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Maryanne Amacher

 
Artist: Maryanne Amacher
Home > Library > Entertainment & Arts > Pop Artists

Similar Artists:

Eliane Radigue, Pauline Oliveros, La Monte Young, Charlemagne Palestine, Xopher Davidson

Influenced By:

Gordon Mumma, John Cage, David Tudor, Edgard Varèse, La Monte Young, Yoko Ono, Pauline Oliveros, Karlheinz Stockhausen

Worked With:

David Behrman, Merce Cunningham, Thurston Moore

Formal Connection With:

David Behrman, Mark Trayle, Alvin Curran, John Cage
  • Born: February 25, 1943, Kates, PA
  • Died: October 22, 2009, Rhinebeck, NY
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Avant-Garde
  • Instrument: Composer
  • Representative Songs: "Plaything", "Dense Boogie 1", "Synaptic Island

Biography

Modern American composer Maryanne Amacher has almost exclusively created huge multimedia installations from the '70s through (at least) the close of the '90s. Amacher's installments combine sculpture and layers of loud sound and low, resonating tones. She has developed her craft mainly in Europe, by experimenting with the acoustics of varying architectural spaces. In 1993, Amacher became the first Rosekrans Artist in Residence at Mills College. She has toured with Merce Cunningham collaborator David Behrman, teamed with Mark Trayle on the Capp Street Project in San Francisco (1985), and worked with composer Alvin Curran. In 1999, the Tzadik label released a recording of pieces that Amacher chose for CD, entitled Sound Characters (making the third ear). ~ Joslyn Layne, All Music Guide
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Wikipedia: Maryanne Amacher
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Maryanne Amacher 2006-10-06.

Maryanne Amacher (February 25, 1938[1][2] - October 22, 2009) was an American composer and installation artist.

Contents

Biography

She was born in Kane, Pennsylvania,[1] to an American nurse and a Swiss freight train worker. As the only child, she grew up playing the piano. Amacher left Kane to attend the University of Pennsylvania where she received a B.F.A in 1964.[1] While there she studied composition with George Rochberg[1] and Karlheinz Stockhausen. Subsequently, she did graduate work in acoustics and computer science at the University of Illinois at Urbana-Champaign.

While in residence at the University there, in 1967, she created City Links: Buffalo, a 28-hour piece using 5 microphones in different parts of the city, broadcast live by radio station WBFO. There were several other pieces in the "City Links" series, though many details are not yet known. A common feature was the use of telephone lines to connect the sound environments of different sites into the same space, a very early example of what is now called "telematic performance" and preceded much more famous examples of this by Max Neuhaus and others.

Her major pieces have almost exclusively been site specific,[1] often using many loudspeakers to create what she called "structure borne sound", which is a differentiation with "airborne sound", the paradox intentional. By using many diffuse sound sources (either not in the space or speakers facing at the walls or floors) she would create the psychoacoustic illusions of sound shapes/"precense". Amacher's early work is best represented in the three series of multimedia installations produced in the United States, Europe, and Japan: the sonic telepresence series, "CITY LINKS" 1-22 (1967- ); the architecturally staged "MUSIC FOR SOUND JOINED ROOMS" (1980- ) and the "MINI-SOUND SERIES" (1985- ) a new multimedia form which she created, that is unique in its use of architecture and serialized narrative.

She worked extensively with the physiological (not psychoacoustic) phenomenon called otoacoustic emission, in which the ears themselves act as sound generating devices. Amacher composed several "ear dances" designed to stimulate clear "third" tones coming from the listener's ears. The subtitle of her first Tzadik Records album Sound Characters (Making the Third Ear) references these "ear tones".

"When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head ... (my audiences) discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones 'dance' in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes ... Do not be alarmed! Your ears are not behaving strange or being damaged! ... these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception ... I want to release this music which is produced by the listener ..."

Over the years she received several major commissions in the United States and Europe with occasional work in Asia and Central and South America. In 1998 she was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. In 2005, she was awarded the Prix Ars Electronica (the Golden Nica) in the "Digital Musics" category for her project "TEO! A sonic sculpture". At the time of her death she had been working three years on a 40 channel piece commissioned by The Experimental Media and Performing Arts Center in Troy NY.

She never held a full-time job after being a typist in the early 1960s and lived simply in Kingston, NY until her death. For the last decade of her life she taught at the Bard College MFA program.

Notes

  1. ^ a b c d e Allan Kozinn, Maryanne Amacher, 71, Visceral Composer, Dies, Obituary, The New York Times, 2009 Oct. 28.
  2. ^ Note, while most sources state Amacher's birth year as 1938, she had in later years used the birth year 1943.

References

  • Andrew Kesin, "Day Trip Maryanne" (a documentary film of performance collaborations between Amacher and Thurston Moore)

External links


This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)

 
 
Learn More
Mark Trayle (Avant-Garde Artist, '80s, '90s)
Sound Characters (Making the Third Ear) (1999 Album by Maryanne Amacher)
Stain: The Music Rooms/In "Imaginary Landscapes" (1989 Album by Maryanne Amacher)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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