Mask

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  • Artist: Vangelis
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1985
  • Total Time: 43:25
  • Type: Instrumental
  • Genre: Electronica

Review

Mask is an e-music symphony in six movements. Vangelis is near his best on this album. He takes the best from his many different e-music personas and creates huge walls of dramatic and hypnotic sound. Vangelis combines symphonic synths, atmospheres, Berlin school sequences, choral chants, and sweet melodies in this soundscape. The mood shifts from bombastic to triumphant to mysterious to challenging and back and forth and in and out. The atmospheres weave through and around the soundscape, never losing the drama. Deep listeners will be on the edges of their seats. This great CD is like a soundtrack with no film. ~ Jim Brenholts, Rovi

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Wikipedia on Answers.com:

Mask (Vangelis album)

Top
Mask
Studio album by Vangelis
Released 1985
Recorded Nemo Studios, London, 1984
Genre Classical
Length 43:47
Label Polydor
Producer Vangelis
Vangelis chronology
Soil Festivities
(1984)
Mask
(1985)
Invisible Connections
(1985)

Mask (sometimes The Mask) is a 1985 album by the Greek artist Vangelis. It was the last album he produced while living in London, and also the last he produced for the Polydor label. It is in a somewhat dark mood and classical in style, although it branches into ethnic styles. It reached #69 in the UK album charts.

Track listing

All songs written by Vangelis.

  1. "Movement 1" – 10:18
  2. "Movement 2" – 3:26
  3. "Movement 3" – 6:38
  4. "Movement 4" – 8:41
  5. "Movement 5" – 10:00
  6. "Movement 6" – 4:22

Instrumentation

Vangelis plays all instruments, mainly synthesizers, himself. There is choral input on all tracks, and a solo male vocal on the fourth track, but all are uncredited. The choir, as in Vangelis' other choral work, sings seemingly random syllables chosen for their timbre. Similarly, the male tenor vocal of track 4 sings lyrics in a made-up language that resembles Latin. In later interviews it was revealed that the choir is probably the English Chamber Choir and that the male vocalist is Guy Protheroe; the choir also featured on Heaven and Hell (1975).

Specific synthesizer patches are Vangelis' strings and brass, a piano (track 3), a marimba-like sequence (track 4), sharp arpeggio sequences (tracks 1 and 5) and a deep mallet percussion (track 5). Timpani and snare drums are the main percussion instruments; both appear to be samples (Emulator I/Emulator II).

The album, together with Heaven and Hell and Soil Festivities, forms Vangelis' main classical work. He would return to classical style in the late 1990s, but more in New Age format. Mask is definitely quite experimental (such as the large quart underlying track 3).


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