Massimo Vignelli

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Oxford Dictionary of Modern Design:

Lella and Massimo Vignelli

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Vignelli, Lella (1931-) and Vignelli, Massimo (1931-)

Vignelli Associates was founded in New York in 1971 by Italian-born designers Lella and Massimo Vignelli and offered a range of consultancy services including corporate and visual communication design, and industrial and furniture design. Both had graduated in architecture, she studying in Venice and he at Milan and Venice before going on to concentrate on design from 1956 onwards, having been involved in the formation of ADI (Associazione per il Disegno Industriale) , the major Italian professional design organization, in the same year. In 1960 the Vignellis established an industrial and graphic design studio in Milan. They moved to the United States in 1965, forming the corporate design consultancy Unimark with Bob Noorda and Ralph Eckerstrom. Some of the Vignellis' best-known designs from this period involved aspects of identity for a number of major clients including Knoll International, for whom they undertook a comprehensive review of all aspects of their visual presence (commencing 1966), American Airlines, for whom they designed the logo (1967), and the sign systems and map for the New York Subway (commencing 1966). As Vignelli Associates, their designs continued to embrace corporate identity design alongside exhibition, furniture, product, and publication design. Amongst their more significant commissions in this later phase of their career have been the corporate identities for leading New York Department store Bloomingdale's (1972), for the automobile and motorcycle manufacturers Lancia (1978) and Ducati (1992) and the signage system for the Guggenheim Museum in Bilbao (1997). Their furniture designs included the Handkerchief chair for Knoll (1982), the Serenissimo table (1985) for Italian manufacturer Acerbis, and the Magic coffee table (1990) for its lower-priced Morphos label. Other Vignelli designs have also included retail layouts for Artemide, jewellery for Cleto Munari, and glassware for Venini and Steuben. Their work was recognized by the Compasso d'Oro awards in 1964 and 1988, the receipt of a gold medal from the AIGA (American Institute of Graphic Arts, established 1914) in 1983 and has been appraised in Emilio Ambasz's book of essays Design: Vignelli (1980), first published by the Commune di Milan, and republished by Rizzol in 1981 and 1990.

Wikipedia on Answers.com:

Massimo Vignelli

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Massimo Vignelli

Massimo Vignelli and Lella at the RIT Cary Graphic Arts Collection with a specimen of his typeface, Our Bodoni.
Born Milan, Italy
Nationality Italian
Education Politecnico di Milano
Occupation Graphic Designer, Industrial Designer, Architect
Organization Vignelli Associates, Unimark International
Spouse Lella Vignelli

Massimo Vignelli (born 1931 in Milan, Italy) is a designer who has done work in a number of areas ranging from package design to furniture design to public signage to showroom design through Vignelli Associates, which he co-founded with his wife, Lella.[1][2] He has said, "If you can design one thing, you can design everything," and this is reflected in his broad range of work.[3]

Vignelli works firmly within the Modernist tradition, and focuses on simplicity through the use of basic geometric forms in all of his work.

Contents

Life

Vignelli was born in Milan in January[4] 1931. As a teenager, he became enthralled with design and befriended many of the great architects of his day. (He sometimes says his youth was spent as an "architecture groupie.") He went on to study architecture at the Politecnico di Milano and later at the Università di Architettura, Venice.

From 1957 to 1960, Vignelli visited America on a fellowship, and returned to New York in 1966 to start the New York branch of a new company, Unimark International, which quickly became, in scope and personnel, one of the largest design firms in the world. The firm went on to design many of the world's most recognizable corporate identities, including that of American Airlines (which forced him to incorporate the eagle, Massimo is always quick to point out). Vignelli designed the iconic signage for the New York City Subway system during this period. Contrary to news reports and lore,[who?] Vignelli did not design the Washington, DC Metro Map, which was designed by Lance Wyman and Bill Cannan. Vignelli designed the simple signage and wayfinding system for the DC Metro and was the one to suggest that it be named "Metro" like many other capital city subways. Its original name was a mishmash of various states and transportation groups.[citation needed]

In 1971, Massimo founded Vignelli Associates with his wife, Lella.[5][6] He and his wife continue to work from their New York office.[citation needed]

Vignelli was involved with filmmaker Gary Hustwit in the documentary Helvetica, about the typeface of the same name.[7] Vignelli also recently updated his 1972 New York City subway map.[8]

Work

Massimo Vignelli has worked in a wide variety of areas, including interior design, environmental design, package design, graphic design, furniture design, and product design. His clients at Vignelli Associates have included high-profile companies such as IBM, Knoll, Bloomingdale's and American Airlines.

Vignelli participated in the Stock Exchange of Visions project in 2007, as well as publishing the book, Vignelli: From A to Z, which contains a series of essays describing the principles and concepts behind "all good design".[9] It is alphabetically organized by topic, roughly approximating a similar course he has taught at Harvard's School of Design and Architecture.

In January 2009, Vignelli released The Vignelli Canon as a free e-book; an expanded version was printed in September 2010,[10] but the original remains available for download on the Vignelli Associates website.[11] In the introduction Vignelli writes, "I thought that it might be useful to pass some of my professional knowledge around, with the hope of improving [young designers'] design skills. Creativity needs the support of knowledge to be able to perform at its best."[11]

Vignelli worked with the National Park Service and the design staff at the Harpers Ferry Center in creation of the "Unigrid System." The system has been used since 1977 in creation of park brochures in all national parks locations.[12]

Vignelli Center for Design Studies

Lella and Massimo standing in front of the Vignelli Center for Design Studies during construction.

Massimo and Lella Vignelli agreed to donate the entire archive of their design work in 2008 to the Rochester Institute of Technology, near Rochester, New York. The archive will be exhibited in a new building designed by Lella and Massimo Vignelli, to be known as The Vignelli Center For Design Studies. The building, which opened in September 2010, includes among its many offerings exhibition spaces, classrooms, and offices.

“The Vignelli Center for Design Studies will house our comprehensive archive of graphic design, furniture and objects,” said Vignelli. “Under the direction of R. Roger Remington, the Vignelli Distinguished Professor of Design at RIT, the center will foster studies related to Modernist design with programs and exhibitions on our work as well as other related subjects. The first one of its kind and size, The Vignelli Center will position RIT on the international forefront of design studies. Lella and I are delighted to see our dream taking shape.”[13]

Awards

References

  1. ^ "Lella & Massimo Vignelli". Heller Online Inc.. Archived from the original on 2012-02-25. http://www.webcitation.org/query?url=http%3A%2F%2Fwww.helleronline.com%2Fdesigners%2Flella-massimo-vignelli&date=2012-02-25. 
  2. ^ "Lella Vignelli". Designnet.org. Archived from the original on 2012-02-25. http://www.designnet.org/b_of_d/Lella.html. 
  3. ^ http://vignelli.com/home.html
  4. ^ Cite error: Invalid <ref> tag; no text was provided for refs named architizer.com.2Fen_us.2Fblog.2Fdyn.2Ftag.2Fmassimo-vignelli.2F; see the help page.
  5. ^ http://www.art-directory.info/design/massimo-vignelli-1931/index.shtml
  6. ^ http://www.graphis.com/profiles/individual/?id=28
  7. ^ http://www.helveticafilm.com/about.html
  8. ^ Grynbaum, Michael (15 September 2011). "Aid for Baffled Weekend Subway Riders". New York Times. http://www.nytimes.com/2011/09/16/nyregion/new-subway-map-to-help-riders-with-weekend-service-changes.html. Retrieved 23 September 2011. 
  9. ^ http://www.interiordesign.net/article/ca6461424.html
  10. ^ http://www.amazon.com/Vignelli-Canon-Massimo/dp/3037782250/
  11. ^ a b http://www.vignelli.com/canon.pdf
  12. ^ "Brochures History". National Park Service. http://www.nps.gov/history/history/online_books/brochures/. 
  13. ^ "RIT Holds Groundbreaking for Vignelli Center for Design Studies on Oct 7". Rochester Institute of Technology. Archived from the original on 2012-02-28. http://www.webcitation.org/query?url=http%3A%2F%2Fwww.rit.edu%2Fnews%2Fstory.php%3Fid%3D46332&date=2012-02-28. 
  14. ^ http://www.adcglobal.org/archive/hof/1982/?id=255
  15. ^ a b http://www.aiga.org/content.cfm/medalist-massimoandlellavignelli
  16. ^ http://www.interiordesign.net/HoFDesigners/49.html
  17. ^ http://www.interiordesign.net/HoFDesigners/48.html
  18. ^ http://cooperhewitt.org/NDA/WINNERS/2003/LIFETIMEACHIEVEMENT/VIGNELLI/1.shtml
  19. ^ http://www.artsandletters.org/press_releases/2005architecture.php

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