage career at age 15, shortly after the death of her actor father. Though she played roles of every sort throughout her theatrical career, Boland found that her forte was scatterbrained comedy in such Broadway productions of the 1920s as Clarence, The Torch Bearers and The Cradle Snatchers. Boland made her movie debut in the silent film The Edge of the Abyss (1914), but her Hollywood career really took off with the advent of the talkies. She worked in movies steadily throughout the 1930s and 1940s, collaborating with everyone from Cecil B. DeMille to W.C. Fields; her most frequent costar was comic actor Charlie Ruggles, with whom she appeared in a number of droll domestic comedies. Mary Boland continued to alternate between stage and screen work until her retirement in the mid 1950s, finding time for occasional TV appearances. ~ Hal Erickson, Rovi
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Mary Boland

in the trailer for The Women (1939)
Born Marie Anne Boland
January 28, 1882(1882-01-28)
Philadelphia, Pennsylvania, U.S.
Died June 23, 1965(1965-06-23) (aged 83)
New York City, New York, U.S.
Occupation Actress
Years active 1907–1955

Mary Boland (January 28, 1882[1] – June 23, 1965) was an American stage and film actress.

Contents

Career

Born Marie Anne Boland in Philadelphia, Pennsylvania, she was the daughter of William Boland, an actor, and his wife Mary Cecilia Hatton. She had an older sister named Sara.

Boland originally was in a convent but left and was performing on stage by the age of fifteen. She debuted on Broadway in 1907 in the play The Ranger with Dustin Farnum and had appeared in eleven Broadway productions, notably with John Drew, before making her silent film debut for Triangle Studios in 1915. She entertained soldiers in France during World War I then returned to America. After appearing in nine movies, she left filmmaking in 1920, returning to the stage and appearing in a number of Broadway productions. She became famous as a comedienne.

Mary Boland (c. 1915) during her tenure in silent films

Boland's greatest success on the stage in the 1920s was the comedy The Cradle Snatchers (1925–26), in which she, Edna May Oliver, and Margaret Dale, having been abandoned by their husbands, take on young lovers. Boland's paramour was Humphrey Bogart in one of his first roles.

After an eleven year absence, in 1931 she returned to Hollywood under contract to Paramount Pictures. She achieved far greater film success with her second try, becoming one of the 1930s most popular character actresses, always playing major roles in her films and often starring, notably in a series of comedies opposite Charles Ruggles.

Boland appeared in numerous films, including Ruggles of Red Gap, The Big Broadcast of 1936, Danger - Love at Work, Nothing but Trouble, and Julia Misbehaves. She is likely best remembered for her portrayals of Countess DeLave in The Women (1939) and Mrs. Bennet in Pride and Prejudice (1940).

For the remainder of her career, Boland combined films and, later television productions, with appearances onstage (including starring in the 1935 Cole Porter musical Jubilee'), making her last Broadway appearance in 1954 at the age of seventy-two. That play, Lullaby, was not a success. Her last acting was done in the 1955 television adaptation of The Women recreating her film role.

Boland never married or had children. She died of a heart attack and was interred in the Great Mausoleum, Sanctuary of Vespers in Forest Lawn Memorial Park Cemetery in Glendale, California. For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at 6150 Hollywood Boulevard.

Selected Filmography

Silent

  • The Penitentes (1915)
  • The Edge of the Abyss (1915)
  • The Price of Happiness (1916)
  • The Stepping Stone (1916)
  • Mountain Dew (1917)
  • A Woman's Experience (1918)(*Extant; Library of Congress)
  • The Prodigal Wife (1918)
  • The Perfect Lover (1919)
  • His Temporary Wife (1920)


Sound

References

External links


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Copyrights:

Mentioned in

Early to Bed (1936 Comedy Film)
Mama Runs Wild (1938 Comedy Film)
Stepping Stone (1916 Film)
Keene Thompson (Writer, Director, Actor, Comedy/Drama)
The Night of June 13 (1932 Drama Film)