Erica Atkins, Tina Atkins
Personal Information
Born Erica Atkins ca. 1972; Tina Atkins born ca. 1975; both born in Inglewood, CA; father Eddie Atkins (a youth minister); mother Thomasina Atkins (choir director); Erica: married producer Warryn Campbell, 2001; Tina: married musician Teddy Campbell
Education: Studied classical voice at El Camino College.
Religion: Church of God in Christ.
Career
Performed in gospel musicals Mama I'm Sorry and Sneaky; wrote songs that appeared on various secular and sacred CDs and on Dr. Dolittle and The Prince of Egypt soundtracks; Mary Mary signed to Columbia label, 1999; released Thankful, 2000; single "Shackles (Praise Him)" reached top levels of R&B and gospel charts; released Incredible, 2002.
Life's Work
Gospel music has often enriched itself with secular elements, and in the 1990s the music achieved a sharp increase in popularity when acts such as Kirk Franklin and Yolanda Adams incorporated elements of hip-hop and R&B styles into the gospel musical language. The contemporary gospel duo Mary Mary, which rocketed to the top of the charts in the year 2000 with their debut release, Thankful, went even further than those two pioneers in a secular direction. Indeed, in the words of J. D. Considine of the Baltimore Sun, that album "sounds like an R&B album that just happens to mention Jesus a lot."
No matter how their music might be classified, the two women that make up Mary Mary have a strong sense of their own musical direction. Mary Mary consists of sisters Erica and Tina Atkins, who composed most of their material. The duo's name is taken from the two women named Mary in the Bible--Mary Magdalene and the Virgin Mary. "We wanted to give the world the gospel according to Mary Mary, which is different from how others have done," Erica Atkins told Ebony.
Music Restricted to Gospel
The Atkins sisters grew up in Inglewood, California, outside of Los Angeles. "We heard the occasional gunshot," Tina Atkins told Ebony. "But it was a good neighborhood. There were so many people who believed in God and were involved in church." These pillars of the community included Erica and Tina's mother, Thomasina, who was a choir director at the Evangelistic Church of God in Christ, and their father, Eddie, a youth minister. The atmosphere at home was strict--there were plenty of gospel records but no secular music. "We learned as we got older that it's important for kids to have bylaws and some rules," Erica told the Los Angeles Times.
There were nine Atkins siblings in total, and all but one brother sang as teenagers. Their church choir's soprano section was almost exclusively stocked with Atkins sisters for a time, and Erica and Tina still put in occasional appearances there. The entire group of siblings once appeared on the Bobby Jones Gospel program on the BET cable television channel. But Erica and Tina, with their sights set on making music a career, enrolled at El Camino College to study voice. There they ran up against the divide between academic music studies and the popular musical world. "We had to study classical and sing arias, which was fine," Erica told the Times, "but the teachers would tell us if we sang anything else it would damage our instrument."
Joined Stage Show
So the sisters dropped out of school and joined the cast of the touring gospel musical Mama I'm Sorry, later extending their stage experience with another gospel show, Sneaky. In over a year on the road, the sisters received an education of a different kind, learning to move on stage and to grab the attention of an audience. "We had to find things that would make the crowd go 'Awwww!' Tina Atkins told the Times. "We had to act and sing and cry in a heartbeat." Back in Los Angeles the sisters took more college classes and worked at retail jobs (Erica at Boyd's Market, Tina as a makeup artist at Nordstrom's), keeping an eye out for a way into the music industry.
Opportunities began to come when the Atkins sisters teamed themselves with Warryn Campbell, a bassist and aspiring producer whom they had met while performing on the gospel-show circuit--and whom Erica Atkins married in May of 2001. Campbell noticed the sisters' songwriting skills and suggested that they all work together in composing secular as well as gospel music. The results were productive indeed: a publishing deal with the giant EMI music conglomerate and a series of songs that landed on the soundtracks of the films Dr. Dolittle and The Prince of Egypt, as well as an album by the female trio 702. At the same time, Mary Mary as a musical entity took shape. The sisters' profile in the gospel industry was raised when they landed a pair of songs, "Time to Change" and "Yeah," on the Mountain High, Valley Low CD by hot-selling gospel diva Yolanda Adams. Mary Mary signed with the Columbia label in 1999, becoming the first gospel act to record for that industry giant since Tramaine Hawkins in the mid-1990s. Their debut album, Thankful, was released in the year 2000, and even Mary Mary's most enthusiastic backers in the industry may well have been surprised by its success.
Creative Breakthrough in Shower
Everything came together in the single "Shackles (Praise You)," released before the album itself hit the streets. The shower stall is widely known as a site of musical creativity, and it served as one in this case. "We wrote 'Shackles' in about 30 minutes," Campbell told the Los Angeles Times. "I pulled up something that I had worked on to play the girls while I took a shower. But listening to them through the shower, I heard it as something completely different, and I started singing the hook ... 'take the shackles off my feet so I can dance.' I sang it to them, and they just freaked on it." Adorned with a big beat, the sisters' note-perfect harmony, and an accompaniment of running hip-hop commentary, the song evolved into an irresistible dance hit. It became the first gospel song in five years to crack the R&B top ten, made the pop top 40, and gained wide exposure on the MTV video cable channel.
Meanwhile Mary Mary cultivated a connection with traditional gospel fans by touring with superstars Shirley Caesar and Yolanda Adams. Adams was a special influence. "That's our girl," Erica Atkins told USA Today. "She treats us like we were her little sisters and gives us advice and encourages us." Together with its hip-hop influenced tracks, Thankful features the gospel standard "Wade in the Water," and the Atkins sisters' familiarity with gospel quartet recordings shows in their sound. The gospel industry recognized Mary Mary's efforts with four Stellar Awards in 2001, including New Artist of the Year and Contemporary CD of the Year. Featuring guest appearances by the pop trio Destiny's Child and other stars, Thankful was eventually certified platinum for sales of over one million copies.
"We are very much a part of the hip-hop culture, but, at the same time, gospel is a very important part of our lives," Erica Atkins explained to Ebony in an interview that was accompanied by a photograph showing the Atkins sisters in bare-midriff outfits that confirmed their distance from gospel norms. Mary Mary's second album, Incredible, was slated for release in June of 2002; advance reports indicated that it maintained the same balance of gospel and urban contemporary elements heard on its predecessor. The duo had already notched a major accomplishment: they had succeeded commercially with music that had a positive outlook. "People are searching for answers," Tina Atkins told the Los Angeles Times. "They call Psychic Hotline and spend all this money on seeing psychiatrists. We just want to do our part."
Awards
Four Stellar awards, including New Artist of the Year and Contemporary CD of the Year, for Thankful, 2001.
Works
Selected discography
- Thankful, Columbia, 2000.
- Incredible, Columbia, 2002.
Further Reading
Periodicals
- Baltimore Sun, May 4, 2000, p. Live-10.
- Billboard, January 27, 2001, p. 6; June 30, 2001, p. 34.
- Boston Globe, August 3, 2000, p. Calendar-8.
- Ebony, September 2000, p. 55.
- Jet, June 18, 2001, p. 27.
- Los Angeles Times, July 9, 2000, p. Calendar-55.
- USA Today, January 12, 2001, p. E8.
- http://www.columbiarecords.com
- http://www.gospelflava.com/articles/marymary2.html
- http://www.jamsline.com
- http://www.mary-mary.com
— James M. Manheim




