(b Lyon, 12 July 1897; d Nice, 23 Feb 1984). French photographer. In 1914 he emigrated with his family to the USA, where his father worked in a silk mill. There he studied silk design by day and art, mainly painting, by night until he became interested in photography, which he studied under Emil Brunel at the New York Institute of Photography in 1916. He was impressed by the work of Edward Steichen, among others, and became a friend of his assistant Harvey White. After various menial jobs, he worked as a portrait photographer for Bachrach Studios from 1922 to 1928 in Baltimore, MD, although he also produced several official portraits in Washington, DC, including some of the Coolidge family. In 1927 he also studied portraiture under the painter Carlos Baca-Flor in New York. In 1928 he moved to Paris, intending to work as a fashion photographer, and met Man Ray, who taught him the technique of solarization. He also became a friend of Ren? Magritte and the French Surrealist writer Phillipe Soupault (1897-1990). At this time he began to experiment with multiple exposures, foreshortening, photomontage and other techniques, producing highly complex images such as Untitled (1929; Paris, Lucien Treillard priv. col., see 1985 exh. cat., p. 234).
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Tabard, Maurice (1897-1984), French avant-garde photographer. Much of his early life was spent in the USA, and in 1922-8 he worked at the Bachrach Studio, New York, as a portraitist. On his return to Paris in 1928 Tabard worked freelance in fashion, portrait, and advertising photography, and associated with Man Ray and Magritte. He also experimented with multiple exposure (see composite photographs), solarization, and photomontage to produce portraits and still lifes in a complex style influenced by Dada, Surrealism, Futurism, and the abstract work of Moholy-Nagy. Returning briefly to America in 1948, he worked with Brodovitch at Harper's Bazaar. His last years were spent grappling with formal aesthetic problems.
— Lisa Ann Lavender
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