| Mary Renault | |
|---|---|
| Born | Eileen Mary Challans[1] 4 September 1905 Forest Gate, Essex, England, UK |
| Died | 13 December 1983 (aged 78) Cape Town, South Africa |
| Occupation | Author |
| Nationality | English |
| Education | St Hugh's College, Oxford |
| Period | 1939–1981 |
| Genres | Historical fiction, Ancient Greece |
| Spouse(s) | Julie Mullard |
Mary Renault (pronounced /rɛnoʊlt/ Ren-olt[2]) (4 September 1905 – 13 December 1983) born Eileen Mary Challans,[1] was an English writer best known for her historical novels set in Ancient Greece. In addition to vivid fictional portrayals of Theseus, Socrates, Plato and Alexander the Great, she wrote a non-fiction biography of Alexander.
|
Contents
|
Born at Dacre Lodge, 49 Plashet Road, Forest Gate, Essex (now in London), Renault was educated at St Hugh's College of Oxford University, then an all-women's college, receiving an undergraduate degree in English in 1928. In 1933, she began training as a nurse at Oxford's Radcliffe Infirmary. During her training, she met Julie Mullard, a fellow nurse with whom she established a life-long romantic relationship.
She worked as a nurse while beginning a writing career, treating Dunkirk evacuees at the Winford Emergency Hospital in Bristol, and working in Radcliffe Infirmary's brain surgery ward until 1945. She published her first novel, Purposes of Love, in 1939; it had a contemporary setting, like her other early novels, which novelist Linda Proud described as "a strange combination of Platonism and hospital romance".[3] Her 1943 novel The Friendly Young Ladies, about a lesbian relationship between a writer and a nurse, seems inspired by her own relationship with Miss Mullard.
In 1948, after her novel Return to Night won an MGM prize worth $150,000, she and Mullard emigrated to South Africa, where they remained for the rest of their lives. There, according to Proud, they found a community of gay expatriates who had "escaped the repressive attitudes towards homosexuality in Britain for the comparatively liberal atmosphere of Durban.... Mary and Julie found themselves able to set up home together in this new land without causing the outrage they had sometimes provoked at home."[3] (Renault and Mullard were critical of the less liberal aspects of their new home, participating in the Black Sash movement against apartheid in the 1950s.)
Mary Renault died at Cape Town, South Africa, on 13 December 1983.
In South Africa Renault was able to write forthrightly about homosexual relationships for the first time; her sympathetic treatment of love between men would win Renault a wide gay readership. It would also foster rumours that Renault was really a gay man writing under a female pseudonym. Renault found these rumours amusing, but also sought to distance herself from being labelled a "gay writer."
Her historical novels were all set in ancient Greece, including a pair of novels about the mythological hero Theseus and a trilogy about the career of Alexander the Great. In a sense, The Charioteer, the story of two young gay servicemen during World War II who try to model their relationship on the ideals expressed in Plato's Phaedrus and Symposium, is a warm-up for Renault's historical novels. By turning away from the 20th century and focusing on stories about male lovers in the warrior societies of ancient Greece, Renault no longer had to deal with homosexuality and antigay prejudice as social "problems"; instead she was free to focus on larger ethical and philosophical concerns while examining the nature of love and leadership. (Ironically, The Charioteer could not be published in the U.S. until 1959, after the success of The Last of the Wine proved that American readers and critics would accept a serious gay love story.)
Although not a classicist by training, Renault was admired in her day for her scrupulous recreations of the Greek world. Some of the history presented in her fiction (and in her nonfiction work, The Nature of Alexander) has been called into question: her novels about Theseus rely on the controversial theories of Robert Graves, and her portrait of Alexander has been criticized as uncritical and romanticized.[4] According to Kevin Kopelson, professor of English at the University of Iowa, Renault "mischaracterize[s] pederastic relationships as heroic." [5] Defying centuries of admiration for Demosthenes as a great orator, Renault portrayed him as a cruel, corrupt and cowardly demagogue. Renault defended her interpretation of the available sources in author's notes attached to her books.
Though Renault appreciated her gay following, she was uncomfortable with the "gay pride" movement that emerged in the 1970s after the Stonewall riots. Like Laurie Odell, the protagonist of her 1953 novel The Charioteer, she was suspicious of identifying oneself by one's sexual orientation. Late in her life, she expressed hostility toward the gay rights movement, troubling some of her fans[citation needed]. David Sweetman remarks in his biography of Renault that her novels generally portray mothers in a poor light and that, particularly in her later novels, this is extended to women in general.[6] Her generally negative depiction of women has also been noted by critic Carolyn Heilbrun.[7]
The King Must Die and The Bull From the Sea have been adapted by Michael Bakewell as an 11-part BBC Radio 4 serial entitled The King Must Die. It was directed by David Spenser, broadcast between 5/6/1983 and 14/8/1983 and starred Gary Bond (Theseus), John Westbrook (Pittheus), Frances Jeater (queen of Eleusis), Carole Boyd (Aithra), Alex Jennings (Amyntor), Sarah Badel, David March and Christopher Guard. It was repeated on BBC7 17/6/2003.
| Wikiquote has a collection of quotations related to: Mary Renault |
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)