Mary Reilly

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Plot

Based on the novel by Valerie Martin, this gothic suspense story offers a fresh perspective on Robert Louis Stevenson's classic horror tale Dr. Jekyll and Mr. Hyde by presenting the material from a different viewpoint -- that of Mary Reilly (Julia Roberts), an Irish servant girl who has come to work for esteemed surgeon Dr. Henry Jekyll (John Malkovich). Mary is fascinated but also intimidated by her new employer, while the doctor seems to take a personal interest in her that goes beyond mere professional courtesy, much to the annoyance of Mr. Poole (George Cole), Jekyll's brutish manservant who also appears to have his eye on her. Jekyll's interest in Mary increases when he learns that she was abused as a child by her violent and repressive father. The doctor seems to take a keen interest in the violent and uncontrollable side of human nature. One day, he announces to his housekeeping staff that his new colleague, Edward Hyde, may be dropping by unexpectedly and not to be alarmed at his presence. Just as she's become attracted to the studious Dr. Jekyll, Mary is fascinated by the brash and impulsive Mr. Hyde, though he carries an air of danger with him at all times -- and Mary doesn't realize at first that he is merely a manifestation of the darker side of Jekyll's personality. Mary Reilly also features Glenn Close as the Madame Mrs. Farraday. Stephen Frears -- who previously worked with Close, Malkovich and screenwriter Christopher Hampton on 1988's Dangerous Liaisons -- directed. ~ Mark Deming, Rovi

Review

Although it bombed at the box office and put a dent in Julia Roberts' career, Mary Reilly is actually a pretty effective piece of contemporary Grand Guignol. Given that the audience probably knows the general outline of Dr. Jekyll and Mr. Hyde, director Stephen Frears and screenwriter Christopher Hampton fashion Valerie Martin's literary retelling into a baroque mood piece in which Roberts, bereft of blush and in need of a good eyebrow plucking, gets to employ her cavernous eyes and gawky voice for something more than sexy charm. As Mary creeps from her master's laboratory to a London brothel to her mother's funeral, you can see Roberts pushing against the limits of her acting chops, but she almost pulls it off, investing her character with quiet dignity and probing intellect. As for co-star John Malkovich, he finally gets another role that warrants his affected mannerisms; in fact, he gets two, inventing distinctive tics for both Henry Jekyll and his alter ego, Edward Hyde. One could quibble about Jenny Shircore's makeup, which lets a haircut and a shave suffice as differentiators between these two characters, but the script's attention to the duality of the human psyche sets up the conceit that Hyde is no grotesque, but rather a testosterone-soaked twist on Jekyll's gentle template. The film's real monsters are the Victorian money-grubbers who exploit those of Mary's station, from avaricious landlords to shrewd ladies of the night. Among that latter class falls Mrs. Farraday, proprietress of the house of ill repute where Hyde hides out. Glenn Close interprets this character as yet another variation on her frequent parody-of-femininity archetype, bringing a nicely Dickens-ian villainy to a film whose moral palette skews more to greys than black-and-white. ~ Brian J. Dillard, Rovi

Cast

Michael Gambon - Mary's Father; Linda Bassett - Mary's Mother; Moya Brady - Young Woman; Evelyn Doggart - Farraday Girl; Bronagh Gallagher - Annie; Ciarán Hinds - Sir Danvers Carew; Henry Goodman - Haffinger; Bob Mason - Policeman; Michael Sheen - Bradshaw; Tim Barlow - Vicar; Emma Griffiths-Malin - Young Whore; Kadamba Simmons - Farraday Girl; Wendy Nottingham - Screaming Girl's Mother; Richard Leaf - Screaming Girl's Father; David Ross - Doctor; Stephen Boxer - Inspector; Mimi Potworowska - Farraday Girl; Ellie Crockett - Farraday Girl; Julia Hagen - Farraday Girl; Sasha Hanau - Young Mary; Samantha Hones - Farraday Girl; Isabella Marsh - Screaming Girl; Piu Fan Lee - Farraday Girl; Robbi Stevens - Farraday Girl

Credit

John King - Art Director, Michael Lamont - Art Director, Jim Morahan - Art Director, Leo Davis - Casting, Juliet Taylor - Casting, Iain Smith - Co-producer, Consolata Boyle - Costume Designer, David Tringham - First Assistant Director, Adam Somner - First Assistant Director, Stephen Frears - Director, Lesley Walker - Editor, Lynne Pleshette - Executive Producer, George Fenton - Composer (Music Score), George Fenton - Songwriter, Jenny Shircore - Makeup, Stuart Craig - Production Designer, Philippe Rousselot - Cinematographer, Norma Heyman - Producer, Ned Tanen - Producer, Nancy Graham Tanen - Producer, Stephenie McMillan - Set Designer, Richard Conway - Special Effects, Clive Winter - Sound/Sound Designer, Christopher Hampton - Screenwriter, Valerie Martin - Book Author

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Mary Reilly (film)

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Mary Reilly

Theatrical Release Poster
Directed by Stephen Frears
Produced by Norma Heyman
Ned Tanen
Nancy Graham Tanen
Written by Christopher Hampton
Based on Mary Reilly by
Valerie Martin
Starring Julia Roberts
John Malkovich
George Cole
Michael Gambon
Glenn Close
Music by George Fenton
Cinematography Philippe Rousselot
Editing by Lesley Walker
Distributed by TriStar Pictures
Release date(s)
  • 23 February 1996 (1996-02-23) (US)
Running time 108 minutes
Country United States
Language English
Budget $47,000,000 (estimated)[1]
Box office $12,900,000[1]

Mary Reilly is a 1996 American film directed by Stephen Frears and starring Julia Roberts. The movie was written by Christopher Hampton based on the novel Mary Reilly by Valerie Martin. This was the re-teaming of director Frears, screenwriter Hampton, and actors John Malkovich and Glenn Close, all of whom were involved in the Oscar-winning Dangerous Liaisons (1988).

Contents

Plot

Mary Reilly is a lonely servant in the home of Dr. Henry Jekyll, devoted to her position and her master. Slowly, a gradual friendship between Mary and the doctor begins as well as a growing attraction. However, the household is thrown into turmoil when the master announces he will be getting an assistant. The staff speculate on his employment, as he is never fully seen and remains a mystery.

Mary delivers Jekyll's breakfast. One day he asks of her scars. She later explains about her abusive father, and how he tortured her with rats when she was young. Jekyll asks a favor of her, to deliver a letter. It is to a Mrs. Farraday, who is the madam of a whorehouse. The madam agrees to accommodate the doctor's assistant in one of her apartments.

Mary's curiosity about the assistant causes her to follow him secretly into the doctor's lab one night, where she witnesses him handing over a cheque for blood money. When she sees him returning, she hides in the lab as the exit door appears to be locked. She is terrified as Hyde discovers her hiding place, but he just throws her a key. The next morning, she finds Jekyll in the yard with a sprained ankle so she helps him back to his room. He asks her more questions about her father.

Early the next morning, Jekyll wakes her and asks her to deliver another letter to Mrs. Farraday. When she arrives at the brothel, the madam is furious. She shows Mary the room that has been let to Hyde and it is covered in blood. Mary returns with a blood stained handkerchief of Jekyll's with a message that Farraday will do what is necessary to conceal the bloody event.

While cleaning the library, Mary finally meets the handsome and enigmatic Edward Hyde. Although initially repelled, Mary soon finds herself drawn towards his passionate nature. He teases her about her father. The next day, when delivering Jekyll's breakfast, she is cross with him for breaking her confidence. He apologizes for his assistant, and he asks her to accompany Hyde on an errand. They visit the slaughterhouse yard where there is blood and entrails everywhere. When they return with the organs that the doctor requires for his research, Hyde again torments Mary, asking if she is aware of how much Jekyll longs to touch her. He instructs her to fetch tea, but on the way she answers the door to Mrs. Farraday, who insists on seeing Jekyll, and so Mary takes her through to the lab.

Jekyll is there, but not at all pleased to see Farraday. She demands more money for her continued silence. Mary leaves them alone, but while she is out watering the garden, she notices the lights in the lab go out. Investigating, she discovers nothing but a small pool of blood on the theater table. Mary did not see Hyde, who is hidden, and after having killed Mrs Farraday, is joking with her head.

While cleaning in Jekyll's study, Hyde again corners her, but apologizes for his earlier rudeness. He then crushes a tea cup, cutting his hand quite badly. When asked later by Poole about the broken crockery, she confesses, taking all the blame. The next time she delivers the doctor's breakfast, he said he knows she lied, as he knows that it was not her fault. She receives a letter later, informing her that her mother has died. When she went to her mother's dwelling to visit the body, the landlord says he has sold her belongings in order to recoup outstanding rent. Mary states she wants to give her mother a proper burial and goes out into the fog to find a funeral parlor.

She is grabbed in an alley by Hyde who is being chased by mounted police. He hides behind her as they rush by. He thanks her for being in the right place at the right time, kisses her, then leaves. When she returns to the house, she is greeted by a policeman who shows her into the dining room where she is questioned by a detective in connection to the murder of Jekyll's school friend, Sir Danvers Carew, a Member of Parliament. He asks if she has seen Hyde in the last 24 hours, to which she lies and says no. When she meets Jekyll later, he said she should not have risked so much and lied for Hyde. Danvers may have been "corrupt and frivolous," the doctor says, but he never deserved to be murdered. He said he has given Hyde money to disappear.

Mary buries her mother, but as she leaves the cemetery she is confronted by her father who pleads with her to meet with him occasionally, claiming that he is terminally ill. Crying, she refuses and leaves him behind.

When delivering the usual breakfast, she is surprised to discover Hyde in the doctor's bed. She tries to get away to raise the alarm, but he stops her. Hyde then reveals to her his true nature. He explains that the doctor injects himself with a serum, a cure for his depression, and that Hyde is the resulting cure. He in turn injects the 'antidote' to resume being Jekyll. He said that he now has the ability to appear without the aid of Jekyll's serum. Hyde, then, takes her into Jekyll's room and tries to persuade her to have sex with him. Shocked, Mary wishes to leave.

He releases her, and she joins her colleagues in the kitchen. They are interrupted by Jekyll who orders Poole to take a sample of a potion to the chemists and ask them to analyze it. He is to wait until they are successful as this is a matter of life and death. Mary realises that Jekyll is talking about the antidote. She helps him back to the lab and asks if what Hyde told her is true. He is surprised she had not guessed. Unfortunately, Poole returns unsuccessful.

Mary packs her things to leave, but on her way out, she decides to visit the lab. Hyde is there and grabs her, smashing bottles all around. He holds a knife to her throat but something prevents him from killing her. Hyde says that he always knew that Mary "would be the death of us." He injects himself with the antidote, and Mary is forced to witness the horrific transformation between one man to the other. Jekyll reveals that Hyde has mixed a poison with the antidote. Mary asks if this is some form of revenge against Jekyll, but he insists that is a release. He then dies in Mary's arms.

Cast

Production

Producers Jon Peters and Peter Guber acquired the film rights to Mary Reilly in 1989, and optioned them for Warner Bros. with Roman Polanski as director.[2] When Guber became CEO of Sony Pictures Entertainment later that year, he moved Mary Reilly to Sony's sister company, TriStar Pictures, where Burton was approached to direct with Denise Di Novi to produce in 1991.[3] Christopher Hampton was hired to write the screenplay, and Tim Burton signed on as director in January 1993, after he approved over Hampton's rewrite.[2] He intended to start filming in January 1994, after he completed Ed Wood,[4] but Burton dropped out in May 1993 over his anger against Guber for putting Ed Wood in turnaround. Stephen Frears was TriStar's first choice to replace Burton, and Di Novi was fired and replaced with Ned Tanen. Daniel Day-Lewis was TriStar's first choice for the role of Dr. Jekyll.[3]

Critical and public reaction

Reports of alleged production delays and animosity between the two leads helped fuel the poor word-of-mouth preceding the film's release. Upon release, the reviews were decidedly negative, with few critics finding anything to praise about the production. Many found fault with Roberts, calling her 'miscast' (though Malkovich, too, received his fair share of ill mention). The film did not do well at the box office. It earned a paltry $5.6 million on a budget of $47 million.[5] Mary Reilly currently holds a 26% rating on Rotten Tomatoes based on 42 reviews with the consensus stating: "Mary Reilly looks good and has its moments but overall, the movie borders on boredom."

Roberts was nominated for Worst Actress by the Razzie Awards, with Stephen Frears also being nominated for Worst Director.[6] The film was also entered into the 46th Berlin International Film Festival.[7]

See also

References

External links


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Mentioned in

Mary Reilly (1996 Album by George Fenton)
Michael Sheen (Actor, Drama/Horror)
David Ross (Actor, Drama/Crime)
Glenn Close (Actor, Drama/Comedy)
John Malkovich (Actor, Director, Drama/Comedy)