(b London, 1777; d London, 3 Jan 1862). Sculptor and painter, son of (2) James Wyatt. He was educated at Eton. When he was 20 he began painting portrait miniatures and, with his father's encouragement, he branched out into large-scale decorative painting. He obtained several important commissions from his father, including the ceiling of the Concert Room in Hanover Square, London (1803; destr.), allegorical panels in the dining-room at Carlton House, London (1804; destr.), for the Prince Regent (later George IV) and decorations in the state apartments at Windsor Castle (c. 1805-11; destr.). About 1815 he gave up painting to concentrate on sculpture. His first public commission was for the Nelson monument in Liverpool (1807-13). This was designed by Wyatt but Richard Westmacott (ii) cast the bronze statue itself. After the Battle of Waterloo, Wyatt occupied himself with megalomaniac but unexecuted proposals for a national 'Tropheum' to honour the achievements of British arms. He made his name with the memorial to Princess Charlotte (1796-1817) in St George's Chapel, Windsor (1820-24). The work unites the Baroque with the Neo-classical; the soul of the Princess floats up to heaven amid marble clouds, while her heavily shrouded corpse lies on a slab below, attended by four life-size mourners. This monument had no real precursor in English funerary art; it is likely that it was inspired by Arthur William Devis's painting of the Apotheosis of Princess Charlotte in Esher Church, Surrey. A few years later Wyatt repeated the formula in the monument to Elizabeth Manners, 5th Duchess of Rutland, at Belvoir Castle, Leics (completed 1828).
Part of the Wyatt family
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